Naomi Watts Quotes

I always love being in the company of women. It's all about good conversation and great wine.

There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.

I'm not this dark, twisted person. Yes, I have my demons and this is my way of exorcising them. It gets them out - and better out than in.

If we could just trust the moment that we're in and live it in the way that you best can embrace it, it would be much better for all of us.

It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!

You have to make peace with yourself. The key is to find the harmony in what you have.

Pain is such an important thing in life. I think that as an artist you have to experience suffering.

The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.

There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.

I'm not happy unless I've got a little bit of fear going.

Nicole was always there with her door open, her arms open, her ears open - just what you need.

We're so afraid of death in our culture, but I think if we understand it better, then we'll appreciate the life we have more.

Oh, I'm definitely a wild child.

We're all the same, we all think its better somewhere else; its better being older if you're younger - or its better being younger when we're older.

I meditate. I do transcendental meditation and I have been doing that for a long time and that does just clear the mind. I am not religious at all.

Since I had children I have taken huge amounts of time off. In a way it's a really good thing, in this show business especially, to have lots of private time, having lots of time to be in the world to observe people and read and take care of my kids helps me to come back into work with a thrill.

That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.

I go to a dance class myself called BBS - Body By Simone - its little mini dance routines and I am often the oldest person in the room although I forget that. I'm fairly fit.

There was a time I was very much blaming the way I felt on L.A, that it was a vacuum of creativity, of humor or anything organic, and I was really angry at the place. But then today I feel completely different - I love L.A.!

On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.

The use of violence in movies is a subject that's worth addressing. I'm not standing on a soapbox or wagging a finger, but I'm interested in those subjects for sure.

If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.

Whatever is said about roles drying up, I intend to keep working. Certainly now the roles couldn't be more interesting - playing mothers, divorcees. I think it's going to be exciting to play a mother of teenagers. The longer your life, the deeper it gets.

Liev cares about a lot things. Israel is one of them. We had the good fortune of going there a couple of years ago. To share that experience with him was a great pleasure.

In your 20s - and these are generalizations of course - I feel like I didn't care about as many things or as many people, or even myself, as much. There's more recklessness and more ruthlessness; you're not as considerate of how things land with other people I think.

I got knockback after knockback at auditions. Just before ‘Mulholland Dr.’ my agent told me I was so intense I was freaking people out. She told me I was a brilliant actor but the feedback was that I made people feel uncomfortable because I was so nervous and intense. I just sat there and blubbed. My mum was staying in LA at the time and I went to her and said: ‘I just can’t do this. I’m not cut out for it.’ She just said: ‘Don’t believe a word people say about you. Forget them.’

I don't think of myself as a terribly confident person. But I have a survival mechanism that was instilled in me by my mother.

I felt I grew up when I was about 28. I feel pretty much the same. I get reminded when I look in mirrors that I am not. Hopefully, you keep growing and keep planning things as you go along.

You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.

What you want, as an actor, is a great leader. I can't bear it when I work with a director who is wishy-washy and says, "What did you think?"

Hotels are temporary people storage, no matter how big the boxes are. Remember that.

I love being outside with trees and water, lying down somewhere or walking. I do transcendental meditation, which keeps me calm and steady.

I had gotten to a place where I truly believed everything I was called: 'not sexy,' 'not funny,' 'too intense,' desperate.' All those labels they gave me, I took them because there wasn't a trace of my true self left.

I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.

At seventeen most people get their ears pierced or get a tattoo or something slightly taboo. That is what I love about Rodrigo Garcia, he's not conventional. He's someone who sees people in extraordinary ways, and forgives them for being such.

I have a bit of a frustrated dancer in me.

My mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.

Some movies are the kind you take home with you at the end of the day, and some, you can let go.

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works.

When I had dark hair I definitely felt that I was more anonymous.

I feel like I've been hit by a car every night, that's how I feel emotionally after The Race show. But it is a complete dream come true. For me growing up in New York all I ever wanted to do was Broadway.

I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.

I think in my 20s I was just all about having fun.

I don't know that any woman could ever not think about that at some point - even making the choice not to do it and getting to the place of peace of choosing not to be a parent, there would have still been some struggle in between. I'm not a man but I don't think it would occupy their minds as much.

Who are we when we leave our families? Who do we become? What are we capable of? That's something that never leaves us. It begins at that point in your life when you leave the nest, and I don't think we stop wanting to explore that question.

I was never completely destitute. I think I borrowed money once off a friend, but I've always been quite careful with my money, having come from not much of it.

It'll take me a lot longer to read a script if there's no director attached.

We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.

I've always loved to dance and keep fit but more recently I feel like I cannot keep up any longer and my back starts to hurt. And I get angry and then I have to really learn to forgive myself and go: you know what, you're nearly twice the age of some of the people in this room, give yourself a break.