Ben Folds Quotes

I love you more than I have ever found a way to say to you.

I could probably live in Bali the rest of my life and completely live in the sticks and have a f - king moped and make a record every couple of years and not step in public and break even like I do anyway. That's really tempting.

I do think that when you make repeated mistakes, it's usually because you're just not coming to grips with something.

I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.

The cruelest lies are often told without a word The kindest truths are often spoken, never heard

I don't leave my neighborhood. I don't go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block... so I don't do much driving... Some people would say they never see me because I don't go anywhere. I stay in the blue state of Nashville, in my bubble.

The clock never stops, never stops, never waits. We're growing old. It's getting late.

And all I really want to say is you're the reason I want to stay.

Notes don't make music until you learn to insert silence between them.

I feel like a quote out of context, withholding the rest so I can be for you what you want to see.

A lot of 18-year-olds are like old men. They think they've seen everything.

Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.

But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.

I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.

Rock and roll is - and should be - a kid's place.

I'm aware that I'm very fringe, and it's nice that way.

Everybody knows it hurts to grow up...and we're still fighting it.

I do have that mindset - that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.

The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.

Everyone, when you're a teenager and you're growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it's not.

I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.

Now that I have found someone, I'm feeling more alone... than I ever have before.

The way I see it, there's only one melody for any song.

Even though I live in America more, I feel like when I go to Adelaide, that's when I get to go home.

The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.

Im really good at writing almost hits.

I feel like a quote out of context.

You never know when you put out an album that's unique whether it'll get beat up for it or not.

People learn at the rate they are going to learn.

When someone really goes to tell you something about what they're thinking, they're going to wear that experience with them. That's what you have to share.

The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.

The nature of honesty is that if someone has information or knows something about you that you don't want heard, then they have power over you.

I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced

My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.

What stupid f - king idiot gets married a second time if the first time didn't work out?

Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.

The music business is a weird business. Sometimes licensing doesn't happen because some business component that you never knew about stops it.

My parents told me I must get married. I was seen as a failure if I didn't do it.

If you're afraid they might discover your redneck past, there are a hundred ways to cover your redneck past.

If you can't draw a crowd, draw dicks on the wall

White people don't sing together very often, and when they do, it's about the celebrity of the song. The singing at my shows is all about harmony.

Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.

The nice thing about age is worrying less and less about what people think.

I've gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.

There is still some art in pop music. But it can't happen if you're not inspired.

If I'm in a relationship and my girlfriend is sleeping with other people, I don't need to know who it is; I just want to know how she feels about it.

I'm not really a strange person or anything, so if there's music I like, usually there's other people who like it too.

The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.

Off the coast and I'm headed nowhere