Thao Nguyen Quotes

Some of the folks we see are in for defending themselves against their abusers, or drug charges that, because of the California state prison system, they have mandatory sentencing and life in prison for three counts of simple drug possession, or whatever. I find it not only helpful but, I think, necessary in maintaining my grounding and my perspective. Because music is such an unrealistic job to have. It's a really lucky job to have, but it's also very unrealistic.

I try not to read reviews because I know how sensitive I am and how debilitating it is and how it follows me around. If they're bad, you feel terrible, you feel worthless, no matter if you think they're wrong - and if they're good, it feels cheap and sleazy because you went looking for it.

When I started doing these advocacy groups, it sort of propelled and compelled me to write songs, because otherwise I wasn't really sure what I was going to do, music-wise. I wasn't particularly motivated to write songs. But this level of humanity and spirit that I witnessed greatly impacted and so inspired me, so that I felt this sort of renewed vigor to write music. As far as how grounding it is, yeah, it's the ultimate amount of perspective.

It's really easy to not be satisfied with your work, or people, or anything, but I really embrace the idea of not having to want [anything]. Not because you're denying yourself anything, but because it [everything] is already there.

I've always had this vision that the touring lifestyle is so unsustainable. But I have faith that I can do it, and I don't become a victim of my job or my work. And I can remove my self-worth from what I make and how many people show up.

I think I'm more effective as an activist if I stay in music, to be honest. Music, the way it reaches people and transcends divisions, is a really effective and powerful forum.

I think that the activism I've become involved with informs and enhances my life in a lot of ways, and definitely career-wise. This record wouldn't exist [without that activism], for one.

So when I can, I try my best to meditate a little bit every day, and that helps a lot. I think that just taking a minute, or however long you can, and really acknowledging everything that you have. Acknowledging what you have, and at the same time, acknowledging what other folks don't have. And you know, you don't have to feel guilty about it, but definitely to feel grateful is the first step in giving it back.

When I am onstage, singing all these songs... what's going through my mind is nothing. That's what's so amazing about meditation - achieving that state, getting to a place where you're clear and present. I'm not thinking about anything except connecting with an audience.

I feel I must acknowledge that gay people are, generally speaking, funnier, more self-sufficient, and better in crises and I should step aside and let them handle the business whenever it comes up.

Because I grew up trapped in the suburbs 8 miles outside of D.C. and I've never seen what people who live in D.C. look like.

I think meditating on tour is integral. It's a priority, because everything is so chaotic, and the calmer you stay, the calmer everybody is. Sometimes I do it hotel lobbies, or in corners, and I try to find moments. It's not ideal when people come out and almost step on you.

I like to say that I was raised by sitcoms, and that my personality is comprised of different characters. Darlene from Roseanne, Denise from The Cosby Show, Uncle Jesse from Full House, a little Jessie from Saved By The Bell - but not the episode where she was addicted to sleeping pills.

I think it's really important for the audience to feel connected, and when it's good it's this amazing, symbiotic relationship. I try to give as much as they can give. We're not avant garde and we make no claim to be revolutionary, but I think we are sincere.

If you're a woman musician, that is your qualifier. I've had people come up to me and say, "You're good for a girl." My only issue is, when that stereotype and stigma already exists, sometimes it's perpetuated by people who may not really play guitar. You somehow need to transcend that division of gender.

Sometimes I say things in interviews and then I see them in print and I think, "What an asshole."

I've always felt for little children because I love the way they fashion sentences - their vocabulary is limited. They have to navigate around to get to the meaning. It's a shame we bypass that when we gain more words. In a way, it's less honest and less direct. It's something that I appreciate about kids, and I will steal from them at will.