Richard Sherman Quotes

If you put in the work, put in the time, put in the effort, you're going to reap the benefits.

I'm the best corner in the game. When you try me with a sorry receiver like Crabtree, that is the result you are going to get. Don't you ever talk about me.

Work hard and believe in yourself even when nobody else believes in you.

Your circumstances don't dictate your future. ... Your circumstances don't limit you.

I kind of go to the beat of my own drum.

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.

Sometimes you have to be somebody you're not.

I don't want to be an island. I want to be more of a tourist attraction. You stop here, I take your money and you go.

Both criticism and praise is part of putting yourself out there.

If I don't have the books to read, if I don't have the information to study, how can I succeed? That's a lot of the stuff I would focus on if I was elected because I think knowledge is power.

Don't you open your mouth about the best!

I don't care about people kissing my ass or telling me how great I am. I don't really give a damn. I read the bad stuff a whole lot more than I read the good stuff. I read that because there are always going to be critics who are going to say how good you aren't.

We’ve been in all the big games, we’ve been in small games, and we’ve treated them all the same and I think that mentality is what’s helped us get to the point where we are now.

I think people somehow get a skewed view of Tom Brady. That he's just a clean-cut guy that does everything right and never says a bad word to anyone. We know him to be otherwise.

He did look like the Monopoly man, but it was smooth. I thought he was going to pull a monocle out. That would have been awesome. And did you see the pocket watch? That was incredible.

Well, then, do it then, boy.

If you want to judge me, I can handle it.

The edge came from the slights I've had throughout my life, the slights I have dealt with through the entirety of my life. It wasn't one day when somebody said something and that made me upset and now I'm over it. I'm not going to stop playing with an edge because that's what got me here. That's just how I play the game. I can't play any other way.

The success doesn't define you. The success isn't what gave you the edge in the first place. The failure didn't give me the edge, either.

I was making sure everyone knew Crabtree was a mediocre receiver. And when you try the best corner in the game with a mediocre receiver, that's what happens. I appreciate that he knows that now.

I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.

You think, "Aw man, I would never want somebody else's poop on my hand," but when it's your child, "Oh, it's not that bad, I'll just wash it off."

It's hard coming in here talking a big game. It's hard, it's hard. It's a lamb coming to the wolves and throwing meat at them.

There are a lot of things my mother taught me and helped me and disciplined me and made sure I stayed on the right track. And there are a ton of things that only my father could have taught me.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

Everybody is a critic, everybody has a voice, everybody can reach you. Everybody is an expert and that's what makes it fun.

My brother & I have always said that to write a song, it takes all the experiences of your life, plus the time it takes to write it! To be specific, yes, sometimes a song takes place in one session - together in one day.

Anytime you run a gimmick offence, you're a little bit afraid - you're not sound in what you're doing in your base stuff.

We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out...I start to play something...he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works!

Education is fundamental to any success. That's your baseboard.

Every TV timeout, I went up and said it right to Brady: 'Please keep trying me. I'm going to take it from you.'

It's an awesome feeling being a father, because you never think you can fall in love with something so quickly. It was almost immediate.

But people find it easy to take shots on Twitter, and to use racial slurs and bullying language far worse than what you'll see from me. It's sad and somewhat unbelievable to me that the world is still this way, but it is. I can handle it.

But there was a hockey game where they didn't even play hockey, they just threw the puck aside and started fighting. I saw that and I thought, 'Oh man, I'm a thug?' So I'm really disappointed in being called a thug.

Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.

All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.

Good, bad or indifferent, I'm transparent with my opinions and what I believe. I just don't think in politics you can be that way.

First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.

A lot of people have been asking whether I would ever go into politics. I'm not sure I would.

Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.

Depending on the story, I don't feel that the music is disappearing. I feel if the story demands songs, they'll have songs. If it doesn't demand songs, you'll have underscore.

I'm intelligent enough and capable enough to understand that you are ignorant, pompous, egotistical, cretin. I'm going to crush you on here because I'm tired of hearing about it.