Nonfiction Quotes

People respect nonfiction but they read novels.

In this time of the Internet and nonfiction, to be on an actual bookshelf in an actual bookstore is exciting in itself.

You can tell a more over-the-top incredible story if you use a nonfiction form.

I don't read that many novels, I'm more of a nonfiction fan.

For me, a memoir is nonfiction and nonfiction has to be absolutely true.

My reading preferences are kind of all over the board - I read nonfiction, I read graphic novels.

What I'm really interested in, as a reader and as a writer, is the idea of the nonfiction book that is not defined by its content, by its "about"-ness. Where you read it irrespective of whether you're interested in the subject.

Every time I write a nonfiction book I get sued.

I don't have time to read nonfiction.

I also read a lot of nonfiction. I just got "Nixonland" by Rick Perlstein. I felt like what with everything that is going on with the president [Donald trump] and the parallels with [Richard] Nixon's presidency, I needed to know more about the man.

Redheaded Peckerwood, which unerringly walks the fine line between fiction and nonfiction, is a disturbingly beautiful narrative about unfathomable violence and its place on the land

I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.

To me, the moment you're talking about nonfiction you're talking about reality.

When you deal with nonfiction you deal with human characters.

I've written six novels and four pieces of nonfiction, so I don't really have a genre these days.

My work was entirely nonfiction.

I really enjoy doing both, but I didn't write nonfiction until 1994.

I don't like to read nonfiction. To me, fact is something I can look up.

Nonfiction-wha t the hell, that just says, this is nongrapefruit we're having this morning.

Nonfiction is never going to die.

We like nonfiction, and we live in fictitious times.

It's hard to do fiction and nonfiction simultaneously.

I read the same amount of nonfiction and fiction.

The myth of objectivity made nonfiction increasingly unread. In feature articles, we could be playful in the opening and clever in the end but in the middle it was back to the boring basics.

Movies feel like work, and reading fiction feels like work, whereas reading nonfiction feels like pleasure.

But I don't read a lot of fiction. I prefer the nonfiction stuff.

I don't think the potential for comics in nonfiction has been exploited nearly as much as it could be.

For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."

When I'm working on a novel of my own, I try to read mostly nonfiction, although sometimes I break down and peek at something else.

Most books aren't pure nonfiction or fiction.

Let me roughly divide books into those which compete with the movies and those with which the movies cannot compete. They are the books that can elevate or instruct. If they are fine works of fiction, they can deepen your appreciation of human life. If they are serious works of nonfiction, they can inform or enlighten you.

the challenge of nonfiction is to marry art and truth.

The hardest piece of nonfiction I ever wrote isn't anywhere close to the easiest piece of fiction I never wrote.

The nonfiction novel or literary memoir as authored by women is usually given a much harder time in mainstream criticism.

I could talk more directly in a nonfiction voice than I could in fiction.

In December 2011, I will be opening up my production house, Sharmeen Obaid Films, and aspire to change the way Pakistanis approach nonfiction storytelling. There are thousands of stories to be found here.

I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.

I'd like to imagine that "dreamoir" becomes a subgenre of nonfiction, maybe ultimately because I'd love to read many more dreamoirs by other writers - poets and memoirists especially.

With nonfiction, I go in trying to be really honest about what my preconceptions are.

If you wrote about sex the way Jim [Salter] writes about sex in nonfiction, you would be a sociopath.

Nonfiction requires enormous discipline. You construct the terms of your story, and then you stick to them.

Nonfiction is easy and fiction is hard.

I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.

Nonfiction is more personal for me. It's more personal in that it's more direct, and actually it's always been more direct, even when I first started doing pieces.

As a student at the time, I kind of felt like my only options as a nonfiction writer were to either jump on the personal essay bus or linger back at the station, hoping that some other heretofore unknown mode of transportation was going to magically show up to take me where I wanted to go.

Every time I get through the work on a book of nonfiction, I say I'll never do it again; it takes so much out of you.

I often read nonfiction, and some of my ideas begin there.

Nonfiction, for the most part, is facts, and it's "how I was mistreated. I was mistreated. Were you mistreated? Weren't we all mistreated?"

In reference works, as in sin, omission is as bad as willful misbehavior.

When I wrote nonfiction, my best work was the really personal stuff.