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John Baldessari Quotes

American painter and illustrator, Birth: 17-6-1931 John Baldessari Quotes
1.
I was getting tired of hearing the complaint, "My kid could do this," and "We don't get it. What's modern art? Blah, blah, blah." And I wondered what would really happen if you gave people what they wanted, something they always look at.
John Baldessari

2.
If I saw the art around me that I liked, then I wouldn't do art.
John Baldessari

3.
I go back and forth between wanting to be abundantly simple and maddeningly complex.
John Baldessari

4.
I think art, if it's meaningful at all, is a conversation with other artists. You say something, they say something, you move back and forth.
John Baldessari

5.
Talent is cheap, you have to be possessed or obsessed, rather. You really have to feel like you cannot not do art, and that is something you can't will.
John Baldessari

Similar Authors: Winston Churchill Francis Bacon John Ruskin Leonardo da Vinci William Blake Henry Miller Pablo Picasso Vincent Van Gogh Bill Watterson Andy Warhol Ashleigh Brilliant Alan Moore Scott Adams Quentin Crisp David Hockney
6.
Look at the subject as if you have never seen it before. Examine it from every side. Draw its outline with your eyes or in the air with your hands, and saturate yourself with it.
John Baldessari

7.
I will not make anymore boring art.
John Baldessari

8.
A TWO-DIMENSIONAL SURFACE WITHOUT ANY ARTICULATION IS A DEAD EXPERIENCE
John Baldessari

Quote Topics by John Baldessari: Art Thinking Photography Trying Simple Artist Want Ideas Work Out Kind Couple Meaningful Desire Successful Flaws Window Boring Worst Why Not Should Have Figures People Littles Interesting Back And Forth Kissing Recollection Horse Talent Articulation
9.
I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter and I'm sort of reporting.
John Baldessari

10.
Well, why is this art? Why isn't that art?
John Baldessari

11.
I was always interested in language. I thought, why not? If a painting, by the normal definition of the term, is paint on canvas, why can't it be painted words on canvas?
John Baldessari

12.
Probably one of the worst things that happened to photography is that cameras have viewfinders.
John Baldessari

13.
If you're smart, you abandon the things that didn't work out so well, and you enlarge upon the things that seem to be successful.
John Baldessari

14.
I used to jokingly say, "I don't teach art. I'm an art doctor." Students come to me and say, "My art's sick," and we help them make it well.
John Baldessari

15.
Writing helped me understand what I was thinking about.
John Baldessari

16.
I could never figure out why photography and art had separate histories. So I decided to explore both.
John Baldessari

17.
Artists are better at finding a way to kill their time.
John Baldessari

18.
I can't imagine a life without thinking, doing art. I don't feel any need to be a world traveler or an adventurer. I'm very happy doing what I'm doing. I think somehow I know that I should have a larger vision of art, but I can't think of what that would be.
John Baldessari

19.
There's no such thing as a bad photograph.
John Baldessari

20.
Photos should suggest a word(s) and vice versa. They should be equal and interchangeable.
John Baldessari

21.
That should be the goal for all art, to be as simple as a flashcard.
John Baldessari

22.
Most of my friends are women. I think women are more interesting to talk to.
John Baldessari

23.
Find the most puzzling kind of art you can think of, and then go out and try to approximate it with your camera. Take a photograph that corresponds to it. (Assignment to students.)
John Baldessari

24.
The idea of vaudeville clowns and court jesters is always to show the flaw, to point out what's not working and why it's not coherent.
John Baldessari

25.
The idea was to take fine art and put it into the location of the movie scripts. The script itself is collage - some of the lines come from actual movies and I've written others to make the text work with the found image. In this way, the details of old dead guys' paintings (from the collection of the Städel Museum in Frankfurt, where this work will be exhibited in relation to the historical paintings) become illustrations of the movie scripts. I found this mélange of high art and Hollywood amusing.
John Baldessari

26.
I didn't see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists?
John Baldessari

27.
I think I live such a boring life. But I can't imagine any other kind of life, so I guess it's the life I want.
John Baldessari

28.
Ideally I would like the work to be a hybrid between painting and photography.
John Baldessari

29.
It's human desire to be understood. And we always feel we're not understood.
John Baldessari

30.
I want to produce images that startle one into recollection.
John Baldessari

31.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
John Baldessari

32.
A lot of ideas don't translate very well into art. To say, "Oh my god, the grass is green ..." You're going to end up with a big green painting.
John Baldessari

33.
I think the term 'conceptual art' is a useful term for writers, a basket to put people in, like Pop Art or Impressionism or whatever.
John Baldessari

34.
I always felt like I was right out of Dickens, looking in the window of the Christmas feast, but not at the feast.
John Baldessari

35.
I was teaching live drawing in a community college and students started zoning in on the face and spending a couple of hours on that and then putting the rest of the body on the face only in the last hour. It didn't work to just tell them, 'Well, you're really not thinking of the body as a totality.' So in desperation I would put a drape over the model's head so they couldn't see it. They had to draw the body and then at the end of the session for an hour I would take the drape off just to try to reverse their procedure.
John Baldessari