James Dickey Quotes

What you have to realize when you write poetry, or if you love poetry, is that poetry is just naturally the greatest god damn thing that ever was in the whole universe

A poet is someone who stands outside in the rain hoping to be struck by lightning.

I want you to hear a new version of Dueling Banjos. Anyone else is welcome.

Flight is the only truly new sensation than men have achieved in modern history.

The true feeling of sex is that of a deep intimacy, but above all of a deep complicity.

There are so many selves in everybody, and just to explore and exploit one is wrong, dead wrong, for the creative person.

I once had the nerve to ask Picasso the question, 'What is art?' He answered, 'Art is a lie which makes us see the truth.

Then you develop a kind of critical sense about what you write. You can tell when something is good, but it would be just as good in somebody else's work too. You want to hold out for those things only you can say.

I want a fever, in poetry: a fever, and tranquillity.

I don’t believe that a reviewer or a critic can really criticize well unless he can praise well.

To be precise and reckless: that is the consummation devoutly to be wished.

Poetry makes possible the deepest kind of personal possession of the world.

What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.

Find out what you do best, and then don't do it.

So much destruction in modern war takes place miles and miles away from the source of the destruction, the human being who has caused it.

To have guilt you've got to earn guilt, but sometimes when you earn it, you don't feel the guilt you ought to have. And that's what The Firebombing is about.

The women of the South have brought into American literature a unique mixture of domesticity and grotesquerie.

It takes an awful lot of time for me to write anything. I have endless drafts, one after another; and I try out 50, 75, or a hundred variations on a single line sometimes. I work on the process of refining low-grade ore. I get maybe a couple of nu ggets of gold out of 50 tons of dirt. It is tough for me. No, I am not inspired.

There ain't nothin' to dyin', really. You just get tired. You kind of drift away.

I feel very happy to see the sun come up every day. I feel happy to be around. ... I like to take this day- any day-and go to town with it.

Detachment produces a peculiar state of mind. Maybe that's the worst sentence of all, to be deprived of feeling what a human being ought to be entitled to feel.

To live a very long time... is supposed to be the desired object of all human life. But it is not. The main thing is to ride the flood tide... How glorious it is to create! For those few moments of a lifetime when the stream is running full and deep: those are the justification for everything.

What I want is to be willing to fail rather than stagnate.

To say that its wrong to feel this way is not the point; you do feel it. All you see is a flash of fire and, depending on your altitude, you don't even see that sometimes.

William Packard surely must be one of the great editors of our time.

I think Ginsberg has done more harm to the craft that I honor and live by than anybody else by reducing it to a kind of mean that enables the most dubious practitioners to claim they are poets because they think, If the kind of thing Ginsberg does is poetry, I can do that.

The New York Quarterly is an amazing, intelligent, crazy, creative, strange, and indispensable magazine.

If it were thought that anything I wrote was influenced by Robert Frost, I would take that particular piece of mine, shred it, and flush it down the toilet, hoping not to clog the pipes.

If you write well, you don't have to dress funny.

He can't imagine the result of the mission because he never saw it.

You are bound, my hunch is, to make it just fine.

I need about one hundred fifty drafts of a poem to get it right, and fifty more to make it sound spontaneous.

Poetry is a hazardous occupation, very hazardous. There may be bad things in there inside you that maybe you can't handle.

The body is the one thing you can't fake; it's just got to be there.

Yet technique matters, even so. God uses it, for a buffalo is not a leopard.

Those that are huntedKnow this as their life,Their reward: to walkUnder such trees in full knowledgeOf what is in glory above them,And to feel no fear.

I do think the author ought to be able to give a good reason for the way things are in his poem. Not a bad question to ask oneself.

A poet trains himself to stand out in a storm and be struck by lightning. If he is lucky enough to be struck six times, he becomes immortal. Randall Jarrell said it and he's right.

We've always had a tradition in America of hounding our artists to death. Look at the list of our great artists, you see a continual history of defeat, frustration, poverty, alcoholism, drug addiction. The best poets of my generation are all suicides.