Jo Nesbo Quotes

All interesting heroes have an Achilles heel.

I've read that it's the smell some carnivores use to find their prey. Imagine the trembling victim trying to hide, but knowing that the smell of its own fear will kill it.

What is worse? Taking the life of a person who wants to live or taking death from a person who wants to die.

Losing your life is not the worst thing that can happen. The worst thing is to lose your reason for living.

Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge.

As a writer, you have to believe you're one of the best writers in the world. To sit down every day at the typewriter filled with self-doubt is not a good idea.

Doubt is faith's shadow.

You can't visit readers where you think they are. You have to invite them home to where you are and try to lure them into your universe. That's the art of storytelling.

I have problems with a religion which says that faith in itself is enough for a ticket to heaven. In other words, that the ideal is your ability to manipulate your own common sense to accept something your intellect rejects. It's the same model of intellectual submission that dictatorships have used throughout time, the concept of a higher reasoning without any obligation to discharge the burden of proof.

Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller.

My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.

Do what boxers do, sway with the punches. Don't resist. If any of what happens at work gets to you, just let it. You won't be able to shut it out in the long term anyway. Take it bit by bit, release it like a dam, don't let it collect until the wall develops cracks.

With regard to power, women don't have the vanity men have. They don't need to make power visible, they only want the power to give them the other things they want. Security. Food. Enjoyment. Revenge. Peace. They are rational, power-seeking planners, who think beyond the battle, beyond the victory celebrations. And because they have an inborn capacity to see weakness in their victims, they know instinctively when and how to strike. And when to stop. You can't learn that.

I'm not a big crime reader, but I'm reading Michael Connelly's 'The Reversal.' I'm going back to his novels. I'm also reading Keith Richards' 'Life.' I'm always fascinated by the transition from the innocent late '60s and early '70s and the youth culture becoming an industry.

To have the chance of being loved we have to take a chance on being destroyed inside

Everything you do leaves traces, doesn't it. The life you've lived is written all over you, for those who can read.

Love is a greater mystery than death.

I'm just an entertainer. In a way crime stories are boring. A crime's been committed and at the end you know it will be solved. So you've got to make the story interesting besides it just being a plot. And that's why character matters, why you've got to make the characters interesting.

Love surrounds you like steam in the shower. You can't see the individual drops, but you get warm. And wet. And clean.

As I say, we Norwegians love our woolens, and you can buy some beautiful knitwear in Oslo. They might cost you a bit - but they will last.

There’s only one thing worse than not satisfying a desire. And that is not to feel any desire.

For many years, it seemed as if nothing changed in Norway. You could leave the country for three months, travel the world, through coups d'etat, assassinations, famines, massacres and tsunamis, and come home to find that the only new thing in the newspapers was the crossword puzzle.

A horse perceives eye contact as provocative, as if it and its status in the herd are not being respected. If it cannot avoid eye contact, it will react in a different way, by rebelling for example. In dressage you don't get anywhere by not showing respect, however superior your species might be. Any animal trainer can tell you that. In the mountains in Argentina there's a wild horse which will jump off the nearest precipice if any human tries to ride it.

I write something that I believe I've made up, and it's only when a friend later points it out to me that I realise I've been writing about myself again.

Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

At nineteen I was pretty sure I was going to be a professional soccer player. At that time I played for one of the Norwegian premier leagues. But I tore ligaments in both knees, so I started studying business administration and economics and became a financial analyst, and I worked at a brokerage firm as a stockbroker.

It was as if the demise of the owner had lent the flat a physical void it hadn't had before. At the same time he had the feeling that he wasn't alone. Harry believed in the existence of the soul. Not that he was particularly religious as such, but it was one thing which always struck him when he saw a dead body: the body was bereft of something...the creature had gone, the light had gone,there was not the illusory afterglow that long-since burned-out stars have. The body was missing its soul and it was the absence of the soul that made Harry believe.

I don't have any writing routine. Sometimes I go to my local coffee shop and I write there for some hours. Apart from that, I am traveling most of the time. I write in airports, trains, hotel rooms... I can write anywhere.

Normally I start with a plot, and write a synopsis, and the ideas come from the construction.

For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!

We're capable of understanding that someone has to drop an atomic bomb on a town of innocent civilians, but not that others have to cut up prostitutes who spread disease and moral depravity in the slums of London. Hence we call the former realism and the latter madness.

The nature of Scandinavians is that they don't talk so much, there will be these dark secrets, and most things are under-communicated.

Christian ethics demand that you should not take revenge. The paradox is, naturally, that Christians worship a God who is the greatest avenger of them all. Defy him and you burn in eternal hell, an act of revenge which is completely out of proportion to the crime

Revenge is the thinking man's reflex, a complex blend of action and consistency no other animal species has so far succeeded in evolving. Evolutionary speaking, the practice of taking revenge has shown itself to the so effective that only the most vengeful of us have survived.

Intuition is just the sum of all your experience. The way I see it, everything you’ve experienced, everything you know, you think you know and didn’t know you knew is there in your subconscious lying dormant, as it were. As a rule you don’t notice the sleeping creature, it’s just there, snoring and absorbing new things, right. But now and then it blinks, stretches and tells you, hey, I’ve seen this picture before. And tells you where in the picture things belong.

When you go visiting countries, you start reading the history of the place and you start getting into the culture, and then you have to leave. In my experience, all countries have hidden treasures.

In most sports, your brain and your body will cooperate... But in rock climbing, it is the other way around. Your brain doesn't see the point in climbing upwards. Your brain will tell you to keep as low as possible, to cling to the wall and not get any higher. You have to have your brain persuading your body to do the right movements.

Everyone has a need to do penance. It's a basic need, like washing. It's about harmony, an absolutely essential inner balance. It's the balance we call morality.

It was a sudden inspiration. But inspiration never came without a reason.

A rat is neither good nor evil. It does what a rat has to do.

Evil is not a thing. It cannot take possession of you. It's the opposite; it's a void, an absence of goodness. The only thing you can be frightened of here is yourself.

I tell myself I write because I want to say something true and original about the nature of evil. That is very ambitious - to say something about the human condition that hasn't been written before. Probably I will never succeed but that is what I strive to do.

Crime fiction is a genre for writing stories about people - about conflict, about guilt, about passion, about the human condition.

They say that every writer, they write about himself, and I think that to a certain extent that is true. But also we are creators of fiction.

I have questioned myself about the brutality in the last few novels. Actually in The Leopard, in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. Phantom has less blood.

Not even the brightest future can make up for the fact that no roads lead back to what came before - to the innocence of childhood or the first time we fell in love.

I'm afraid I didn't really like Caracas in Venezuela. From what I saw it seemed so crime-ridden that you really have to be on your guard all the time.

All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.

I was a really bad taxi driver. I only collided twice but it was one time too much.