Edwidge Danticat Quotes

All anyone can hope for is just a tiny bit of love, like a drop in a cup if you can get it, or a waterfall, a flood, if you can get that too.

When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.

Love is like the rain. It comes in a drizzle sometimes. Then it starts pouring and if you're not careful it will drown you.

Write what haunts you. What keeps you up at night. What you are unable to get out of your mind. Sometimes they are the hardest things to write, but those are often the things that are worth investigating by you specifically. . .

Life was neither something you defended by hiding nor surrendered calmly on other people's terms, but something you lived bravely, out in the open, and that if you had to lose it, you should lose it on your own terms.

Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.

There is a frustration too, that at moments when there's not a coup, when there are not people in the streets, that the country disappears from people's consciousness.

When you write ,it's like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring then unity.

The girl she said, I didn’t tell you this because it was a small thing, but little girls, they leave their hearts at home when they walk outside. Hearts are so precious. They don’t want to lose them.

Their Maker, she said, gives them the sky to carry because they are strong. These people do not know who they are, but if you see a lot of trouble in your life, it is because you were chosen to carry part of the sky on your head. -pg. 25

It's not easy to start over in a new place,' he said. 'Exile is not for everyone. Someone has to stay behind, to receive the letters and greet family members when they come back.

People are just too hopeful, and sometimes hope is the biggest weapon of all to use against us. People will believe anything.

I think Haiti is a place that suffers so much from neglect that people only want to hear about it when it’s at its extreme. And that’s what they end up knowing about it.

When people think about this religion, they'll say "voodoo" this and "voodoo" that in the way the Hollywood movies show it: the sticking of pins in dolls. It's very different than Vodou - which is a religion that comes to Haiti from our ancestors in Africa. I want to differentiate it from the stereotypical, sensationalized view that we see of the religion.

Toni Cade Bambara said: “Writing is the way I participate in the struggle.”

Misery won't touch you gentle. It always leaves its thumbprints on you; sometimes it leaves them for others to see, sometimes for nobody but you to know of.

I also know there are timeless waters, endless seas, and lots of people in this world whose names don't matter to anyone but themselves. I look up at the sky and I see you there.

I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody.

When you are working on something, you have to believe that people will still be reading when you're done!

The people did not elect me. I speak with one voice that may echo other people, but I am part of a group of people. That's not distancing yourself from a community, that's also allowing the space for others to speak for themselves.

Pretend that this is a time of miracles and we believe in them.

These were our bedtime stories. Tales that haunted our parents and made them laugh at the same time. We never understood them until we were fully grown and they became our sole inheritance.

There is this split between the Haiti of before the earthquake and the Haiti of after the earthquake. So when I'm writing anything set in Haiti now, whether fiction or nonfiction, always in the back of my mind is how people, including some of my own family members, have been affected not just by history and by the present but also by the earthquake.

I think it's hard for an outsider to capture the flavor of a community and all its nuances, so ultimately Haitian-Americans need to start sharing intimate accounts of their stories.

It's hard to tell what people will do with the word and how they'll be circulating it but I think the storytellers and the stories themselves will always be there.

That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.

The whole military structure in Haiti that existed until the early 1990s was put in place by the American occupation. At the top there were Southern white officers, who led an army that crushed the indigenous resistance - the cacos. A high-ranking U.S. officer said when he arrived, "To think these niggers speak French!" Later, Haitian officers attended the notorious School of the Americas at Fort Benning. The threat from the U.S. is something that is always hanging over people's heads: If we don't behave, we'll have occupation again.

There are many possible interpretations of what it means to create dangerously, and Albert Camus, like the poet Osip Mandelstam, suggests that it is creating as a revolt against silence, creating when both the creation and the reception, the writing and the reading, are dangerous undertakings, disobedience to a directive.

Life's hard in Haiti right now. And the hardest thing is that the future does not lie with one person.

AIDS was something that was put upon us [as haitians], and we were immediately identified with it. That is unfair. That is unjust. I always say, "We are all people living with AIDS." It's not like you can avoid it. It's part of our world.

It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

We've had fiction from the time of cave drawings. I think fiction, storytelling, and narrative in general will always exist in some form.

We need literature because we wouldn’t fully know ourselves without it. We need good literature to be fully human.

I think novels just really show us the deepest parts of people's hearts, and you cannot walk away anymore and say, "I don't know."

People think that there is a country there that these people are only around when they are on CNN. I don't think that's limited to Haiti.

In Haiti you had the Duvaliers for 29 years and they were very well supported by the United States.

Napoleon had been fighting this army of slaves and free people in Haiti and it depleted his forces. And after the Revolution, when the French were driven out, they stopped and sold this big chunk of North America to the Americans for very little money.

People who want alternative information have to try so hard to find it.

The Attorney General made another astonishing claim, that there were Pakistani terrorists possibly coming on these boats from Haiti. No one has ever seen a Pakistani coming on a boat from Haiti yet.

In terms of the idea of long-term occupation - I have been reading a little bit more about this period - and you can see in that occupation are many lessons for the current occupation of Iraq. So we have these connections that go way back that people aren't aware of.

And the fact that Haiti was occupied for 19 years by the United States, from 1915 to 1934.

The whole history between Haiti and the Dominican Republic is complicated. We share the island of Hispaniola, and Haiti occupied the Dominican Republic for twenty-two years after 1804 for fear that the French and Spanish would come back and reinstitute slavery. So we have this unique situation of being two independent nations on the same island, but with each community having its own grievance.

You have all these people in the city and everything has become centralized. If you live outside the city and you need a birth certificate or some official paper from the government, you have to travel to the city.

Someone has said that nations have interests, they don't have friends, and you see that over and over in U.S. policy.

Language is such a powerful thing. After the earthquake, I went to Haiti and people were talking about how [they] described this feeling of going through an earthquake. People really didn't have the vocabulary - before we had hurricanes. I'd talk with people and they'd say, "We have to name it; it has to have a name."

I would hate for people to generalize about every Haitian from something that one Haitian did, or a group of Haitians did.

Salt is a powerful symbol in Haiti, as elsewhere. Salt of the earth, for example is an American phrase. In Haiti, myth and legend has it that if you are turned into a zombie, if someone gives you a taste of salt, then you can come back to life. And in the life of the fishermen, there are so many little things about salt that I wanted to incorporate. The salt in the air. The crackling of salt in the fire. There's all this damage, this peeling of the fishing boats from the sea salt. But there is also healing from it, sea baths that are supposed to heal all kinds of aches and wounds.

I hope to be a good role model for my daughters.

Wonderful thing about novels is that sometimes we read a novel and we know the person in the novel more than we know people in our own lives.

Being a shy child, I always longed for a mask. Even in my adult life, I have glasses, they are my mask.