James A. Michener Quotes

I love writing. I love the swirl and swing of words as they tangle with human emotions.

Character consists of what you do on the third and fourth tries.

Don't put off for tomorrow what you can do today because if you enjoy it today, you can do it again tomorrow.

The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.

The chief character in this narrative is the Caribbean Sea, one of the world's most alluring bodies of water, a rare gem among the oceans, defined by the islands that form a chain of lovely jewels to the north and east

The really great writers are people like Emily Brontë who sit in a room and write out of their limited experience and unlimited imagination.

Scientists dream about doing great things. Engineers do them.

I have never thought of myself as a good writer. Anyone who wants reassurance of that should read one of my first drafts. But I'm one of the world's great rewriters.

I'm not a very good writer, but I'm an excellent rewriter.

If you reject the food, ignore the customs, fear the religion and avoid the people, you might better stay home.

I was born to a woman I never knew and raised by another who took in orphans. I do not know my background, my lineage, my biological or cultural heritage. But when I meet someone new, I treat them with respect.... For after all, they could be my people.

If your book doesn't keep you up nights when you are writing it, it won't keep anyone up nights reading it.

An age is called Dark not because the light fails to shine, but because people refuse to see it.

The permanent temptation of life is to confuse dreams with reality. The permanent defeat of life comes when dreams are surrendered to reality.

A nation becomes what its young people read in their youth. Its ideals are fashioned then, its goals strongly determined.

You have to be eligible for luck to strike, and I think that's a matter of education and preparation, and character and all the other solid attributes that sometimes people laugh at.

We are never prepared for what we expect.

Although most of us know Vincent van Gogh in Arles and Paul Gauguin in Tahiti as if they were neighbors -- somewhat disreputable but endlessly fascinating -- none of us can name two French generals or department store owners of that period. I take enormous pride in considering myself an artist, one of the necessaries.

If a man happens to find himself, he has a mansion which he can inhabit with dignity all the days of his life.

America is a nation with many flaws, but hopes so vast that only the cowardly would refuse to acknowledge them.

No invader has ever conquered the heart of Poland, that spirit which is the inheritance of sons and daughters, the private passion of families and the ancient, unbreakable tie to all those who came before.

I am always interested in why young people become writers, and from talking with many I have concluded that most do not want to be writers working eight and ten hours a day and accomplishing little; they want to have been writers, garnering the rewards of having completed a best-seller. They aspire to the rewards of writing but not to the travail.

A poet sees things in two ways: First, as a child who never saw it before, and Second, as a dying man who will never see it again.

The job of a storyteller is to tell stories, and I have concentrated on that obligation.

I thought that perhaps the most creative mix for a society would be nine parts solid worker from institutions like MIT to one part poet from Marrakech, but in spite of the fact that I myself had been trained to be one of the solid workers, which meant that all of my sympathies lay with that group, I would not surrender the poet. The problem was to find him.

. . . Luddites were those frenzied traditionalists of the early 19th century who toured [England] wrecking new weaving machines on the theory that if they were destroyed . . . old jobs and old ways of life could be preserved . . . At certain times in his life each man is tempted to become a Luddite, for there is always something he would like to go back to. But to be against all change-against change in the abstract-is folly.

Rampaging horsemen can conquer; only the city can civilize.

Only another writer, someone who had worked his heart out on a good book which sold three thousand copies, could appreciate the thrill that overcame me one April morning in 1973 when Dean Rivers of our small college in Georgia appeared at my classroom door

All I can do is play the game the way the cards fall.

a soldier lives always for the next battle, because he knows that before it arrives impossible changes can occur in his favor.

There are no insoluble problems. Only time-consuming ones.

Public libraries have been a mainstay of my life. They represent an individual's right to acquire knowledge; they are the sinews that bind civilized societies the world over. Without libraries, I would be a pauper, intellectually and spiritually.

I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description. I wish I could tell you about the sweating jungle, the full moon rising behind the volcanoes, and the waiting. The waiting. The timeless, repetitive waiting.

No idea is ever dead until those who believe in it say it's dead.

I was a Navy officer writing about Navy problems and I simply stole this lovely Army nurse and popped her into a Navy uniform, where she has done very well for herself.

Writers turn dreams into print.

I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.

I am a humanist because I think humanity can, with constant moral guidance, create reasonably decent societies. I think that young people who want to understand the world can profit from the works of Plato and Socrates, the behaviour of the three Thomases, Aquinas, More and Jefferson - the austere analyses of Immanuel Kant and the political leadership of Abraham Lincoln and Franklin Roosevelt.

I write at eighty-five for the same reasons that impelled me to write at forty-five; I was born with a passionate desire to communicate, to organize experience, to tell tales that dramatize the adventures which readers might have had. I have been that ancient man who sat by the campfire at night and regaled the hunters with imaginative recitations about their prowess. The job of an apple tree is to bear apples. The job of a storyteller is to tell stories, and I have concentrated on that obligation.

The arrogance of the artist is a very profound thing, and it fortifies you.

Russia, France, Germany and China. They revere their writers. America is still a frontier country that almost shudders at the idea of creative expression.

For all its enormous range of space, climate, and physical appearance, and for all the internal squabbles, contentions, and strivings, what you northerners never appreciate...is that Texas is so big that you can live your life within its limits and never give a damn about what anyone in Boston or San Francisco thinks.

Many people who want to be writers don't really want to be writers. They want to have been writers. They wish they had a book in print.

In a small Polish farm community, during the fall planting season of 1981, events occurred which electrified the world, sending reverberations of magnitude to capitals as diverse as Washington, Peking and especially Moscow.

It takes courage to know when you ought to be afraid.

The extreme geniality of San Francisco's economic, intellectual and political climate makes it the most varied and challenging city in the United States.

Creative geniuses are a slap-happy lot. Treat Them with respect.

I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.

...when men ignite in their hearts a religious fury, they inflict at the same time a blindness on their eyes.

I had learned volleyball in the Navy, where all the captains and admirals wanted to be spikers, and I found then that a man who can subdue his own desires and master the art of serving others can make himself invaluable. In choosing sides the team captain always chose the good spikers on the first and second choice, but then the spikers would grab his arm and whisper, 'Take Michener.' I was never chosen lower than third, because I was needed. I wasn't good, but I was faithful.