Horror Stories Quotes

In horror stories or in fairy tales, the fascination with the morbid is also, at least for me, a way to prepare for the unthinkable… That’s why it’s very important for me to show the artificiality of it all, because the real horrors of the world are unmatchable, and they’re too profound. It’s much easier to absorb – to be entertained by it, but also to let it affect you psychologically – if it’s done in a fake, humorous, artificial way.

When I had dyslexia, they didn't diagnose it as that. It was frustrating and embarrassing. I could tell you a lot of horror stories about what you feel like on the inside.

American Horror Story re-energized me; it re-energized my career. There’s no shame in recognizing that. It’s exposed me to a whole new generation, which is a little strange. I’m not used to young people thinking I’m cool.

People who are upset about something ruminate on it whenever they get a chance; they are constantly drawn back to their own unhappy tale as if it were a horror story left open on a table.

My family was always very supportive. Whether you're an actor or not, everybody hears the horror stories of people going to L.A. and trying to be an actor, and their dreams are crushed, and they end up working for the IRS. So they were always protective to the point that they wanted me to have a backup plan, which is understandable, but there was always something inside of me that knew: backup plan, schmackup plan.

You hear a lot of horror stories about proposing and things going horribly wrong - it went really, really well and I was really pleased when she said yes.

I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

There is a sweet little horror story that is only two sentences long: The last man on Earth sat alone in a room. There was a knock at the door... Two sentences and an ellipsis of three dots.

I do watch 'Revenge,' 'American Horror Story' and 'Game of Thrones.' I am behind on all of them. But I do watch them. Those are my go-to shows.

The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.

The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.

While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.

Many great horror stories are period pieces and English actors have a facility for historic characters.

Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.

Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.

I know it's such a boring interview sometimes with us at 'American Horror Story', but I just can't say a word. I would certainly love to be back, that's for sure. It's such a great job.

It's cool to see everybody come together and do their own thing, but there's never been any drama. I never saw any on the X-Men set, and I never saw any on the Horror Story set.

I am coming to the end of acting. I have a list: another stage production, maybe one or two more movies, one more season of American Horror Story. . . and then that is it for me. Because I think that's enough. I want to go out with a bang. . . or should I say, a scare?

If government ownership of land and natural resources was the best way to protect the environment, then we should have found a Garden of Eden in the Soviet Union after the Iron Curtain came down. Instead, there was one environmental horror story after another.

Why do grown-ups think it's easier for children to bear secrets than the truth? Don't they know about the horror stories we imagine to explain the secrets?

I know you hear horror stories about child actors, but I think in my family when I did start acting it was never a big deal.

[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!

I get scared easily, so I'm not one for just sitting down with a bowl of popcorn and watching horror stories. But, I mean, I'm learning more. Maybe one day I'd like to be able to watch them.

 My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.

I love scary movies. I like American Horror Story. That is more of a series, but it is really good.

When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."

I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.

…my life has been a remarkable one. Maybe one day someone will write a book about me . . .” "I’ve never much cared for horror stories.

American Horror Story on cable now, it is terrific. There has to be room to re-invent.

A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.

I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.

It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.

I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.

High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.

When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.

The doctrine of hell does not stand alone as a kind of ancient Christian horror story. Rather, hell is inseparable from three other interrelated biblical truths: human sin, God's holiness, and the cross of Christ.

I like doing whatever interests me. It's a challenge for me to try to make good comics out of any genre I tackle. I trust my instincts in getting me through the more difficult genres for modern readers, like violent crime or horror stories.

I just got my work visa to shoot American Horror Story, and my official status is "alien with extraordinary abilities."

Edgar Allan Poe is considered the great writer of horror stories, perhaps the greatest - I will say the greatest

I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.

[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.

I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.

There’s always been a need for horror fiction, though - ghost stories have been a staple of every human society since the beginning of recorded literature - and while commercially the field may have its ups and downs, it will never go away. Hell, look at the Bible: gods, devils, ghosts, witches, giants, resurrections. That’s one big horror story. And it’s the most popular book on the planet.

There are a lot of people in the field [ of horror stories] that I do read. There is a lot of stuff that is written in this field, though, that is not very good. You just have to look for the good stuff.

Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.

You don't see heroism, humanity and hope like you do in a horror story. Horror celebrates the kind of friendship that keeps you standing shoulder to shoulder with someone even when the world is falling apart around you.

Operating-room errors hold a special terror for patients, if only because they seem like the most avoidable kind of complications. The occasional horror stories of patients who have the wrong leg removed or the wrong knee replaced generate the most headlines, as do tales of patients whose identities are mixed up entirely.

We’d turn our lives into a terrible adventure. A true-life horror story with a happy ending. A trial we’d survive to talk about.

I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.

Sometimes the biggest disasters aren't noticed at all – no one's around to write horror stories.