Studios Quotes

I like making work in my studio day in and day out, but I'm not so interested in the business side

You can build radiant health, success and happiness by the thoughts you think in the hidden studio of your mind.

It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.

If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.

All pictures painted inside in the studio will never be as good as the things done outside.

Art comes from life, not from the studio

I was born into the studio and all I really know is dance.

When I go into the studio, I completely detach. I let my emotions come out.

I would have been content to just do studio work, making it on my own never really entered my mind.

You don't enter a dance studio and say "I can't do that." If you do, then why are you in the studio in the first place?

I feel most real to myself in the studio.

The only bad studio is the unused one.

I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.

I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.

In L.A., I live right across from Universal Studios.

Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished.

I love the studio. It's my place to escape and to create and to try anything.

I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.

When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.

When I'm in the studio, there are no boundaries.

I'm really interested in having a studio one day and being a filmmaker.

Studios are like hospitals. A lot of people check in, and they don't check out.

Women can do anything, and I want to see that. I want them to make more movies for girls, and just for girls. I want studios to start doing that.

I always loved music and I always loved to perform, and that's my favorite part, to perform; my favorite part is not the studio, I can't stand the studio.

When I was making a shift... from one thing to another I didn't want to be answering questions: 'How come you're doing this?' 'How come you're doing that?' so I didn't allow anyone in my studio and I just worked away in there.

I am always locked in my design studio.

With songwriting I spend a lot of time living life, accruing all these experiences, journaling, and then by the time I get to the studio I'm teeming with the drive to write.

I just go in the studio and write on the spot and see what comes out.

I would love to have been around in the Keystone Studios days.

I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.

I always used to develop a cold going into the studio.

I started off as a studio pianist in Hollywood.

I get the music, I get the beats. And I go to the studios and write the lyrics.

I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.

While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.

Sometimes I hear a drum groove in my head and I rush down to my studio.

I can never remember what I do even in the studio.

The Buggles was much more a studio environment idea, which we never actually took on the road.

Some people are denizens of the studio. I'm more of a denizen of the live appearance. I love the live thing.

Just going through a lot in my life, becoming more confident in myself, writing my own music and just really getting in the studio and just doing it.

Sometimes in the studio movies I've been working in, you'll put a joke in a movie because the crowd loves it - not because I love it.

The studio that we mix in is still in Chicago.

Warner Bros., where I spent pretty much most of my professional life, they continue to make a lot of movies but so many of the studios are pulling back.

I like to explore a lot of textural, arrangement aspects in the studio.

I can't get hired in a studio movie. Everything is so uphill.

Writing on a contract for a major studio you get the very best.

We allow no geniuses around our Studio.

I always prefer to work in the studio. It isolates people from their environment

In my studio I'm as happy as a cow in her stall. That's the only place where everything is all right.

One of the factors that still keeps me in the studio is that every so often I have to more or less start all over.