Richard MacDonald Quotes

Charity work is very important to me and gives me an opportunity to give back to my community. I've always been a big supporter of many different charities, have donated millions of dollars to them, and it just feels great to do and be able to help others, especially children.

You have to make thousands and thousands of drawings before an illustration is perfected.

Sculpture will last a lot longer than painting.

I was tired of illustration. You'd work so hard on a commission and it would go in to a magazine, and you'd turn the page and it was gone.

I'm also interested in creating a lasting legacy for collectors because bronze will last for thousands of years so I'm not really selling the art to this particular collector but it is being passed on.

China is important to the world in that they are a force and on the move. Exposing them to figurative art opens up a potential for artistic expression far greater than anyone would ever have dreamed possible until today. It is this very spirit of the struggle and determination to triumph that inspires creative expression.

My goal is to make fine art, and fine art comes from the soul. If you have virtuosity and facility, you can take and create something of significance.

There is a connection between me and the collectors, and as admirers of the work they tell me about the differences the pieces are able to make in their lives on a daily basis.

I never had a job. I bought my first house within a year of getting out of school, and I built a custom one four and a half years later. The Art Center didn't teach much about business, but I learned a lot from the Fortune 500 companies that were my clients.

I don't do commissions and I like the freedom to create what my heart or mind tells me to.

I create for artistic intent only and do everything from life.

The greatest success is creating whatever you want without conditions. I don't do commissions unless I really want to, because it's like having a job.

I'm always looking for the next challenge.

At any one time, I'll have 30 to 40 pieces going on in the studio, so this is not economically driven at all.

There are very few people who do what I do.

I cannot tell you how many people, powerful people, come to my studio and they are in tears they are so moved by what they see.