Urs Fischer Quotes

Life is one long decay, no? There's a lot of beauty in it. Like the patina in an old city.

I could see the works just living in reproductions. The work lives on like fantasy. Some live even better as just an image.

You basically only discover a new thing once.

Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.

What is the art world? I never really understood. I started doing this stuff to do what I want to do. Not to be this or that.

I always have a lot of things going on because some things take years to make and others take five minutes. I like that there's always something going on. Working doesn't have such a momentous feel - like it's all or nothing.

Did you find any artists complaining who don't already complain all day long about everything? No. But have you ever met a dealer who thought it was okay? Well, you maybe. It's still the art world. It's meant to be extreme. It's supposed to stand for liberty or whatever but really it's an extremely conservative environment. Why does everyone wear jeans? Because it's practical. To say something is taboo-breaking is to assume you have a clear image of the quality of a dealer. But there are certain dealers who always work this way.

I think it's bad for human beings to be artists. It's awful. You want to do something but you're constantly trying to decide what you want to do. Let's just say it's no place like Hawaii.

Take a relief. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract.

I love seeing tattoos on 60-year-olds who have had them for 40 years.

Many artists who don't go off to art school come to New York. It's about what you learn when you're here.

Everybody I knew who was really ambitious and kind of annoying wanted to move to New York. I like it here but that has nothing to do with the fantasy image that goes along with it. You have so many people complaining, "It's not how it used to be." If you look for specific things and you don't find them anymore, that's disappointing. But that's just your disappointment, it has nothing to do with the city. I think it's a nice place-harsh at times, and so on, but beautiful nonetheless.

If you don't enjoy making work, then it's bad. It's rough. Artwork is brutal for so many people. They let it happen to them, but it's brutal. I like the idea of an artist as somebody who works. A lot of the artists I like share this understanding.

I think when tattoos are new and colorful, they look bad. But they look better the older and more bleached out they become.