Audio Quotes

Audiophiles don't use their equipment to listen to your music. Audiophiles use your music to listen to their equipment.

If you can understand the humor in the drawing part you'll probably get the humor in the audio part.

At the same time, one of the things I noticed was that the moment there was any kind of audio attached to virtual reality, it really improved the experience, even though the audio didn't feel like a sound engineer or composer had been anywhere near it.

The Audio Home Recording Act directly says that noncommercial copying by consumers is lawful.

Lovers of audio books learn to live with compromise.

Images are not only visual. They're also auditory, they involve sensuous impressions, bundles of information that come to us through our senses, and mainly through seeing and hearing: the audio-visual field.

Quite honestly, if I were doing work related to a living being or historical being where there was visual or audio recordings available, I would find that extremely difficult because I don't know how you would avoid the process of mimicry. And mimicry, to me at any rate, is a very dull prospect.

Their brilliant audio expert, who is a marine biologist, should really be looking after Flipper

When you're young, you're not afraid of what comes next. You're excited by it.

I have an audio stigmatism whereby I hear things wrong - I have audio illusions.

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.

Hey, I wasn’t a weirdo. I was in the audio-visual club.

I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.

Because operators are based thousands of miles away from the battlefield, and undertake operations entirely through computer screens and remote audio feed, there is a risk of developing a 'PlayStation' mentality to killing.

My first epiphany that this might work came on my first day, when I went into biofeedback. They hooked me up to computers through electrodes, put me in a comfortable lounge chair, put an eye pillow over my face, slipped speakers onto my head and played an audio guided visualization.

You must study their deliveries, their use of their bodies, their timing, and their use of audio and vocal effects.

We have so much access to video and audio recording equipment that it's kind of the new pen and paper.

I credit Podiobooks and the free audio podcasts for helping me develop the audience I needed when I started selling my books in text forms.

Audio is the only medium you can consume while you're multitasking.

One thing that has happened is a revolution in digital consumer recording, and overall, that's a great thing for art, but parallel to that there's been a revolution in boutique audio companies making excellent gear.

My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.

I noticed a lot of bands always having a few people in the band being interested in recording and audio production, so I got the idea to create products that would appeal to them. Rather than create tools that only engineers could understand, I designed tools that any musician could use and get instant great sounding results.

Talking to Lee Child and discovering, from his chapter in The Chopin Manuscript, that he's even more of an audio geek than I am (as his chapter in Chopin proves).

Let me tell you this, if I had wanted to have a library of audio and videotapes of Bill Clinton, I could have had that. And after I was accused of being a liar, I wished that I had of.

Yes, for me audio-visual performance has its roots in my experience working as an improvising musician and composer.

Since I shoot, record audio and edit, I was able to begin the filming without hiring a crew and create a sample to show broadcasters and grant organizations.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.

I'm just kind of interested in focusing on what I'm interested in and just kind of solidifying it, or at least experimenting, or actualizing some of the experiments that I've had in my head for years, either filmicly or with audio.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.