Museums Quotes

You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that fleeting moment when you feel alive. It is not for unsteady souls .

Life did not intend to make us perfect. Whoever is perfect belongs in a museum.

The Louvre is a morgue; you go there to identify your friends.

Scientific data are not taken for museum purposes; they are taken as a basis for doing something. If nothing is to be done with the data, then there is no use in collecting any. The ultimate purpose of taking data is to provide a basis for action or a recommendation for action. The step intermediate between the collection of data and the action is prediction.

A church is a hospital for sinners, not a museum for saints.

Art must not be concentrated in dead shrines called museums. lt must be spread everywhere – on the streets, in the trams, factories, workshops, and in the workers' homes.

Glass is the most magical of all materials. It transmits light in a special way...Im pleased that my art appeals to so many people of all ages. As a parent and an artist, Im especially looking forward to leaving a legacy at The Childrens Museum, a place where I hope my work brings joy to children who visit from all over the world.

Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief…. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l’originalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight.

The Church is not a museum to display perfect people, but a hospital for the hurting.

Having plenty of time and all the museum's funds at my disposal, I put myself on a regime to buy one picture a day.

One day our grandchildren will go to museums to see what poverty was like.

Art should be created for life, not for the museum

One must picture everything in the world as an enigma, and live in the world as if in a vast museum of strangeness.

Since then I have held many jobs at museums in Colorado and Wyoming. I have also taught summer courses at the University of Colorado.

I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.

Destroy the Museums. Crack syntax. Sabotage the adjective. Leave nothing but the verb.

One of my major goals is to develop a web of the small Wyoming museums and create a major museum system. There are about eight of these museums, and they are all scattered.

Once poverty is gone, we'll need to build museums to display its horrors to future generations. They'll wonder why poverty continued so long in human society - how a few people could live in luxury while billions dwelt in misery, deprivation and despair.

The biggest looters are the British Museum.

A painting in a museum hears more ridiculous opinions than anything else in the world.

Murals in restaurants are on a par with the food in museums.

I'm in favor of an art that does something other than just sit on its ass in a museum.

If I had to choose a single destination where I'd be held captive for the rest of my time in New York, I’d choose the Metropolitan Museum of Art.

A museum is a place where one should lose one's head.

I grew up a Red Sox fan. I grew up going to Fenway Park and the Museum of Fine Arts and the Science Museum and Symphony Hall and going to the Common, walking around. My whole family at different times lived and worked in Boston.

Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums. People who are buying art at the top of the market as an investment are foolish.

I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.

MUMMY, n. - an ancient Egyptian handy, too, in museums in gratifying the vulgar curiosity that serves to distinguish man from the lower animals.

All too often, schools resemble museums, reflecting the past rather than shaping the future

Museums are tombs, and it looks like everything is turning into a museum.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

We are similar to a museum. My function is to present old masterpieces in modern frames.

We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.

I didn't understand art, until one day Tom Brady took me to the museum, and we looked at the Picasso, and he said, 'Rob, that's a touchdown.' We looked at the Rembrandt and Tom said, 'Rob, that's another touchdown.' We looked at the Vermeer and Tom said, 'Rob, that's another touchdown.' And I said, 'No, Tom, that's just a field goal.'

Musical compositions, it should be remembered, do not inhabit certain countries, certain museums, like paintings and statues. The Mozart Quintet is not shut up in Salzburg: I have it in my pocket.

Designers shouldn’t design for museums any more than mummies should die for them.

Since art is dead in the actual life of civilized nations, it has been relegated to these grotesque morgues, museums.

Humans have externalized their wisdom-stored it in museums, libraries, the expertise of the learned. Dog wisdom is inside the blood and bones.

Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.

The deep sea is the largest museum on earth, it contains more history than all the museums on land combined, and yet we're only now penetrating it.

The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.

Churches are not museums that display perfect people. They are hospitals where the wounded, hurt, injured and broken find healing.

I don't particularly like showing furniture on pedestals, but for whatever reasons you always have to in museums.

If the world were to end tomorrow and we could choose to save only one thing as the explanation and memorial to who we were, then we couldn't do better than the Natural History Museum, although it wouldn't contain a single human. The systematic Linnean order, the vast inquisitiveness and range of collated knowledge and beauty would tell all that is the best of us.

My opening line to my students, and a recurring theme in my classes, was that the big design problem isn't designing a house for your parents or yourself, a museum, or a toaster, or a book, or whatever. The big design problem is designing your life. It's by the design of your life that you create the backboard off which you bounce all your thoughts and ideas and creativity. You have to decide what it is that you want to do each day.

Reality TV to me is the museum of social decay.

O man, I beseech you do not treat God's promises as if they were curiosities for a museum; but use them as every day sources of comfort. Trust the Lord whenever your time of need comes on.

When in a museum, walk slowly but keep walking.

That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings she recognizes not because of their art or historical influence but because of their inflection, in terms of colors, their specificity and presence.

Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.