1.
Patriotism is the belief that not all human lives are worth the same.
Tao Lin
2.
Do you sometimes look up from the computer and look around the room and know you are alone, I mean really know it, then feel scared ?
Tao Lin
3.
As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.
Tao Lin
4.
Sometimes an alien would stand with a moose, not because of solidarity, but because of accidentally doing it.
Tao Lin
5.
My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
Tao Lin
6.
You were one person alive and your brain was encased in a skull. There were other people out there. It took effort to be connected.
Tao Lin
7.
note the similarities with buddhism a buddhist who has achieved nirvana is not sad primarily because it does not know the concept of sad [...]
Tao Lin
8.
I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.
Tao Lin
9.
Novels–and memoirs–are perhaps the most comprehensive reports humans can deliver, of their private experiences, to other humans. In these terms there is only one kind of novel: a human attempt to transfer or convey some part or version of their world of noumenon to another’s world of noumenon.
Tao Lin
10.
Life, people learned, was not easy. Life was not cake. Life was not a carrot cake.
Tao Lin
11.
sad things are beautiful only from a distance therefore you just want to get away from them from a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful
Tao Lin
12.
Death is the end of the fear of death. [...] To avoid it we must not stop fearing it and so life is fear. Death is time because time allows us to move toward death which we fear at all times when alive. We move around and that is fear. Movement through space requires time. Without death there is no movement through space and no life and no fear. To be aware of death is to be alive is to fear is to move around in space and time toward death.
Tao Lin
13.
On average, since the urge to kill myself isn't so strong that I actually kill myself, the world is worth living in.
Tao Lin
14.
I don't know how to incorporate regret. But I'll say, like, "It affected me that way," "I learned this," "Next time maybe I'll do it differently".
Tao Lin
15.
does a society exist where it's become acceptable to wear 'helmets' enclosing one's entire head when in public to preempt social interaction
Tao Lin
16.
Matt would stare at Andrew for 10 minutes. It's depressing that people are different. Everyone should be one person, who should then kill itself in hand-to-hand combat.
Tao Lin
17.
We have been sitting here all night bullshitting and we still don’t know what to do.
Tao Lin
18.
There was an enjoyment to being alive, he felt, that because of an underlying meaninglessness–like how a person alone for too long cannot feel comfortable when with others; cannot neglect that underlying the feeling of belongingness is the certainty, really, of loneliness, and nothingness, and so experiences life in that hurried, worthless way one experiences a mistake–he could no longer get at.
Tao Lin
19.
Life has never died, which is something that I think people ignore.
Tao Lin
20.
But there was nothing I could do with the emotion really. It just went away after a while.
Tao Lin
21.
Rejection is good. Putting others ahead of self, giving things away. Success, money, power, fame, happiness, friends; any kind of pleasure - giving it all away, in the pyramid scheme of life, with the knowledge that everything will be returned, and being satisfied with that knowledge; not with the actual return of things, but the idea of the return of things. There is death.
Tao Lin
22.
I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.
Tao Lin
23.
Most people will agree that they would like if they were treated by other people based on what they have concretely done in their life, not what other people have done, with their lives. Focusing on being a person instead of an Asian or an anything seems to promote a worldview that encourages people to treat others based on what each person has specifically done in their life, which seems like it would reduce such things as war, racism, unfairness, "hate crimes".
Tao Lin
24.
loneliness can fly a helicopter through a cut-out shape of a helicopter the same size as the helicopter and that's it's only skill and it isn't good enough but it's still amazing.
Tao Lin
25.
He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness--or consciousnessless, maybe; could gravity trick itself like that?--of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think.
Tao Lin
26.
When I'm talking to someone I think 'can I use this dialogue in a book,'" said Luis. "If the answer is no I try talking to someone else.
Tao Lin
27.
I'm a shy, nervous person, and I don't like teaching with "terms." I didn't teach them, like, "This is first person, this is second person, this is foreshadowing," or whatever, so no one probably felt like they were learning anything. But I feel like teaching in that way reduces the concept to a term.
Tao Lin
28.
It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy.
Tao Lin
29.
