1.
The voodoo priest and all his powders were as nothing compared to espresso, cappuccino, and mocha, which are stronger than all the religions of the world combined, and perhaps stronger than the human soul itself.
Mark Helprin
2.
He moved like a dancer, which is not surprising; a horse is a beautiful animal, but it is perhaps most remarkable because it moves as if it always hears music.
Mark Helprin
3.
As long as you have life and breath, believe. Believe for those who cannot. Believe even if you have stopped believing. Believe for the sake of the dead, for love, to keep your heart beating, believe. Never give up, never despair, let no mystery confound you into the conclusion that mystery cannot be yours.
Mark Helprin
4.
Words were all he knew; they possessed and overwhelmed him, as if they were a thousand white cats with whom he shared a one-room apartment.
Mark Helprin
5.
To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.
Mark Helprin
6.
Well-timed silence is the most commanding expression.
Mark Helprin
7.
Justice can sleep for years and awaken when it is least expected. A miracle is nothing more than dormant justice from another time arriving to compensate those it has cruelly abandoned. Whoever knows this is willing to suffer, for he knows that nothing is in vain.
Mark Helprin
8.
One is attracted to beauty. Beauty is the coordination of things, in such a way, that it is what attracts you. It's almost self-defining.
Mark Helprin
9.
The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.
Mark Helprin
10.
They gave themselves up to the stars the way swimmers can surrender to the waves, and the stars took them without resistance.
Mark Helprin
11.
You’ll join me sooner than you know in a place with . . . no illusions, where the truth is the only architecture, the only color, the only sound--where that which we sense merely on occasion, and which takes us up and gives us the rare and beautiful glimpses of the things we truly love, flows in deep rivers and tumbles about like clouds in the sky.
Mark Helprin
12.
And if you were a spirit, and time did not bind you, and patience and love were all you knew, then there you would wait for someone to return, and the story to unfold.
Mark Helprin
13.
Marxists are people whose insides are torn up day after day because they want to rule the world and no one will even publish their letter to the editor.
Mark Helprin
14.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
Mark Helprin
15.
Perhaps passing through the gates of death is like passing quietly through the gate in a pasture fence. On the other side, you keep walking, without the need to look back. No shock, no drama, just the lifting of a plank or two in a simple wooden gate in a clearing. Neither pain, nor floods of light, nor great voices, but just the silent crossing of a meadow.
Mark Helprin
16.
If it weren't for music, I would think that love is mortal.
Mark Helprin
17.
And how does God speak to you?" "In the language of everything that is beautiful.
Mark Helprin
18.
And they'll vote for me because I'm the best liar, because I do it honestly, with a certain finesse. They know that lies and truth are very close, and that something beautiful rests between.
Mark Helprin
19.
Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.
Mark Helprin
20.
We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.
Mark Helprin
21.
A tranquil city of good laws, fine architecture, and clean streets is like a classroom of obedient dullards, or a field of gelded bulls - whereas a city of anarchy is a city of promise.
Mark Helprin
22.
There is justice in the world, Peter Lake, but it cannot be had without mystery.
Mark Helprin
23.
When faced with something I fear, I tend to eat spaghetti.
Mark Helprin
24.
The best way to meet a woman is in an emergency situation - if you're in a shipwreck, or you find yourself behind enemy lines, or in a flood.
Mark Helprin
25.
and even when I was broken the way sometimes one can be broken, and even though I had fallen, I found upon arising that I was stronger than before, that the glories, if I may call them that, which I had loved so much and that had been darkened in my fall, were shinning even brighter and nearly everytime subsequently I have fallen and darkness has come over me, they have obstinately arisen, not as they were, but brighter.
Mark Helprin
26.
Quite possibly there's nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That's when you learn that the tragedy of plants is that they have roots.
Mark Helprin
27.
I'm not afraid," Rafi said. "Why not?" "If I die tomorrow it will have been useless to have been afraid today.
Mark Helprin
28.
