Dave Franco Quotes

At this point, I feel like I can allow myself to be goofy and take more risks, and even if I do fall on my face, I know it's not the end of the world and at least I tried to do something different.

One time I was hanging out with a girl and I wanted to kiss her. I was too nervous to do it, so I wrote ‘Can I kiss you?’ on a Post-It and handed it to her. And it worked!

I'm not one of those people who are like always joking in person.

When I'm dating someone, if she bonds with my cats I'll give her a chance maybe more than I would otherwise. But if she doesn't like my cats it's kind of a deal breaker.

I don't know if this is an illusion but I would love to be able to take my card-throwing skills and be able to puncture a watermelon. Now I know I can take this question and say, "I would want to solve the economic problems in the world" - but I want to stick that card in that watermelon.

I just know that it's smart for my career to carve my own path and do my own thing.

On the flip side, no one has any idea who the hell I am. I felt like I had to prove myself to them. On any new project I'm working on, the first week is nerve-wracking, but especially with these people that I admire so much and who I just want to be equal with.

I'm a cat person. I have two giant cats [Harry and Arturo] that I call the small panthers. They're like 17 pounds each-they're big boys! Every photo on my phone is of them doing something funny.

I don't just wanna be James Franco's little brother.

On how he spent his first Hollywood paycheck "I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10×10 brick, so I purchased her a flatscreen for her living room.

To be honest, I was kind of a shy kid growing up.

As much as I love and respect my brother, Im doing my best to distance myself from him and kind of show people that, even though we do look similar and have similar mannerisms, we are completely different.

I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.

When I was in high school, I was dating this girl and wanted to make her birthday really special. I showed up early to school and went around to every single one of her classes and left a rose with her teachers. Each rose had a note with a little inside joke.

Everyone always says it's a blessing to look a lot younger than my age, but sometimes I just want to look my real age.

I can't say I was like a die-hard zombie fan, but I've definitely seen a few different zombie movies and TV shows.

I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.

To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older.

I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.

With these Funny or Die videos, I do everything for them. I write them, act in them, and co-direct them with my buddy Brian McGinn, who I grew up with. We also edit them together. We're working on a small scale of Internet videos, but we're slowly trying to make them become a bigger thing.

Recently I've been looking for something new. The past few projects I've worked on, I keep getting cast as the asshole. I promise I'm a nice guy and not the asshole that everyone keeps seeing.

What I realized with Funny or Die is that I could take it into my own hands. On a much smaller scale, I think these videos are an accurate representation of who I am. As weird as they may be, I'm at least proud of them, and it showed that I do have a slightly different voice. I can't tell you how often people bring up these videos in interviews, and I'm so happy to talk about them because we created them from the ground up.

Once a week I would meet up with the coolest teacher and we'd go over my work. All my friends were like, Soooo... once a week at lunch you meet up with Mr. Schulenberg to talk about poetry. They all thought I was having sex with my teacher. But I really just loved to write and it was a nice outlet.

I wish I were that cat.

I'm a tough critic on myself.

For example, for me, my brother helped me get a manager, which I don't take for granted. It's tough getting a manager, let alone one that actually cares about you and is smart. But from there, no one's going to cast me just because I'm James Franco's little brother.

I know how difficult it is to make a career in the arts, but even if you don't make a career of it, don't lose it as a hobby. Artists often end up in jobs that have nothing to do with their art. But that side needs to be fulfilled - don't give it up.

There's so much more freedom in film as far as subject matter and what can be said. And then, also, the process is different because there's more time. On movies there's just so much freedom and space to explore in front of the camera.

In terms of the production company, my brother and I are very drawn toward projects that do feel slightly outside the box. And at the same time are accessible enough that they could draw a slightly wider audience.

As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.

I think that I probably break on set more than I make other people break. I've realized recently that, in my everyday social life, I'm a very easygoing person, but when it comes to work, I'm pretty type - A. I'm very focused and I take it maybe too seriously sometimes. So, when I'm on set, even when there are really funny people that I'm in the scenes with, I'm generally good at not breaking too often.

When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.

There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.

In general, the few directors that I've worked with that I really respect have taught me a lot about who I am and they've opened me up as an actor. I want to take some of that to apply it to when I'm directing actors.

I wouldn't be where I am without these Funny or Die videos in general. When I was first starting out, I would take roles just to get the experience, but not exactly because I believed in the projects I was doing.

I'm a small shifty kind of guy.

When I think of myself, I'm definitely... I'm not like a comedian.