Archives Quotes

Social Networking that matters is helping people archive their goals. Doing it reliably and repeatability so that over time people have an interest in helping you achieve your goals.

If you are working 50 hours a week in a factory, you don't have time to read 10 newspapers a day and go back to declassified government archives. But such people may have far-reaching insights into the way the world works.

Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).

The Carnegie Foundation is well aware of the fact that their reports frequently find their way to dusty archives in academic institutions, but occasionally people pick up a segment of a report and act upon it.

We turn our own lives into an information archive by storing all our emails, SMS, digital photos, and other digital traces of our existence.

It is to have a compulsive, repetitive, and nostalgic desire for the archive, an irrepressible desire to return to the origin, a homesickness, a nostalgia for the return to the most archaic place of absolute commencement

I don't think that there has been a film that I've done that hasn't been influenced by libraries and archives.

What's an archive, son? Is that anything like a closet?

Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, They are in the archives.

I'm trying to figure out what I can do creatively. It's about trying to find new things and trying to figure out voices and borrowing from things and learning as much as possible so that I have an archive of things to borrow from.

What's unique about [4chan] is that it's anonymous, and it has no memory. There's no archive, there are no barriers, there's no registration. ... That's led to this discussion that's completely raw, completely unfiltered.

Archives exist because there's something that can't necessarily be articulated. Something is said in the gaps between all the information.

Somewhere in the archives of crudest instinct is recorded the truth that it is better to be endangered and free than captive and comfortable.

Folklore used to be passed by word of mouth, from one generation to the next; thats what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.

Natural selection is all about the differential success of rival DNA in getting itself transmitted vertically in the species archives.

To have a great university library near you with plenty of archives of all the journals that you want to research in the twentieth century is a remarkable asset, and I spend a day, maybe two days a week in that library. I just plain love it.

When I joined Gucci in 2002, I immediately wanted to make a research trip into the archives because I'd heard about how incredible they were, but I never had the opportunity to visit them.

I have a company that is not Microsoft, called Corbis. Corbis is the operation that merged with Bettman Archives. It has nothing to do with Microsoft. It was intentionally done outside of Microsoft because Microsoft isn't interested.

Language is the archives of history.

I watched tons of archive footage of princess Margaret and listened to the music she loved; that was really immersive and brilliant.

Over the last two years, I have been able to comb through The Prince's archives. I have been free to read his journals, diaries and many thousands of the letters.

The archives recall not one single incriminating incident, not one drunken escapade, not one reported affair, not one spat with a team-mate or reporter - As Matthew Parris wondered of Barack Obama in these pages recently, is he human?

I am certainly influenced by certain post-structuralist traditions but also a number of other theoretical archives as well - including the brilliant work of Paulo Freire, Zygmunt Bauman, Loic Wacquant, Nancy Fraser, Tony Judt, and others.

It’s important to have relationships with the people at the archives.

Kids talk to me and say they want to do musicals again because they've studied the tapes of the old films. We didn't have that. We thought once we had made it, even on film, it was gone except for the archives.

Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.

There’s a level at which words are spirit and paper is skin. That’s the fascination of archives. There’s still a bodily trace.

I realized the importance of archiving. So I save key pieces from my collections, as well as any red-carpet things that become iconic. I always ask for that stuff back. I'm like, "It's going in my archives."

Typically your work will end up in a museum [after] you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead.

Seances is an internet project where I intended to adapt at least a hundred and maybe three hundred lost films into ten and twenty minute long fragmentary versions. We then uploaded them to an internet archive that fragmented them even more. We treated them like shreds of lost movie spirits and allowed these spirits to interrupt each other in non-consecutive collisions that formed new movies.

A sociologist without an archive is like a person without a memory.

So it was doing all this research or going to the archives or doing all these interviews or traveling, and then trying as much as I can to delete all of that research in a later draft so that all the reader cares about is the characters.

Let's face it, we're all clones nowadays. We've all got the same archives, we've all got the same Hyundai, we've all got the same Mac or PC components, and we're all being told the same news stories globally.

I woke up one day and I was like, "I don't have anything to save for myself for the future." That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.

If you're going to download an MP3, as a recording, it's sort of like an archive of something that has happened - that has a beginning and an end and can be released. The infiniteness escaped.

People can burn archives; people can destroy evidence, but to say that history is perishable, that historical evidence is perishable, is different than saying that history is subjective.

Right now our blog on the presence of tape at EMC World is seeing twice as much traffic as all the other EMC World related content. Why? Many of our readers are coming to the obvious conclusion that tape, despite the negative marketing, is still an optimal way to protect and archive their information.

I just love the days when you come out of the archives with half a dozen excellent descriptions or poignant accounts of personal experiences.

In the case of Alex Haley, Haley's material is located at the University of Tennessee at Knoxville, primarily. But there are a whole series of elaborate steps that one has to - has to encounter in order to even begin to do research. There's an attorney. If you want to photocopy material from that archive, you have to get permission from the attorney beforehand.

For inspiration you go to the archives, you go to things of the past, but you still need to be contemporary for today. You can never forget the time you're living in because the past is the past and it will never come back.

I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.

Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.

if it's not in my email archive, I don't know it

My books serve as archives of thoughts and emotions, like a tonal history that captures how I felt at a certain time of my life. It's not very informational. You're not going to get comprehensive knowledge about the Han dynasty of China or about India's Emergency. But you might learn how one person felt about the Los Angeles Olympics.

I love this idea of the body as a trauma archive!

Anne Romaine collected her own parallel archive to [Alex] Haley.