Glen Duncan Quotes

Literature is humanity's broad-minded alter-ego, with room in its heart for monsters, even for you. It's humanity without the judgement.

Snow makes cities innocent again, reveals the frailty of the human gesture against the void.

Life's generally artless ... but it does get these occasional hard-ons for plot. It connects things, nefariously, behind your back, and before you know it you're in the final act of a lousy movie.

Words betrayed her: beautiful butterflies in her mind; dead moths when she opened her mouth for their release into the world.

That's what happens when you keep a secret from someone you love: you start to hate them for allowing you to prove your own willingness to deceive them.

When you're a kid it's people's cruelty that makes you cry, then when you're an adult it's their kindness.

The first thing to say about Eve is that she was a big improvement on the Adam design, or that Adam was an extremely misguided variation on the Eve design. (Consider testicles. Two concentrated nuclei of absolute vulnerability. Where? Dangling between the legs. I rest my case.)

You think God will never forgive you, but the only God is beauty and beauty always forgives. It forgives with its infinite indifference.

Coffee justifies the existence of the word 'aroma'.

There is no God and that's His only commandment.

I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between.

With adolescent egotism and a lot of money one can pretty much rule the world.

The message is clear: By all means become an abomination -- but only while unhinged by grief or wrath.

You can't blame me. I mean that literally. You're incapable of blaming me. You're human. Being human is choosing freedom over imprisonment, autonomy over dependency, liberty over servitude. You can't blame me because you know (come on, man, you've always known) that the idea of spending eternity with nothing to do except praise God is utterly unappealing. You'd be catatonic after an hour. Heaven's a swiz because to get in you have to leave yourself outside. You can't blame me because -- now do please be honest with yourself for once -- you'd have left, too.

Poets suffer occasional delusions of angelhood and find themselves condemned to express it in the bric-a-brac tongues of the human world. Lots of them go mad.

Nicotine and alcohol embraced in my system like long-parted siblings, grateful to me for reuniting them.

This is love: You stop bothering about the universal, the general, get sucked instead into the local and particular: When will I see her again? What shall we do today? Do you like these shoes? Theory and reflection are delicate old uncles bustled out of the way by the boisterous nephews action and desire. Themes evaporate, only plot remains.

Life, like the boring drunk at the office party, keeps seeking you out, leaning on you, killing you with pointless yarns and laughing bad-breathed in your face at its own unfunny jokes.

Every present anger derives from past weakness.

Time, you'll be pleased to know--and since one must start somewhere--was created in creation. The question What was there before creation? is meaningless. Time is a property of creation, therefore before creation there was no before creation.

There’s a reason humans peg-out around eighty: prose fatigue. It looks like organ failure or cancer or stroke but it’s really just the inability to carry on clambering through the assault course of mundane cause and effect. If we ask Sheila then we can’t ask Ron. If I have the kippers now then it’s quiche for tea. Four score years is about all the ifs and thens you can take. Dementia’s the sane realisation you just can’t be doing with all that anymore.

Once you've stopped loving someone breaking his or her heart's just an unpleasant chore you have to get behind you. My God, you really don't love me anymore, do you? No matter your decency the victim's incredulity's potentially hilarious. You manage not to laugh.

I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.

What interests me is love, sex, death, cruelty, compassion and the desire for meaning in an apparently godless universe. In other words the human condition.

Bliss defies description, obviously, since it annihilates you, since you're not there to experience it. You get the lead-up and the come-down, never the zenith.

My mother once told me she thought hell would be nothing more than being given a glimpse of God--then having it taken away, forever.

Your ideal possession candidate's a thirteen-year-old recently orphaned schizophrenic girl three days away from her period on her way to see the shrink with whom she's romantically besotted.

The rain's been racing earthwards as if with some religious or political fanaticism. The clouds have the look of dark internal bleeding. Surely you lot look up from Cosmo while this sort of thing's going on? Surely you take a Playstation break?

The flesh had infinity in it. I must know every inch by touch yet every inch renewed its mystery the instant my hand moved on. Delightful endless futility.

I hated the words. Each one was like a big live insect in my mouth.

No amount of violence you've done to others prepares you for violence done to yourself.

Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.

Any seasoned deal maker will tell you that spontaneous negotiation's a bad strategy; the ad hoc approach will leave you ripped-off, busted, conned, stiffed, outsmarted and generally holding the shitty end of the stick.

One knows one's madnesses, by and large. By and large the knowledge is vacuous. The notion of naming the beast to conquer it is the idiot optimism of psychotherapy.

Peace is purchased in the currency of loss.

Every now and then life sold you an illusion of design. A coincidence, a parallel, a sledgehammer symbol. The goods were always faulty. You forked over the cash only to discover they'd fallen apart by the time you got home. But life kept at it. Life couldn't help it. Life was a compulsive salesman.

One day the ordinariness will be terminally punctuated by the extraordinary full stop of death.

Kneecaps only exist to get hit with claw-hammers; grace only exists to be fallen from.

Nothing holds love together like shared vice or collusive perversion.

Grace only exists to be fallen from.

No artist knows everything... but since every artist knows more than he can tell, all art is lying by omission.

I'm too conceited for therapy.

Life is nothing but a statement of what happens to be.

My parents believe in the happy endings to the stories of their children.

If Im going to invest the time in a novel, I want something more than the entertainment you get out of most genre fiction.

I'm an American. We're a people diseased with progress.

We’re the worst thing because for us the worst thing is the best thing. And it’s only the best thing for us if it’s the worst thing for someone else.

We go to the past to lay the blame - since the past can't argue. We go to our past selves to account for our present miseries.

For you, my darlings, freedom to do what you like is the discovery of how unlikable what you like to do makes you. Not that that stops you doing what you like, since you like doing what you like more than you like liking what you do... [Lucifer]

One develops an instinct for letting silence do the heavy lifting. In the three, four, five seconds that passed without either of us speaking, the many ways the conversation could go came and went like time-lapse film of flowers blooming and dying.