Ernest Gaines Quotes

Why is it that, as a culture, we are more comfortable seeing two men holding guns than holding hands?

Sometimes you got to hurt something to help something. Sometimes you have to plow under one thing in order for something else to grow.

The artist must be like a heart surgeon. He must approach something with sympathy, but with a sort of coldness and work and work until he finds some kind of perfection in his work. You can't have blood splashing all over the place. Things must be done very cleanly.

I have no more to say except this: We must live with our own conscience.

Question everything. Every stripe, every star, every word spoken. Everything.

I want you to show them the difference between what they think you are and what you can be.

I write to try to find out who I am. One of my main themes is manliness. I think I'm trying to figure out what manliness really is.

Words mean nothing. Action is the only thing. Doing. That's the only thing.

Without love for my fellow man and respect for nature, to me, life is an obscenity.

Nietzsche said without music, life would be a mistake. To me, without books, life would be a mistake.

The Six Golden Rules of Writing: Read, read, read, and write, write, write.

We all have much more in common than we have difference. I would say that about people all over the world. They don't know how much in common that they have

You've got to bend with the wind or you're broken.

I believe that the writer should tell a story. I believe in plot. I believe in creating characters and suspense.

There will always be men struggling to change, and there will always be those who are controlled by the past.

I was raised by a lady that was crippled all her life but she did everything for me and she raised me. She washed our clothes, cooked our food, she did everything for us. I don't think I ever heard her complain a day in her life. She taught me responsibility towards my brother and sisters and the community.

In all my stories and novels, no one ever escapes Louisiana. Maybe that is because my soul never left Louisiana, although my body did go to California.

I think I'm a very religious person. I think I believe in God as much as any man does. I don't only believe in God, I know there's God.

Everything's been said, but it needs saying again.

And that's all we are Jefferson, all of us on this earth, a piece of drifting wood. until we - each of us, individually- decide to become something else. I am still that piece of drifting wood, and those out there are no better. But you can be better.

He told us that most of us would die violently, and those who did not would be brought down to the level of beasts.

Don't tell me to believe. Don't tell me to believe in the same God or laws that men believe in who commit these murders. Don't tell me to believe that God can bless this country and that men are judged by their peers. Who among his peers judged him? Was I there? Was the minister there? Was Harry Williams there? Was Farrell Jarreau? Was my aunt? Was Vivian? No, his peers did not judge him, and I will not believe.

A myth is an old lie that people believe in. White people believe that they're better than anyone else on earth - and that's a myth.

I like the sound of people's voices, and I think what a man says can very well tell what he's thinking, whether he's lying or not.

I still don't even know if the sheriff will let me see him. And suppose he did; what then? What do I say to him? Do I know what a man is? Do I know how a man is supposed to die? I'm still trying to find out how a man should live. Am I supposed to tell someone how to die who has never lived?

You learn from music, from watching great athletes at work - how disciplined they are, how they move. You learn these things by watching a shortstop at work, how he concentrates on one thing at a time. You learn from classic music, from the blues and jazz, from bluegrass. From all this, you learn how to sustain a great line without bringing in unnecessary words.

The sharecropper may lower his eyes, but not because he's less of a man. That's just a condition of society that such things exist.

I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.

Anytime a child is born, the old people look in his face and ask him if he's the One.

I had to see and feel and be with the thing that I wanted to write about.

When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.

What I miss today more than anything else - I don't go to church as much anymore - but that old-time religion, that old singing, that old praying which I love so much. That is the great strength of my being, of my writing.

If I were to give one piece of advice, I would say to never accept anything that you hear or see at face value. As a general rule of thumb, then the more you question, the better.

Now, about that mulatto teacher and me. There was no love there for each other. There was not even respect. We were enemies if anything. He hated me, and I knew it, and he knew I knew it. I didn't like him, but I needed him, needed him to tell me something that none of the others could or would.

"You going back," she said. "You ain't going to run away from this, Grant."

And I thought to myself, What am I doing? Am I reaching them at all? They are acting exactly as the old men did earlier. They are fifty years younger, maybe more, but doing the same thing those old men did who never attended school a day in their lives. Is it just a vicious circle? Am I doing anything?

Only when the mind is free has the body a chance to be free. Yes, they must believe, they must believe. Because I know what it means to be a slave. I am a slave.

I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have from reading novels. The understatements in the tenor saxophone of Lester Young, the crystal, haunting, forever searching sounds of John Coltrane, and the softness and violence of Count Basie's big band - all have fired my imagination as much as anything in literature.

All writers write about the past, and I try to make it come alive so you can see what happened.

I wanted to be a writer. I wanted to say something about home.

But let us say he was (guilty). Let us for a moment say he was (guilty). What justice would there be to take his life? Justice, gentlemen? Why, I would just as soon put a hog in the electric chair as this.

I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.

...my heart may have been in it but my soul was not.

The mark of fear is not easily removed.

I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.

We looked at each other, and I could see in those big reddened eyes that he was not going to scream. He was full of anger - and who could blame him? - but he was no fool. He needed me, and he wanted me here, if only to insult me.

I knew I wanted to be a writer and I knew if I had a wife and family, I would neglect something, and I was afraid it wouldn't be the writing.

I write with as much objectivity as I can.

"What for?" I said. "What for, Tante Lou? He treated me the same way he treated her. He wants me to feel guilty, just as he wants her to feel guilty. Well, I'm not feeling guilty, Tante Lou. I didn't put him there. I do everything I know how to do to keep people like him from going there. He's not going to make me feel guilty."

Today I must write a paragraph or a page better than I did yesterday.