1.
I felt the need to tell stories to understand myself.
Manuel Puig
2.
What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they?
Manuel Puig
3.
My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.
Manuel Puig
4.
I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
Manuel Puig
5.
I think cinema is closer to allegories than to reality. It's closer to our dreams.
Manuel Puig
6.
I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.
Manuel Puig
7.
Your reality, isn’t restricted by this cell we live in. If you read something, if you study something, you transcend any cell you’re inside of
Manuel Puig
8.
If it's great stuff, the people who consume it are nourished. It's a positive force.
Manuel Puig
9.
If the novelist shares his or her problems with the characters, he or she is able to study his personal unconscious.
Manuel Puig
10.
Teaching is a good distraction, and I am in contact with young people, which is very gratifying.
Manuel Puig
11.
It's my own personal unconscious that ultimately creates the novel's aesthetic facade.
Manuel Puig
12.
I allow my intuition to lead my path.
Manuel Puig
13.
I've never seen a worse situation than that of young writers in the United States. The publishing business in North America is so commercialized.
Manuel Puig
14.
Being a man (male "macho") does not give you right to anything.
Manuel Puig
15.
Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
Manuel Puig
16.
The essayist has to follow a certain intellectual pattern. The novelist has the advantage of using fantasy, of being subjective.
Manuel Puig
17.
I began teaching in New York because I needed to stay in the United States and didn't have my immigration papers in order, so working for a university was a way of resolving the issue.
Manuel Puig
18.
In film, you can't go into analytical explorations because the audience will reject that.
Manuel Puig
19.
My greatest aspiration was always to live in the tropics.
Manuel Puig
20.
What's better, a poetic intuition or an intellectual work? I think they complement each other.
Manuel Puig
21.
I haven't been the kind of writer about whom book-length academic studies have been written.
Manuel Puig
22.
Tardiness in literature can make me nervous.
Manuel Puig
23.
I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
Manuel Puig
24.
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
Manuel Puig
25.
All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
Manuel Puig
26.
For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
Manuel Puig
27.
The writer needs to react to his or her own internal universe, to his or her own point of view. If he or she doesn't have a personal point of view, it's impossible to be a creator.
Manuel Puig
28.
Writers are not meant for action.
Manuel Puig
29.
We should try to understand our innermost needs. We shouldn't use irony to reduce their power.
Manuel Puig
30.
I only understand realism.
Manuel Puig
31.
It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.
Manuel Puig
32.
I believe that people who don't achieve anything in life are isolated and resent those that are successful.
Manuel Puig
33.
My only fantasy about writing was that in my old days, after directing many masterpieces, I would write my memoirs.
Manuel Puig
34.
I have written every one of my novels to convince somebody of something.
Manuel Puig
35.
I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
Manuel Puig
36.
My pleasure was to copy, not to create.
Manuel Puig
37.
I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
Manuel Puig
38.
Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
Manuel Puig
39.
I'm not terribly happy about rock and roll. Certain rock music is uninspiring, numbing; it makes you feel like an idiot.
Manuel Puig
40.
Ironically, Latin American countries, in their instability, give writers and intellectuals the hope that they are needed.
Manuel Puig
41.
In a country like France, so ancient, their history is full of outstanding people, so they carry a heavy weight on their back. Who could write in French after Proust or Flaubert?
Manuel Puig
42.
Book reviews have never helped me. Most of them erred in their interpretations and their work has been a waste of time.
Manuel Puig
43.
I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
Manuel Puig
44.
I don't have traceable literary models because I haven't had great literary influences in my life.
Manuel Puig
45.
The translator's task is to create, in his or her own language, the same tensions appearing in the original. That's hard!
Manuel Puig
46.
If a spectator with a philosophical mind, somebody accustomed to reading books, gets the same kind of information in a movie, he might not fully understand it.
Manuel Puig
47.
I don't think humor is forced upon my universe; it's a part of it.
Manuel Puig
48.
Kafka truly illustrates the way the environment oppresses the individual. He shows how the unconscious controls our lives.
Manuel Puig
49.
One performs a very different act when reading a movie and when reading a novel. Your attention behaves differently.
Manuel Puig
50.
I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.
Manuel Puig
