John McGahern Quotes

My favorite optimist was an American who jumped off the Empire State Building, and as he passed the 42nd floor, the window washers heard him say, 'So Far, so good.'

When I was in my 20s it did occur to me that there was something perverted about an attitude that thought that killing somebody was a minor offence compared to kissing somebody.

We absolutely believed in Heaven and Hell, Purgatory, and even Limbo. I mean, they were actually closer to us than Australia or Canada, that they were real places.

Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.

I belong to the middle class that grew up very influenced by the Catholic church. The people of the novel are from a more pagan and practical world in which the Christianity is just a veneer.

The best of life is life lived quietly, where nothing happens but our calm journey through the day, where change is imperceptible and the precious life is everything.

...with a rush of feeling he felt that this must be happiness. As soon as the thought came to him, he fought it back, blaming the whiskey. The very idea was as dangerous as presumptive speech: happiness could not be sought or worried into being, or even fully grasped; it should be allowed its own slow pace so that it passes unnoticed, if it ever comes at all.

When you're in danger of losing a thing it becomes precious and when it's around us, it's in tedious abundance and we take it for granted as if we're going to live forever, which we're not.

Amongst Women concentrated on the family, and the new book concentrates on a small community. The dominant units in Irish society are the family and the locality. The idea was that the whole world would grow out from that small space.

I read all the time. I was reading a book I admire very much by Alice McDermot called Charming Billy.

The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese.

Yes, though I have nothing but gratitude for my upbringing in the church.

Ireland is a peculiar society in the sense that it was a nineteenth century society up to about 1970 and then it almost bypassed the twentieth century.

I love the description of Gothic churches before the printed word, that they were the bibles of the poor.

The rosary was said every evening. I always liked that sentence about the medieval Churches, that they were the Bibles of the poor. The Church was my first book and I would think it is still my most important book.

Yes, but also one of the problems for a novelist in Ireland is the fact that there are no formal manners. I mean some people have beautiful manners but there's no kind of agreed form of manners.

I've never written anything that hasn't been in my mind for a long time - seven or eight years.

I think that each of us inhabits a private world that others cannot see. The only difference between the writer and the reader is that the writer is able to dramatise that private world.

I think technique can be taught but I think the only way to learn to write is to read, and I see writing and reading as completely related. One almost couldn't exist without the other.

Without the book business it would be difficult or impossible for true books to find their true readers and without that solitary (and potentially subversive) alone with a book the whole razzmatazz of prizes, banquets, television spectaculars, bestseller lists, even literature courses, editors and authors, are all worthless. Unless a book finds lovers among those solitary readers, it will not live . . . or live for long.

I mean I think that's a fact and I think that we had a very peculiar type of Catholic Church here in that it was a fortress Church.

My father was very outwardly religious.

I think my mother was very spiritual.

I suppose . . . in writing you can't have regrets. I mean, you just get it down the way it was . . . it's only wishful thinking that things could be other than they were.

Anything that is given can be at once taken away. We have to learn never to expect anything, and when it comes it's no more than a gift on loan.

Nothing ever holds together unless it is mixed with some of one's own blood

I think there's a great difference in consciousness in that same way in that when we're young we read books for the story, for the excitement of the story - and there comes a time when you realise that all stories are more or less the same story.

I think fiction is a very serious thing, that while it is fiction, it is also a revelation of truth, or facts.

When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.

As a writer, I write to see. If I knew how it would end, I wouldn't write. It's a process of discovery.

The imagination demands that life be told slant because of its need of distance.

Among its many other obligations, fiction always has to be believable. Life does not have to suffer such constraint, and much of what takes place is believable only because it happens.

I used to take five or six books away and bring five or six books back. Nobody gave me direction or advice and I read much in the way that a boy might watch television.

I'd much prefer to write more quickly.

I feel I grew up in a different century than I live in. I think most of them are changes for the good.