1.
Do not seek to follow in the footsteps of the wise. Seek what they sought.
Matsuo Basho
Do not attempt to imitate the sagacious. Seek after what they pursued.
2.
Real poetry, is to lead a beautiful life. To live poetry is better than to write it.
Matsuo Basho
Experience a radiant existence. To live poetically is superior to composing it.
3.
Every day is a journey, and the journey itself is home.
Matsuo Basho
Every day is a voyage, and the voyage itself is a haven.
4.
No matter where your interest lies, you will not be able to accomplish anything unless you bring your deepest devotion to it.
Matsuo Basho
5.
Mountain-rose petals Falling, falling, falling now... Waterfall music
Matsuo Basho
6.
Before enlightenment, chopping wood and carrying water. After enlightenment, chopping wood and carrying water.
Matsuo Basho
7.
There is nothing you can see that is not a flower; there is nothing you can think that is not the moon.
Matsuo Basho
8.
Sitting quietly, doing nothing, Spring comes, and the grass grows, by itself.
Matsuo Basho
9.
Operating superficially, the mind is random in its activity and stale in its insights and images. However, with practice and experience the mind is freed from the skull, and the fresh and new can appear as though for the first time. It
Matsuo Basho
10.
The moon and sun are travelers through eternity. Even the years wander on. Whether drifting through life on a boat or climbing toward old age leading a horse, each day is a journey, and the journey itself is home.
Matsuo Basho
11.
Make the universe your companion, always bearing in mind the true nature of things-mountains and rivers, trees and grasses, and humanity-and enjoy the falling blossoms and the scattering leaves.
Matsuo Basho
12.
Learn how to listen as things speak for themselves.
Matsuo Basho
13.
A flute with no holes is not a flute.
Matsuo Basho
14.
Come, butterfly It's late- We've miles to go together.
Matsuo Basho
15.
From the pine tree, learn of the pine tree; And from the bamboo, of the bamboo
Matsuo Basho
16.
An autumn night - don’t think your life didn’t matter.
Matsuo Basho
17.
In this poor body, composed of one hundred bones and nine openings, is something called spirit, a flimsy curtain swept this way and that by the slightest breeze. It is spirit, such as it is, which led me to poetry, at first little more than a pastime, then the full business of my life. There have been times when my spirit, so dejected, almost gave up the quest, other times when it was proud, triumphant. So it has been from the very start, never finding peace with itself, always doubting the worth of what it makes.
Matsuo Basho
18.
Sabi is the color of haikai. It is different from tranquility. For example, if an old man dresses up in armor and helmet and goes to the battlefield, or in colorful brocade kimono, attending (his lord) at a banquet, [sabi] is like this old figure.
Matsuo Basho
19.
Even in Kyoto/Hearing the cuckoo's cry/I long for Kyoto
Matsuo Basho
20.
Without bitterest cold that penetrates to the very bone, how can plum blossoms send forth their fragrance all over the world?
Matsuo Basho
21.
The desire to break the silence with constant human noise is, I believe, precisely an avoidance of the sacred terror of that divine encounter.
Matsuo Basho
22.
When composing a verse let there not be a hair's breath separating your mind from what you write; composition of a poem must be done in an instant, like a woodcutter felling a huge tree or a swordsman leaping at a dangerous enemy.
Matsuo Basho
23.
the universe and its beings are a complementarity of empty infinity, intimate interrelationships, and total uniqueness of each and every being.
Matsuo Basho
24.
Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. Otherwise you impose yourself on the object and you do not learn.
Matsuo Basho
25.
He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.
Matsuo Basho
26.
The haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.
Matsuo Basho
27.
The oak tree:
not interested
in cherry blossoms.
Matsuo Basho
28.
My body, now close to fifty years of age, has become an old tree that bears bitter peaches, a snail which has lost its shell, a bagworm separated from its bag; it drifts with the winds and clouds that know no destination. Morning and night I have eaten traveler's fare, and have held out for alms a pilgrim's wallet.
Matsuo Basho
29.
Year by year, the monkey's mask reveals the monkey
Matsuo Basho
30.
Between our two lives there is also the life of the cherry blossom.
Matsuo Basho
31.
With every gust of wind, the butterfly changes its place on the willow.
Matsuo Basho
32.
The temple bell stops but I still hear the sound coming out of the flowers.
Matsuo Basho
33.
How much I desire! Inside my little satchel, the moon, and flowers
Matsuo Basho
34.
Nothing in the cry of cicadas suggests they are about to die
Matsuo Basho
35.
From all these trees, in the salads, the soup, everywhere, cherry blossoms fall.
Matsuo Basho
36.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
Matsuo Basho
37.
Plunge Deep enough in order to see something that is hidden and glimmering.
Matsuo Basho
38.
Learn about a pine tree from a pine tree, and about a bamboo plant from a bamboo plant.
Matsuo Basho
39.
Seek not the paths of the ancients;
Seek that which the ancients sought.
Matsuo Basho
40.
April's air stirs in Willow-leaves...a butterfly Floats and balances
Matsuo Basho
41.
Every moment of life is the last, every poem is a death poem.
Matsuo Basho
42.
When your consciousness has become ripe in true zazen-pure like clear water, like a serene mountain lake, not moved by any wind-then anything may serve as a medium for realization.
Matsuo Basho
43.
A weathered skeleton
in windy fields of memory,
piercing like a knife.
Matsuo Basho
44.
Why so scrawny, cat? Starving for fat fish or mice... Or backyard love?
Matsuo Basho
45.
Calm and serene The sound of a cicada Penetrates the rock.
Matsuo Basho
46.
Orchidbreathing incense into butterfly's wings
Matsuo Basho
47.
The basis of art is change in the universe.
Matsuo Basho
48.
Friends part foreverwild geese lost in cloud
Matsuo Basho
49.
The journey itself is my home.
Matsuo Basho
50.
Old pond, frog jumps in - plop.
Matsuo Basho