If I don't like someone and I start reading their stuff, it seems like my brain will just automatically start criticizing everything that's there. It's really hard to read a book without having all this outside information telling you what to think about it.
Tao Lin
30.
I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
Tao Lin
31.
A world without right or wrong was a world that did not want itself, anything other than itself, or anything not those two things, but that still wanted something. A world without right or wrong invited you over, complained about you, and gave you cookies. Don't leave, it said, and gave you a vegan cookie. It avoided eye contact, but touched your knee sometimes. It was the world without right or wrong. It didn't have any meaning. It just wanted a little meaning.
Tao Lin
32.
One seemed simply to be here, less an accumulation of moments than a single arrangement continuously gifted from some inaccessible future.
Tao Lin
33.
I don't know what Douglas Coupland thinks about his writing. I've read maybe one page of one of his books and didn't think I was similar to him. But it seems like people just compare you to anyone, pretty much.
Tao Lin
34.
I know Bret Easton Ellis has said he has some amount of empathy for every character he has written about, though, so maybe I am similar to him in terms of that. I'm not sure what he thinks exactly.
Tao Lin
35.
I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .
Tao Lin
36.
I think Bret Easton Ellis has said that he doesn't completely identify with his characters. And I think he has referred to them as immoral before.
Tao Lin
37.
While other rich people might be like, "Once I'm rich I'm going to go on a vacation to wherever," but instead they just keep wanting to be more rich. It just seems like it would be fun to do whatever you wanted. If I were really rich I would be flying places, I think.
Tao Lin
38.
I just keep investing in the future, and I haven't reached the point where I'm not doing that.
Tao Lin
39.
I was delivering pizzas at Domino's. I was 17 maybe. I liked it a lot. Just driving in the nice weather and listening to music.
Tao Lin
40.
It seems like I'm not [happy]. Because if you look at my tweets and what I think and say, it seems like I'm worried about what's going to happen.
Tao Lin
41.
I don't think it's more positive to have a Twitter account, a Tumblr, and a blog. Someone without those things will use their time to do other things, like read books or swim or talk to their children or read websites or listen to music or write books or lie in bed or sit in a chair. I don't think any of these things are more positive than any other things. I don't think having an internet presence helps financially.
Tao Lin
42.
I think Gmail chats are different than IRL conversations because Gmail chats are saved by Gmail exactly as they occurred. I like texts and emails. Seems like I don't have anything to say that isn't obvious about texts, emails, and Gmail chats.
Tao Lin
43.
It seems like most people will agree that they would like if they were treated by other people based on what they have concretely done in their life, not what other people have done, with their lives.
Tao Lin
44.
I can feel the universe expanding and making things be further apart.
Tao Lin
45.
If I wrote about "being [abstraction]" I would be ignoring existential issues (such as death, limited-time, the arbitrary nature of the universe, the mystery of consciousness) that I feel affect me most in my life and think about most of the time. Another reason is that it doesn't seem specific or accurate, to me, to write about "being [abstraction]." I think there are some other reasons.
Tao Lin
46.
Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.
Tao Lin
47.
Lately, they were always reassuring each other that nothing was wrong; and probably it was true—life wasn’t supposed to be incredible, after all. Life wasn’t some incredible movie. Life was all the movies, ever, happening at once. There were good ones, bad ones, some went straight to video.
Tao Lin
48.
Focusing on being a person instead of an Asian or an [anything] seems to promote a worldview that encourages people to treat others based on what each person has specifically done in their life, which seems like it would reduce such things as war, racism, unfairness, "hate crimes," [other things most people feel aversion toward].
Tao Lin
49.
I don't know what to say about Asians. I think everyone is "racist," to differing degrees, in that everyone's brain will automatically associate information with other information, based on the information they are looking at (for example skin color, bone structure), but I think focusing on race in any manner that isn't neutral or self-aware probably increases racism.
Tao Lin
50.
I usually have Kafka biography in my bathroom. It's a book I can open at random and feel interested in immediately. It's really funny. With this book, since I'm opening it at random and immediately interested, I don't feel the need to read more than I want to read, in that there's not, like, a plot that leads me along. So I can stop whenever.
Tao Lin