1.
Why are you stingy with yourselves? Why are you holding back? What are you saving for - for another time? There are no other times. There is only now. Right now.
George Balanchine
Why are you being parsimonious with yourselves? Why are you being reticent? What are you reserving for - for a future occasion? There is no other opportunity. There is just the present. This moment.
2.
We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.
George Balanchine
3.
If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.
George Balanchine
4.
First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.
George Balanchine
Toil precedes triumph if you are fortunate and have diligently petitioned.
5.
In my ballets, woman is first. Men are consorts. God made men to sing the praises of women. They are not equal to men: They are better.
George Balanchine
'In my choreography, woman is paramount. Men are accompaniments. Divinity fashioned men to extol the virtues of women. They are not equal to men: They are superior.'
6.
I don't have a past. I have a continuous present. The past is part of the present, just as the future is. We exist in time.
George Balanchine
'I have no history; I am an ongoing now. The past is a component of the present, in the same way as the future. We inhabit temporal space.'
7.
What are you waiting for? What are you saving for? Now is all there is.
George Balanchine
'Why remain idle? What are you reserving for a later time? This is the only moment that matters.'
8.
Someone once said that dancers work just as hard as policeman, always alert, always tense. But I don't agree with that because policeman don't have to look beautiful at the same time.
George Balanchine
An individual once asserted that dancers labor just as much as law enforcement officers, continually vigilant, perpetually strained. Nonetheless, I don't accept that since police officers don't need to appear attractive simultaneously.
9.
I don't want people who want to dance; I want people who have to dance.
George Balanchine
'I don't want people who desire to dance; I want people whose bodies must move with the music.'
10.
The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener.
George Balanchine
The ballet is a feminine domain; it is a female paradise, and man is the custodian.
11.
Dancers are instruments, like a piano the choreographer plays.
George Balanchine
Dancers are tools, like a piano which the choreographer manipulates.
12.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
George Balanchine
13.
Dance is music made visible
George Balanchine
14.
Storyless is not abstract. Two dancers on the stage are enough material for a story; for me, they are already a story in themselves
George Balanchine
15.
Music must be seen, and dance must be heard
George Balanchine
16.
Put a man and a girl on stage and there is already a story; a man and two girls, there's already a plot.
George Balanchine
17.
Ballet dancing is arduous, strenuous activity. Students are engaged in physical training that rivals the training Olympic athletes undergo. At the same time, they strive for physical perfection not for the prowess alone but as a way of achieving the means necessary to express the pure nature of their art.
George Balanchine
18.
Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting.
George Balanchine
19.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
George Balanchine
20.
It's like the time capsule with everything in it. Or like the seed that when you plant it, becomes the enormous tree with leaves and fruit. Everybody was in that little seed, and so everything can open. The tree of dance is like that. It just takes a long, long time to blossom.
George Balanchine
21.
See the music, hear the dance.
George Balanchine
22.
I cannot move, I cannot even want to move, unless I hear the music first.
George Balanchine
23.
The mirror is not you. The mirror is you looking at yourself.
George Balanchine
24.
Ballet is important and significant - yes. But first of all, it is a pleasure.
George Balanchine
25.
I've got more energy now than when I was younger because I know exactly what I want to do.
George Balanchine
26.
I can always invent movement, and sometimes it can be fitted into the right place, but that is not choreography. It is the music that dictates the whole shape of the work. I do not believe in the permanence of anything in ballet save the purely classical.
George Balanchine
27.
The choreographer and the dancer must remember
that they reach the audience through the eye.
It's the illusion created which convinces the audience,
much as it is with the work of a magician.
George Balanchine
28.
Ballet will speak for itself. About itself.
George Balanchine
29.
They are poets of gesture.
George Balanchine
30.
In ballet a complicated story is impossible to tell. We can't dance synonyms.
George Balanchine
31.
I could never make a ballet by wrinkling my brow and concentrating. If you set out deliberately to make a masterpiece, how will you ever get it finished?
George Balanchine
32.
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
George Balanchine
33.
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.
George Balanchine
34.
One is born to be a great dancer.
George Balanchine
35.
I am a cloud - in trousers.
George Balanchine
36.
Your eyes is camera and your brain is a file cabinet.
George Balanchine
37.
The woman's function is to fascinate men.
George Balanchine
38.
My muse must come to me on union time.
George Balanchine
39.
I have no literary approach - except to literature.
George Balanchine