1.
This self-respect and sense of self-worth, the innermost armament of the soul, lies at the heart of humanness; to be deprived of it is to be dehumanized, to be cleaved from, and cast below, mankind.
Laura Hillenbrand
2.
People think I must have been turning cartwheels on the night I sealed the movie deal - which was only two days after sealing the book deal - but I was really quite terrified.
Laura Hillenbrand
3.
I think authors can get into trouble viewing the subject matter as their turf
Laura Hillenbrand
4.
It's easy to talk to a horse if you understand his language. Horses stay the same from the day they are born until the day they die. They are only changed by the way people treat them.
Laura Hillenbrand
5.
For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write
Laura Hillenbrand
6.
The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when their tormentors suffer.
Laura Hillenbrand
7.
Without dignity, identity is erased. In its absence, men are defined not by themselves, but by their captors and the circumstances in which they are forced to live.
Laura Hillenbrand
8.
Dignity is as essential to human life as water, food, and oxygen. The stubborn retention of it, even in the face of extreme physical hardship, can hold a man's soul in his body long past the point at which the body should have surrendered it.
Laura Hillenbrand
9.
Without dignity, identity is erased.
Laura Hillenbrand
10.
His books were the closest thing he had to furniture and he lived in them the way other men live in easy chairs.
Laura Hillenbrand
11.
I just thought I was empty and now I'm being filled...and I just wanted to keep being filled.
Laura Hillenbrand
12.
His conviction that everything happened for a reason, and would come to good, gave him laughing equanimity even in hard times.
Laura Hillenbrand
13.
A lifetime of glory is worth a moment of pain. Louie thought: Let go.
Laura Hillenbrand
14.
I'm attracted to subjects who overcome tremendous suffering and learn to cope emotionally with it
Laura Hillenbrand
15.
Fatigue is what we experience, but it is what a match is to an atomic bomb.
Laura Hillenbrand
16.
I am actually in poor health due to chronic fatigue and immune dysfunction syndrome, and my ability to work is greatly diminished right now, so I have to get better before I can start another big project
Laura Hillenbrand
17.
Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought is, and their time in the doldrums, to an end.
Laura Hillenbrand
18.
... character reigns preeminent in determining potential.
Laura Hillenbrand
19.
I am in an altogether new world now. I can think of nothing more wonderful. It is a real touch of all that heaven means.
Laura Hillenbrand
20.
When he thought of his history, what resonated with him now was not all that he had suffered but the divine love that he believed had intervened to save him.
Laura Hillenbrand
21.
But with nonfiction, the task is very straightforward: Do the research, tell the story
Laura Hillenbrand
22.
I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen
Laura Hillenbrand
23.
I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
Laura Hillenbrand
24.
My work was entirely nonfiction.
Laura Hillenbrand
25.
I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
Laura Hillenbrand
26.
He had no money and no home; he lived entirely on the road of the racing circuit, sleeping in empty stalls, carrying with him only a saddle, his rosary, and his books...The books were the closest thing he had to furniture, and he lived in them the way other men live in easy chairs.
Laura Hillenbrand
27.
My agent and I put out my proposal one Thursday afternoon in August, 1998. Publishers started bidding immediately, and that process progressed for a few days.
Laura Hillenbrand
28.
Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went
Laura Hillenbrand
29.
Honestly, I expected to get a cold reception because of my subject matter. But when editors took a look at the story I had to tell, and saw that this was not a parochial story at all, they really warmed to it
Laura Hillenbrand
30.
My illness is excruciating and difficult to cope with. It takes over your entire life and causes more suffering than I can describe.
Laura Hillenbrand
31.
And at that point, I think my experience in covering the subject helped me. I think editors felt comfortable with the idea of me telling this story because I had demonstrated that I know this business pretty well
Laura Hillenbrand
32.
Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.
Laura Hillenbrand
33.
What God asks of men, said [Billy] Graham, is faith. His invisibility is the truest test of that faith. To know who sees him, God makes himself unseen.
Laura Hillenbrand
34.
Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison
Laura Hillenbrand
35.
...maybe it was better to break a man's leg than to break his heart.
Laura Hillenbrand
36.
Dignity is as essential to human life as water, food, and oxygen.
Laura Hillenbrand
37.
At that moment, something shifted sweetly inside him. It was forgiveness, beautiful and effortless and complete. For Louie Zamperini, the war was over.
Laura Hillenbrand
38.
Though all three men faced the same hardship, their differing perceptions of it appeared to be shaping their fates. Louie and Phil's hope displaced their fear and inspired them to work toward their survival, and each success renewed their physical and emotional vigor. Mac's resignation seemed to paralyze him and the less he participated in their efforts to survive, the more he slipped. Though he did the least, as the days passed, it was he who faded the most. Louie and Phil's optimism, and Mac's hopelessness, were becoming self-fulfilling.
Laura Hillenbrand
39.
Every day after lunch when I was writing my first book, I'd nibble a square of fine chocolate and meditate on all that had gone into its creation: the sun and rain that spilled on the cocoa plant, the soil that nourished it, the hands that picked the beans, and so on. My taste of chocolate became a lesson on the interconnectedness of things, and the infinite blessings for which I am grateful.
Laura Hillenbrand
40.
I am disabled, so I can't travel, and I have not been to any development meetings, but Gary and the others affiliated with the film keep me updated on everything.
Laura Hillenbrand
41.
For 'Seabiscuit,' I interviewed 100 people I never met.
Laura Hillenbrand
42.
I have to detach myself completely from aspirations. I hardly ever listen to music anymore because it arouses all of this yearning in me
Laura Hillenbrand
43.
I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years
Laura Hillenbrand
44.
I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do.
Laura Hillenbrand
45.
The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer. In seeking the Bird's death to free himself, Louie had chained himself, once again, to his tyrant. During the war, the Bird had been unwilling to let go of Louie; after the war, Louie was unable to let go of the Bird.
Laura Hillenbrand
46.
While it's really hard to do, at the same time, I'm escaping my body, which I really want to do. I'm living someone else's life. I get very intensely into the story, into the interviews and the research. I'm experiencing things along with my subjects. I have a freedom I don't have in my physical life
Laura Hillenbrand
47.
I spoke to my agent and learned that a Hollywood scout had seen my proposal in one of the publishing houses, and had faxed it to Hollywood, where it was generating a lot of interest
Laura Hillenbrand
48.
I've used a cellphone exactly twice. Things move on. The world changes. And I don't know it
Laura Hillenbrand
49.
In terms of writing about horses, I fell backwards into that. I was intent on getting a Ph.D., becoming a professor, and writing on history but I got sick 14 years ago when I was 19. Getting sick derailed that plan completely
Laura Hillenbrand
50.
I got sick when I was 19, and I'd been a really healthy 19-year-old, so I don't have a lot to compare it to. Does it feel like the pain after you give birth? I don't know
Laura Hillenbrand