1.
She wanted to hold foreign syllables like mints on her tongue until they dissolved into fluency.
Anthony Marra
2.
Inside us there is a word we cannot pronounce, and that is who we are.
Anthony Marra
3.
A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts.
Anthony Marra
4.
But there had to be a quota. An upper limit to the number of miracles one is privileged to in a lifetime. How many times can a beloved reappear?
Anthony Marra
5.
Perhaps our deepest love is already inscribed within us, so its object doesn't create a new word but instead allows us to read the one written.
Anthony Marra
6.
We wear clothes, and speak, and create civilizations, and believe we are more than wolves. But inside us there is a word we cannot pronounce and that is who we are.
Anthony Marra
7.
There was a time when she had indulged in the hypothetical for hours a day, plotting the map that had led her here. But no life is a line, and hers was an uneven orbit around a dark star, a moth circling a dead bulb, searching for the light it once held.
Anthony Marra
8.
For their entire lives, even before they met you, your mother and father held their love for you inside their hearts like an acorn holds an oak tree.
Anthony Marra
9.
Life: a constellation of vital phenomena—organization, irritability, movement, growth, reproduction, adaptation.
Anthony Marra
10.
She wouldn't climb out of the bed for her sister, but she had climbed into a crater. She wouldn't cross a room, but she had crossed a continent.
Anthony Marra
11.
The short story that eventually grew into Constellation was the first fiction set in Russia that I'd ever written, and that was right around the time I was giving up on a doomed, never-to-be-seen first novel. While I saw it could be something bigger, in hindsight fortuitous timing was as responsible as anything.
Anthony Marra
12.
Happiness came in moments of unpredictable loveliness.
Anthony Marra
13.
My work often begins as little internal dares, wondering if I can pull something off. So I spent a few years drawing these stories together, trying to build a Pangea of what began as separate continents.
Anthony Marra
14.
In my own work, humor is necessary, for the reasons stated above, but also because forbidding your characters silliness, absurdity, irony, and vulgarity forbids them aspects of the human experience every bit as universal as sorrow.
Anthony Marra
15.
From personal experience, I completely agree that it is often easier to go for monotone sadness. When I was starting out, I wrote a gazillion short stories that ran the gamut of human suffering - drug addiction, child abuse, terminal illness, loved ones dying by all manner of misfortune, etc. In hindsight, it's clear that I mistook the power of the situation for the power of the story.
Anthony Marra
16.
How often is immense sadness mistaken for courage?
Anthony Marra
17.
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
Anthony Marra
18.
What parts had she discarded for the sake of her sanity? What had she cut from herself? Had he stared into her pupils he would have emerged, bewildered and blinking, on the far side of the earth. Was he awed by her? Absolutely. Did he respect her? Unequivocally. Want to be anything like her? No, never, not at all.
Anthony Marra
19.
Her father was the face of her morning and night, he was everything, so saturating Havaa’s world that she could no more describe him than she could the air.
Anthony Marra
20.
You are mine. I recognize you. We twist our souls around each other's miseries. It is that which makes us family.
Anthony Marra
21.
We twist our souls around each other’s miseries.
Anthony Marra
22.
War is unnatural, it causes people to act unnaturally.
Anthony Marra
23.
We tend to associate humor with lightheartedness, but really, it's a rhetorical mode than can be applied to any subject. It was through researching Chechnya that I came to understand this.
Anthony Marra
24.
Work isn't meaningful just because you spend your life doing it.
Anthony Marra
25.
He was losing her incrementally. It might be a few stray hairs listless on the pillow, or the crescents of bitten fingernails tossed behind the headboard, or a dark shape dissolving in soap. As a net is no more than holes tied together, they were bonded by what was no longer there." (ARC p. 63)
Anthony Marra
26.
Sleep just a while longer, that's it, where else can you go where you neither suffer nor cause suffering.
Anthony Marra
27.
Nothing, she now knew, could be defined in exclusion, and every bug, pencil, and grass blade was a dictionary in itself, requiring the definitions of all things to fulfill its own.
Anthony Marra
28.
She was fluent in four languages and yet her fists against the rusted hood were the fullest articulation of her defeat.
Anthony Marra
29.
There is something miraculous in the way the years wash away your evidence, first you, then your friends and family, then the descendants who remember your face, until you aren’t even a memory, you’re only carbon, no greater than your atoms, and time will divide them as well.
Anthony Marra
30.
Anytime I can get either of them really laughing, I immediately pull out a pad of paper write the joke down, regardless of where we are or what we're doing. I must be absolutely insufferable.
Anthony Marra
31.
Invader and invaded held on to their fistfuls of earth, but in the end, the earth outlived the hands that held it.
Anthony Marra
32.
She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.
Anthony Marra
33.
You are a coward,' she said, and with that one word wrote a denunciation, a biography, and a prophecy.
Anthony Marra
34.
It's stupid. There are maps to show you how to get to the place where you want to be but no maps that show you how to get to the time when you want to be.
Anthony Marra
35.
We all know to feel sympathy for those who've suffered from drug addiction, child abuse, and terminal illness, so the set up elicits an emotional response that the story itself very well may not earn. Energy generated by the fiction itself is likely to produce more light.
Anthony Marra
36.
Sometimes it bursts from your imagination fully formed, sometimes you absorb from nonfiction, sometimes you're able to imprint your own autobiographical experiences on a world you never yourself were a part of. A decent number of the one-liners in the title story originally came up in conversations with my girlfriend or my neighbor.
Anthony Marra