Ensemble Quotes

The greatest contribution jazz has made in music has been to replace the role of the conductor with a member of the ensemble who, instead of waving his arms to keep time and convey mood, is an active member of the musical statement. That person is the drummer.

I just want to be a part of great stories, whether I'm part of an amazing ensemble cast or I'm leading it or the antagonist or whatever.

You are not alone in the world. You are part of an ensemble.

The oldest form of theater is the dinner table.

Which is why you chose to wear that delightful ensemble from the skank-wear collection at Hoes-n-Thangs?" -Tommy

One thing I love about making an ensemble film is that you can have ten people come away from it with ten different messages.

When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.

When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.

I always have the same thing - which is the fear of not getting a laugh - that I've had from the time I was a kid; obsessing over, 'This joke doesn't quite work, we've got to get this right.' I was always like that, whether I was a member of a six-person ensemble or whether I'm the center of a show.

The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.

'Friends' was a true ensemble. There really was no star of the show.

Ensemble is hard to do. It's like 3-D chess.

All conventional wisdom has an element of truth to it, but good design requires more than an element of truth - it requires an ensemble of correct assumptions and valid calculations.

The ensemble playing is as clean as a whistle. The band plays in tune and with dynamics. Also, there is some fine arranging and orchestrating going on here, and the soloists perform at top level.

I never started out to be an action actor. I was an ensemble actor.

One of the ingredients that made Cheers work so well was the great ensemble of actors we had. That's the case with any good series.

It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off

When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.

Yeah, I love doing ensemble pieces. You get to meet so many new people and make new friends.

I know that John Adams has had a very hard time directing French ensembles.

If you've only got one horn playing, I still want the sense of ensemble.

It's a lot harder to do an ensemble because your energy is going in so many different places, and you have to cover everybody. You have to sort of split your attention.

It's really nice to pass the ball when you're in an ensemble cast.

I love being part of an ensemble.

It's refreshing to see a woman who can artfully weave her individuality into an otherwise safe ensemble.

I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.

The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.

I learn so much more in an ensemble movie.

Hill Street Blues gave me an opportunity to work with an ensemble cast of people whose work I admired.

I don't have the time to tell you all the things I've learned from this cast. It's an extraordinary ensemble because we all support each other so well.

It's kind of like, I love doing tons of different things. The only thing I hate is not being in ensembles.

I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.

From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.

Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time.

I don't like the term 'ensemble.' It's bland to me.

I can imagine wanting to work with this ensemble and this company always.

We want an ensemble of stars, not comets.

A lot of times, working in stand up, youre by yourself ,and so you just have to rely on yourself only but I like working in an ensemble.

It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable

I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.

We're really fleshing out the whole world of the show [Difficult People]. It's more of an ensemble now, whereas last season we were very focused on establishing the Billy/Julie friendship. Now that that's been established, we don't question that they love each other and what the show's about. So we can meander outside of that.

I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.

No great television show has ever rested on just one person. They're all about great ensembles and storytelling.

I don't have any tattoos - I live vicariously through my sister, Langley, who has many. If I can't stick to one ensemble, I don't think I could stick to one tattoo.

I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.

I love big ensemble shows where there are a lot of things going on and you have to really pay attention because there's a lot of nuanced work and universal themes are being explored.

I prefer, and it turns out to be the truth, that I always have in my movies an ensemble of actors, but not just one individual doing the whole movie.

This is a natural evolution, building a complete bath ensemble program and the Joseph Abboud bath brand within the Creative Bath family of licensed programs.

I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.

It's one thing to be a perfectionist when you're alone, but when you're trying to make it work in an ensemble that's a whole different deal.