Gallery Quotes

I wanted to be a star, not a gallery mascot.

As far as my opinion on galleries, I think they are a great thing. I see them as another outlet. I'm sure by now you've figured out that I do my work for everybody to see. That's the whole point.

My art is for anybody, it's for people who wouldn't go into an art gallery. It's art for the people.

How much would you want to stand at the wrong end of a shooting gallery?

I feel like Havana has always been such an amazing, cosmopolitan city that it makes sense that a lot of galleries will want to be present.

I love to be in front of big galleries

The sun never sets on my gallery.

There are so many great galleries and museums in London, but they can be very crowded during the day.

The gallery in which the reporters sit has become a fourth estate of the realm.

Somebody will be exhibiting a bunch of bananas in a gallery, and they'll get me on to talk dirty about it.

I love going to galleries, particularly the National Portrait Gallery.

I find old copies of National Gallery catalogues, which are written in the dryest possible prose, infinitely soothing.

When the 14th Amendment, equal protection clause was enacted, the galleries in the Senate were segregated. Now we have integration.

How often my soul visits the National Gallery, and how seldom

The universe is composed of an indefinite and perhaps infinite number of hexagonal galleries.

History, it is easily perceived, is a picture-gallery containing a host of copies and very few originals.

I always wanted to be an artist, I just didn't know that you could be, or how you could be. I went to an art high school but they never even took me to a gallery.

The nice thing about the gallery shows is that without having to pay any money you can just go and see it.

Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.

Moralists have no place in an art gallery.

Galleries are nice to me. I sign a lot of autographs.

In a gallery, there's an expectation of high prices and a somewhat elitist atmosphere.

I am holed up in a small village where I am doing my own work and it feels great. I have a small gallery and not many people find me, but I am happy being left alone and doing what I love.

That's something that tends to happen with new technologies generally: The most interesting applications turn up on a battlefield, or in a gallery.

I don't think anyone would want to come to my gallery show.

I'm fortunate in one respect; that I don't have a lot of work in my studio. Most of it's out, gone; either sold or in galleries. I work with a lot of galleries.

If I have a piece that's solely based on the web and it's going to also exist in a gallery, it needs to exist in a gallery where it doesn't feel redundant.

Bracketing has turned all my experiences, remembered and present, into a gallery of miracles where I wander around dazzled by the beauty of events I cannot explain.

Some pictures are in the gallery because they belong to humanity and others because they belong to the United States.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

I've always liked the fact that galleries are free to visit in New York.

I think the British learn their history through the prism of this gallery of grotesques known as the royals.

When Ballesteros triumphed at the British Open in 1979, for his first major win, he hit so few fairways off the tee that he was often mistaken for a gallery marshall.