Ghost Stories Quotes

There is probably a smell of roasted chestnuts and other good comfortable things all the time, for we are telling Winter Stories - Ghost Stories, or more shame for us - round the Christmas fire; and we have never stirred, except to draw a little nearer to it.

So what Ghost Stories means to me is like you've got to open yourself up to love and if you really do, of course it will be painful at times, but it will be great at some point.

I loved ghost stories, creaky staircases, stormy nights. If it guaranteed nightmares I read it by flashlight, after midnight.

But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.

I was horrified of the dark. I realized that the only way I could get over that fear was by scaring other people, so I became obsessed with ghost stories, drawing monsters, watching monster movies, sneaking into horror movies, and it's just been the love of my life forever.

The idea of Ghost Stories is how to turn something bad into something that gives you an uplift.

Ghost stories are always listened to and well received in private, but pitilessly disavowed in public. For my own part, ignorant as I am of the way in which the human spirit enters the world and the way in which he goes out of it, I dare not deny the truth of many such narratives.

There are some ghost stories in Japan where - when you are sitting in the bathroom in the traditional style of the Japanese toilet - a hand is actually starting to grab you from beneath. It's a very scary story.

Science fiction is no more written for scientists than ghost stories are written for ghosts.

A ghost story of which the scene is laid in the twelfth or thirteenth century may succeed in being romantic or poetical: it will never put the reader into the position of saying to himself: "If I'm not careful, something of this kind may happen to me!

I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.

Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge', I look in the corners of my room for the next two days.

There are certain types of genres that are impossible in China. Ghost stories, something too graphic, too violent, and of course if it's too political. Other than that, it will be fine.

I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.

As a child I loved ghost stories.

I enjoyed [Celebrity Ghost Stories]. I never thought in a million years that I would tell people that I saw a ghost. And I've seen a lot of ghosts.

Ghost stories ... tell us about things that lie hidden within all of us, and which lurk outside all around us.

we need ghost stories because we, in fact, are the ghosts.

What I'm always trying to do with every book is to recreate the effect of the stories we heard as children in front of campfires and fireplaces - the ghost stories that engaged us.

I do not believe in ghosts. I believe in ghost stories.

Every love story is a ghost story.

The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.

You and me are going to have so much fun, Rose. Picking out curtains, doing each other's hair, telling ghost stories.

I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.

I don't feel like writing any more ghost stories.

While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find.

I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.

As a child, I was a brat, and my parents didn't know how to control me. So they told me ghost stories, which stayed with me. I am still petrified of darkness and being alone.

I love ghost stories, I love to read them, and I love the idea of being haunted.

Ghost stories always creep me out and weird me out. Those are always interesting to watch.

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?

I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.

This is a story about a family and, as there is a ghost involved, you might cal it a ghost story. But every family is a ghost story. The dead sit at out tables long after they have gone.

I love really, really deep, dark-as-Russia storylines. I love supernatural aspects. I grew up with ghost stories.

Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.

I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real.

Everyone has a ghost story, or at least thats how it has always seemed to me.

I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.

I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.

Ghosts are a metaphor that can be interpreted so many different ways. There's no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.

The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that's sometimes overlooked, but it's a wonderful piece of work.

Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.

I've been reading ghost stories ever since I could read. I'm immensely curious about ghosts and UFOs and all that stuff, but I'm a very hard-headed person.

How are we to account for the strange human craving for the pleasure of feeling afraid which is so much involved in our love of ghost stories?

There’s always been a need for horror fiction, though - ghost stories have been a staple of every human society since the beginning of recorded literature - and while commercially the field may have its ups and downs, it will never go away. Hell, look at the Bible: gods, devils, ghosts, witches, giants, resurrections. That’s one big horror story. And it’s the most popular book on the planet.