Jessica Hagedorn Quotes

I'm preparing for a multimedia theater piece, Airport Music, that's coming up in New York City.

My identity is linked to my grandmother, who's pure Filipino, as pure as you can probably get. And that shaped my imagination. So that's how I identify.

But I think there's a genuine joy, too, a sense that no matter what, even if my stomach's growling, I'm going to dance. That's what I want to leave people with at the end of the play. After all this, people still know how to live.

I don't believe in sampling some Tibetan music just to make it sound groovy, but you do your homework, you understand what you're doing with it.

Don't say Fili, sister. Say Pili. In Tagalog, pili means to choose. Pino means fine. Pilipino equals 'fine choice.

Adaptability is the simple secret of survival.

Everything matters. Time is precious.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

Hybridity keeps me from being rigid about most things. It has taught me to appreciate the contradictions in the world and in my life. I scavenge from the best.

All the fabulous and fearless writers gathered here, whether they are living in Manila, the US, or elsewhere in the ever-growing Philippine diaspora, have a deep connection and abiding love for this crazy-making, intoxicating city. There's nothing like it in the world, and they know it.

Life is not simple, and people can't be boxed into being either heroes or villains.

I love writing dialogue, and I think a lot of my writing is visual and very cinematic.

Writers and scholars have emerged in recent times (some familiar, some new) to continue to challenge the notion of a literature that encompasses the world - and reaffirms our existence in it. It is a multicultural vision that embraces and includes our shrinking universe; it is a multicultural vision that the white man fears and a vision that the rest of us can celebrate.

Growing up in the Philippines, I loved all kinds of movies. We had a very healthy film industry there when I was a child. It's now gotten very limited. They only make action movies and hard-core exploitation movies. Women get raped; men get shot.

I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.

[On The Philippines:] ... eighty dialects and languages are spoken; we are a fragmented nation of loyal believers, divided by blood feuds and controlled by the Church.

I'm an underdog person, so I align myself with those who seem to be not considered valuable in polite society.

There were also horror shows on the radio. Very terrifying and thrilling to me as a kid. They had all these creepy sound effects. They would come on at ten o'clock at night, and I just would scare myself to death.

There is real beauty in my eyes when I lose my mind.

I think for a lot of so-called post-colonial peoples, there's a feeling of not being quite legitimate, of not being pure enough.

Becoming a mother has helped make me a tougher, stronger writer.

It's not just NYU. There are days when I feel like I'm stranded in some upscale mall in Pasadena. Don't even get me started on the insidious transformation of Bleecker Street!

I also identify as a Latin person, a person who has Latin blood.

There are certain regions in the country where the indigenous people eat dogs.

Music is very influential to my writing, as are theater and film.

The punk scene in NY was so gritty and nihilistic & I was like ooh I want to do that