Jeffrey Eugenides Quotes

We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.

Biology gives you a brain. Life turns it into a mind.

When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.

I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.

Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly

My family suffered. My hair turned up in every corner, every drawer, every meal. Even in the rice puddings Tessie made, covering each little bowl with wax paper before putting it away in the fridge--even into these prophylactically secure desserts my hair found its way! Jet black hairs wound themselves around bars of soap. They lay pressed like flower stems between the pages of books. They turned up in eyeglass cases, birthday cards, once--I swear--inside an egg Tessie had just cracked. The next-door neighbor's cat coughed up a hairball one day and the hair was not the cat's.

It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water.

In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.

Depression is like a bruise that never goes away. A bruise in your mind. You just got to be careful not to touch it where it hurts. It's always there, though.

You never get over it, but you get to where it doesn't bother you so much.

When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors.

It was like autumn, looking at her. it was like driving up north to see the colors.

She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.

She may have looked normal on the outside, but once you'd seen her handwriting you knew she was deliciously complicated inside.

There are some books that reached through the noise of life to grab you by the collar and speak only of the truest things.

our job was merely to create the noise that seemed to fascinate them.

We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm.

It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.

In the end we had the pieces of the puzzle, but no matter how we put them together, gaps remained, oddly shaped emptinesses mapped by what surrounded them, like countries we couldn't name.

What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.

I had a briefcase at one point, but it was a kind of 1980s New Wave briefcase. It was made of some kind of cardboard and it had metal hinges. It was kind of faux industrial looking, and I used to carry my books in it rather than a backpack. I didn't want to have normal student accoutrements.

The trees like lungs filling with air. My sister, the mean one, pulling my hair.

What are you doing here, honey? You're not even old enough to know how bad life gets." (...) "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.

The zipper opened all the way down our spines.

She wanted a book to take her places she couldn't get to herself.

There comes a moment, when you get lost in the woods, when the woods begin to feel like home.

Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life.

Though at this moment she felt abused, abandoned, and ashamed of herself, Madeleine knew that she was still young, that she had her whole life ahead of her--a life in which, if she persevered, she might do something special--and that part of persevering meant getting past moments just like this one, when people made you feel small, unlovable, and took away your confidence.

Heartbreak is funny to everyone but the heartbroken.

It was possible to feel superior to other people and feel like a misfit at the same time.

It took courage to let things fall apart so beautifully.

Can you see me? All of me? Probably not. No one ever really has.

I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.

She thought a writer should work harder writing a book than she did reading it.

The essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back to where you begin.

I tell my students that when you write, you should pretend you’re writing the best letter you ever wrote to the smartest friend you have. That way, you’ll never dumb things down. You won’t have to explain things that don’t need explaining. You’ll assume an intimacy and a natural shorthand, which is good because readers are smart and don’t wish to be condescended to.

In the end, it wasn't death that surprised her but the stubbornness of life.

Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.

What I do when I create a character is put in details from all the people I know who might be like that person, and then put in a huge amount of myself.

I live my own life and nurse my own wounds. It's not the best way to live. But it's the way I am.

They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.

Don't waste your time on life.

The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.

Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.

To be inclusive you must accommodate different levels of sophistication.

I'm hopefully making the reader feel a lot about the characters and then about their own life.

Bubble gum angels swooped from top margins or scraped their wings between teeming paragraphs, maidens with golden hair dripped sea blue tears into the books spine, grape-colored whales spouted blood around a newspaper item (pasted in) listing arrivals to the endangered spieces list. Six hatchlings cried from shattered shells near an entry made on Easter. Cecilia had filled the pages with a profusion of colors and curlicues, candyland ladders and striped shamrocks.

I don’t know what you’re feeling, I won’t even pretend

All wisdom ends in paradox.

I have a lot of novels that I haven't finished. I usually get 150 pages in and I realize it's not going anywhere. I don't publish everything I write. I must have six unfinished novels at least.