He knew very well that love could be like the most beautiful singing, that it could make death inconsequential, that it existed in forms so pure and strong that it was capable of reordering the universe. He knew this, and that he lacked it, and yet as he stood in the courtyard of the Palazzo Venezia, watching diplomats file quietly out the gate, he was content, for he suspected that to command the profoundest love might in the end be far less beautiful a thing than to suffer its absence.
Mark Helprin
29.
How the holy and the profane mix in the light of day and at the end of life is sometimes the most beautiful thing in this world and a compassionate entry into the next. After failure and defeat, a concentration upon certain beauties, though forever lost and unretrievable, can lift the wounded past roundedness and the dying past dying, protecting them with an image, still and bright, that will ride with them on their long ride, never to fade and never to retreat.
Mark Helprin
30.
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.
Mark Helprin
31.
From long familiarity, we know what honor is. It is what enables the individual to do right in the face of complacency and cowardice. It is what enables the soldier to die alone, the political prisoner to resist, the singer to sing her song, hardly appreciated, on a side street.
Mark Helprin
32.
New technologies will always demand and deserve careful navigation and difficult readjustments. But the weakening or de facto abolition of copyright will not merely roil the seas, it will drain them dry. Those who would pirate what you produce have developed an elaborate sophistry to convince you that they are your victim. They aren't. Fight back.
Mark Helprin
33.
To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been.
Mark Helprin
34.
She died on a windy gray day in March when the sky was full of darting crows and the world lay prostrate and defeated after winter. Peter Lake was at her side and it ruined him forever. It broke him as he had not ever imagined he could have been broken. He would never again be young, or able to remember what it was like to be young. What he had once taken to be pleasures would appear to him in his defeat as hideous and deserved punishments for reckless vanity.
Mark Helprin
35.
The human race is intoxicated with narrow victories, for life is a string of them like pearls that hit the floor when the rope breaks, and roll away in perfection and anarchy.
Mark Helprin
36.
Lonely people have enthusiasms which cannot always be explained. When something strikes them as funny, the intensity and length of their laughter mirrors the depth of their loneliness, and they are capable of laughing like hyenas. When something touches their emotions, it runs through them like Paul Revere, awakening feelings that gather into great armies.
Mark Helprin
37.
Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand - until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence.
Mark Helprin
38.
Of course, you would have to be insane to hope your child grows up to be a playwright or poet. Given the odds, you would have to be quite cavalier about your children's future.
Mark Helprin
39.
I have always thought limousines make me dreadfully uncomfortable, just the way that suits do. When I wear a suit, I feel like ants and termites are crawling all over my body. It's really, really uncomfortable. People put themselves in a kind of prison. It's like the world of the embassies.
Mark Helprin
40.
I've always been terribly uninterested in criticism. And one of the reasons, I just thought recently, is that you know there are various schools of criticism that will compete, and one will supercede the other.
Mark Helprin
41.
...I returned to walking up the mountain, and there, in the dim asexual beauty of reddening dawns and skies that firmed to blue, I discovered my real and appropriate strengths.
Mark Helprin
42.
He felt as if he were paying for the privilege of music with portions of his life and body. But it was well worth it.
Mark Helprin
43.
I have been fighting over commas all my life.
Mark Helprin
44.
'Freeing' a literary work into the public domain is less a public benefit than a transfer of wealth from the families of American writers to the executives and stockholders of various businesses who will continue to profit from, for example, 'The Garden Party,' while the descendants of Katherine Mansfield will not.
Mark Helprin
45.
He could say nothing. He had no right to be there, he had already been profoundly changed, he was no good at small talk, she was half naked, it was dawn and he loved her.
Mark Helprin
46.
Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.
Mark Helprin
47.
One thing you will discover is that life is based less than you think on what you’ve learned and much more than you think on what you have inside you from the beginning." Memoir From Antproof Case
Mark Helprin
48.
It was a good speech, but the reaction was due to the fact that politics are madness, and even if one does not know it, a country in electoral season experiences flares of lunacy like the great storms that sometimes march across the golden surface of the sun.
Mark Helprin
49.
For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.
Mark Helprin
50.
In daily life language is important, if not in itself, then as a symptom.
Mark Helprin