1.
Then there’s Isabel Leonard, as the male character, Sesto. Her voice has the rich, fragrant depth of sandalwood and she looks so sublimely boyish yet fulsomely feminine that she combines the best of both genders. I adored her.
Richard Ouzounian
3.
Sergio Trujillos choreography adds coals to the inferno, with movement that plain just doesnt stop. We know from Jersey Boys that he can capture this style, but in Memphis, he kicks it up towards art, playing with the authentic touches to add some hits of Fosse, or riffs from modern dance that take us just that extra step we need.
Richard Ouzounian