Simon Schama Quotes

Even for the most excitable preacher, there was nothing inherently sinful about a waffle.

I'm helplessly and permanently a Red Sox fan. It was like first love...You never forget. It's special. It's the first time I saw a ballpark. I'd thought nothing would ever replace cricket. Wow! Fenway Park at 7 o'clock in the evening. Oh, just, magic beyond magic: never got over that

Great art has dreadful manners. The greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your reality.

Charlie Hebdo: Satire was the father of true political freedom, born in the 18th century; the scourge of bigots and tyrants. Sing its praises.

Histories never conclude; they just pause their prose. Their stories are, if they are truthful, untidy affairs, resistant to windings-up and sortings-out. They beat raggedly on into the future.

Historians are left forever chasing shadows, painfully aware of their inability ever to reconstruct a dead world in its completeness however thorough or revealing their documentation. We are doomed to be forever hailing someone who has just gone around the corner and out of earshot.

Landscapes are culture before they are nature; constructs of the imagination projected onto wood and water and rock. It is... difficult to think of a single natural system that has not, for better or worse, been substantially modified by human culture. The cultural habits of humanity have always made room for the sacredness of nature.

Irreverence is the lifeblood of freedom.

From 1789, perhaps even before that, it had been the willingness of politicians to exploit either the threat or the fact of violence that had given them the power to challenge constituted authority. Bloodshed was not the unfortunate by product of revolution, it was the source of energy.

The great theme of modern British history is the fate of freedom. The 18th century inherits, after the Civil War, this very peculiar political animal. It's not a democracy, but it's not a tyranny. It's not like the rest of the world, the rest of Europe. There is a parliament, laws have to be made, elections are made.

What can art really do in the face of atrocity?

The irony about Charles II is not that he came to the throne because England needed a successor to Charles I, but because England needed a successor to Oliver Cromwell.

These men were very much in the minority, but of course, being the 'Elect', they expected to be in a minority - the party of redemption. In fact they glorified in the slightness of their numbers, the self-purifying troop of Gideon's army... stormtroopers in the front line of the Reformation.

In America, much foreign policy seems contrived to be an exercise in political theory with no attention to history whatsoever. Yet there's a great reverence for history - though it's history as thumb-sucking, security blanket-nibbling self-congratulation.

The way history is currently taught in schools, jumping from Hitler to the Henrys, is like a nightmare vision of Star Wars, where you have episode four before you have episode one. The sense of going on a journey, of chronology and continuity, is incredibly important to the imagination.

There are some places where history just grabs you by the jugular. This is one of them.

Nations don't start out. There is not a particular moment when they unveil the essence of themselves. They are always a work in progress.

Almost everywhere else in Europe, the more military the state, the stronger the king - except in Britain. Here it was parliament, not the monarchy, who signed the cheques. The longer the war went on, the stronger parliament became, as the purse on which it sat grew bigger and bigger.

Taxation, the very thing that had triggered the British civil wars, would do so again, this time in America. The taxes may have been different, but the result would once again be disaster. What happened in America was really round two of those wars - the civil war of the British Empire, with the Hanoverians playing the part of the Stuarts, and the Americans the heirs of the revolutionaries, of Cromwell and of William III, the inheritors of a true British liberty, that had somehow got lost in its own motherland.

But it struck me that the extreme violence and cruelty of the English Civil War had gone understated.

To collude in the minimisation of British history on the grounds of its imagined irrelevance to our rebranded national future, or from a suspicion that it does no more than recycle patriotic pieties unsuited to a global marketplace, would be an act of appallingly self-inflicted collective memory loss.

From the days of the Founding Fathers, right to this (2008) election, how and where America fights to defend its freedom, has been the ultimate question in its politics. The one that triggers rage and sorrow; the one that asks is the price of blood too dear? Or, if it is to stay true to its convictions, does America have no coice but to put its lives on the line?

DIY, cricket, automobile repair. I could study it for a lifetime and not produce a word on the carburettor.

Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.

We seem wired to grieve with greenery. Allowing the dead to dissolve into the earth, to become part of the cycle of the seasons, has, for millennia, held the promise of cheating mortality.

Walking on camera is damn hard. It's a Jewish problem. The rangy stride across the blasted moor is not really a Jewish thing.

Charles was constitutionally incapable of being a constitutional monarch.

At 11, 12 I thought I was clumsy, ugly, a mess, an unappealing person, but I did have the gift of the gab. I had the school record at Haberdashers for consecutive detentions for simply speaking out of turn.

I first read War And Peace about 100 years after Tolstoy wrote it.

In the end, history, especially British history with its succession of thrilling illuminations, should be, as all her most accomplished narrators have promised, not just instruction but pleasure.

The older I get, the more I want to do. It beats death, decay or golf in unfortunate trousers. Peace and quiet depress me.

I don't really like the autumn. For me it is the beginning of winter and I hate the winter. White, the colour of death.

I actually think that history has fed off the restlessness of cyber space, of kind of the frantic, segmented nature of the way we lead our lives. People want to be connected.

I felt New York was a big, more stylish, more metropolitan Golders Green. I was thrilled.

In its Greek origins, historia meant inquiry, and from Thucydides onwards, the past has been studied to understand its connections with the present.

The next worse thing to a battle lost is a battle won.