Barry Lopez Quotes

To put your hands in a river is to feel the chords that bind the earth together.

When we enter the landscape to learn something, we are obligated, I think, to pay attention rather than constantly to pose questions. To approach the land as we would a person, by opening an intelligent conversation. And to stay in one place, to make of that one, long observation a fully dilated experience. We will always be rewarded if we give the land credit for more than we imagine, and if we imagine it as being more complex even than language. In these ways we begin, I think, to find a home, to sense how to fit a place.

The land is like poetry: it is inexplicably coherent, it is transcendent in its meaning, and it has the power to elevate a consideration of human life.

If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive.

Conversations are efforts toward good relations. They are an elementary form of reciprocity. They are the exercise of our love for each other. They are the enemies of our loneliness, our doubt, our anxiety, our tendencies to abdicate. To continue to be in good conversation over our enormous and terrifying problems is to be calling out to each other in the night. If we attend with imagination and devotion to our conversations, we will find what we need; and someone among us will act—it does not matter whom—and we will survive.

We cannot, of course, save the World because we do not have authority over its parts. We can serve the world though. That is everyone's calling, to lead a life that helps.

The interior landscape responds to the character and subtlety of the exterior landscape; the shape of the individual mind is affected by the land as it is by genes.

Remember on this one thing, said Badger. The stories people tell have a way of taking care of them. If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive. That is why we put these stories in each other's memories. This is how people care for themselves.

Everything is held together with stories. That is all that is holding us together, stories and compassion.

The land retains an identity of its own, still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind, with an attitude of regard...be alert for its openings, for that moment when something sacred reveals itself within the mundane, and you know the land knows you are there.

To allow mystery, which is to say to yourself, 'There could be more...things we don't understand,' is not to damn knowledge....It is to permit yourself an extraordinary, freedom: someone else does not have to be wrong in order that you might be right...This tolerance for mystery invigorates the imagination; and it is the imagination that gives shape to the universe.

No culture has yet solved the dilemma each has faced with the growth of a conscious mind: how to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in all life, when one finds darkness not only in one’s own culture but within oneself.

One must live in the middle of contradiction, because if all contradiction were eliminated at once, life would collapse. There are simply no definitive answers to some of the great pressing questions. You continue to live them out making your life a worthy expression of leaning into the light.

The land gets inside of us; and we must decide one way or another what this means, what we will do about it.

real beauty is so deep you have to move into darkness to understand it.

Sometimes a person needs a story more than food to stay alive.

You can't learn anything from saguaro cactus, from ocotillo. They are just passing through; their roots, their much heralded dormancy in the dry season, these are only illusions of permanence. They know even less than you do.

We simply do not understand our place in the universe and have not the courage to admit it.

I know of no restorative of heart, body, and soul more effective against hopelessness than the restoration of the Earth.

One of the great dreams of man must be to find some place between the extremes of nature and civilization where it is possible to live without regret.

Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?

Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.

Because you have seen something doesn't mean you can explain it. Differing interpretations will always abound, even when good minds come to bear. The kernel of indisputable information is a dot in space; interpretations grow out of the desire to make this point a line, to give it direction. The directions in which it can be sent, the uses to which it can be put by a culturally, professionally, and geographically diverse society are almost without limit. The possibilities make good scientists chary.

The wolf exerts a powerful influence on the human imagination. It takes your stare and turns it back on you

Throughout the centuries we have projected on to the wolf the qualities we most despise and fear in ourselves.

If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox.

Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.

For so many centuries, the exchange of gifts has held us together. It has made it possible to bridge the abyss where language struggles.

One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse.

What does it mean to grow rich? Is it to have red-blooded adventures and to make a ‘fortune,’ which is what brought the whalers and other entrepreneurs north? Or is it, rather, to have a good family life and to be imbued with a far-reaching and intimate knowledge of one’s homeland, which is what the Tununirmiut told the whalers at Pond’s Bay wealth was? Is it to retain a capacity for awe and astonishment in our lives, to continue to hunger after what is genuine and worthy? Is it to live at moral peace with the universe?

It is the imagination that gives shape to the universe.

We keep each other alive with our stories. We need to share them, as much as we need to share food. We also require for our health the presence of good companions. One of the most extraordinary things about the land is that it knows this—and it compels language from some of us so that as a community we may converse about this or that place, and speak of the need.

In behaving respectfully toward all that the land contains, it is possible to imagine a stifling ignorance falling away from us.

Watching the animals come and go, and feeling the land swell up to meet them and then feeling it grow still at their departure, I came to think of the migrations as breath, as the land breathing. In spring a great inhalation of light and animals. The long-bated breath of summer. And an exhalation that propelled them all south in the fall.

The cold view to take of our future is that we are therefore headed for extinction in a universe of impersonal chemical, physical, and biological laws. A more productive, certainly more engaging view, is that we have the intelligence to grasp what is happening, the composure not to be intimidated by its complexity, and the courage to take steps that may bear no fruit in our lifetimes.

The writer works on the inside and the critic works on the outside. I don't know what it looks like on the outside, sometimes. It's not that I'm not interested-it's not where I live. I live inside the story.

Would the last animal, eating garbage and living on the last scrap of land, his mate dead, would he still forgive you?

The land urges us to come around to an understanding of ourselves.

The most intelligent thing we can do is love, not reason.

The opposite of love is not hate; it's indifference. To be indifferent is to not express love.

I lay there knowing something eerie ties us to the world of animals. Sometimes the animals pull you backward into it. You share hunger and fear with them like salt in blood.

The attempt to close the gap between what is known and what IS, is the temptation behind the apple in Genesis.

My function as a writer is to provide an atmosphere in which people can think wisely about what we're doing on this planet.

My faith is in my colleagues. And when I meet other writers, journalists, who've been doing this for a long time, trying to make us aware of what it is that we're living in, I put my faith in those people.

There are simply no answers to some of the great pressing questions.

It does not demean men to want to be what they imagine the wolf to be, but it does demean them to kill the animal for it.

The gaze of the wolf reached into our soul.

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

If I were to offer any advice to young writers, it would be this: be discriminating and be discerning about the work you set for yourself. That done, be the untutored traveler, the eager reader, the enthusiastic listener. Put what you learn together carefully, and then write thoughtfully, with respect both for the reader and your sources.

You continue to live them out, making your life a worthy expression of leaning into the light.