1.
A library is infinity under a roof.
Gail Carson Levine
2.
There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.
Gail Carson Levine
3.
And so, with laughter and love, we lived happily ever after.
Gail Carson Levine
4.
Climb the day, Drop your dreams, Possess the day.
Gail Carson Levine
5.
When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you
Gail Carson Levine
6.
That's funny, you're funny. I like you, I'm quite taken by you.
Gail Carson Levine
7.
There's nothing wrong with reading a book you love over and over.
Gail Carson Levine
8.
But what I really long to know you do not tell either: what you feel, although I've given you hints by the score of my regard. You like me. You wouldn't waste time or paper on a being you didn't like. But I think I've loved you since we met at your mother's funeral. I want to be with you forever and beyond, but you write that you are too young to marry or too old or too short or too hungry - until I crumple your letters up in despair, only to smooth them out again for a twelfth reading, hunting for hidden meanings.
Gail Carson Levine
9.
Drualt took Freya's warm hand, Her strong hand, Her sword hand, And pressed it to his lips, Pressed it to his heart. Come with me,' he said. Come with me to battle, My love. Tarry at my side. Stay with me When battle is done. Tarry at my side. Laugh with me, And walk with me The long, long way. Tarry with me, My love, at my side.
Gail Carson Levine
10.
My favorite of my books is DAVE AT NIGHT, because it's loosely based on my father's childhood in an orphanage.
Gail Carson Levine
11.
Things change, people change, but that doesn't mean you should forget the past.
Gail Carson Levine
12.
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
Gail Carson Levine
13.
Who judges the judge who judges wrong?
Gail Carson Levine
14.
I want to be with you forever and beyond.
Gail Carson Levine
15.
I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes.
Gail Carson Levine
16.
I never met a word I didn't love
Gail Carson Levine
17.
In books and in life, you need to read several pages before someone's true character is revealed.
Gail Carson Levine
18.
I wished she’d never stop squeezing me. I wished I could spend the rest of my life as a child, being slightly crushed by someone who loved me.
Gail Carson Levine
19.
Do you like to slide?" His voice was eager. Stair rails! Did he suspect me? I forced a sigh. "No, Majesty. I'm terrified of heights." "Oh." His polite tone had returned. "I wish I could enjoy it. This fear of heights is an affliction." He nodded, a show of sympathy but not much interest. I was losing him. "Especially," I added, "as I've grown taller.
Gail Carson Levine
20.
I'm solitary as a pulled tooth, Lonely as an unwelcome truth, Lost as a minnow out of school, A genius in a crop of fools.
Gail Carson Levine
21.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
Gail Carson Levine
22.
Oak, granite, Lilies by the road, Remember me? I remember you. Clouds brushing Clover hills, Remember me? Sister, child, Grown tall, Remember me? I remember you.
Gail Carson Levine
23.
I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.
Gail Carson Levine
24.
No one is here," Char said. "You need resist temptation no longer." "Only if you slide too." "I'll go first so I can catch you at the bottom." He flew down so incautiously that I suspected him of years of practice in his own castle. It was my turn. The ride was a dream, longer and steeper than the rail at home. The hall rose to meet me, and Char was there. He caught me and spun me around.
Gail Carson Levine
25.
I trust you to find the good in me, but the bad I must be sure you don't overlook.
Gail Carson Levine
26.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
Gail Carson Levine
27.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
Gail Carson Levine
28.
I think kids abandon stories all the time. They start stories and get frustrated or get a different, better idea. I think that it is more worthwhile to stick with a story and revise it and try to finish it than abandon ship. Revisions, for any writer, are the name of the game.
Gail Carson Levine
29.
When I was little I knew my father had been an orphan and had lived in an orphanage. I was curious, but my father wouldn't satisfy my curiosity. He told only one story about the orphanage, and that was of sneaking out and buying candy, which he sold to other orphans. He said he had a pretty good business going - till he was busted! I guess he told that anecdote because he was the hero of it and I suspect he was rarely the hero as a child, more often the victim. There's a photo of the actual orphanage on my website, and you can see it's a forbidding looking place.
Gail Carson Levine
30.
He put his hand on my waist, and my heart began to pound, a rougher rhythm than the music. I held my skirt. Our free hands met. His felt warm and comforting and unsettling and bewildering--all at once.
Gail Carson Levine
31.
Kisses were better than potions.
Gail Carson Levine
32.
Crying is part of the adventure.
Gail Carson Levine
33.
No, I won't marry you. I won't do it. No one can force me.
Gail Carson Levine
34.
I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.
Gail Carson Levine
35.
When I write, I make discoveries about my feelings.
Gail Carson Levine
36.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
Gail Carson Levine
37.
Perhaps we can come here together someday. By the way, you're a month older than the last time I saw you. Are you still too young to marry.
Gail Carson Levine
38.
I rode all day. I cried all night. The moon didn’t glow. The sun didn’t rise. A comet blazed Between my eyes. West and South, Wind and rain. Every way is Just the same. Pray give me a box To hide inside. Pray give me a spade To dig my own grave.
Gail Carson Levine
39.
No sign of pleasure greeted the announcement. The mood in the hall was leaden. My mood was livelier. Fright is livelier than lead.
Gail Carson Levine
40.
The fast fliers are not disgraced." Queen Ree reached up for the missing tiara. "She saved us, but she's with him now." Vidia was complicated, two fairies in one, a loyal traitor.
Gail Carson Levine
41.
To me, merely and pretty were words that had nothing to do with each other. Pretty went with miraculously, and merely belonged in another paragraph entirely.
Gail Carson Levine
42.
It is helpful to know the proper way to behave, so one can decide whether or not to be proper.
Gail Carson Levine
43.
I was no hero. The dearest wishes of my heart were for safety and tranquility. The world was a perilous place, wrong for the likes of me.
Gail Carson Levine
44.
Would you favor me with a dance?" Over all the others I was his choice! I curtsied, and he took my hand. Our hands knew each other. Char looked at me, startled. "Have we met before, Lady?
Gail Carson Levine
45.
The Writer's Oath I promise solemnly: 1. to write as often and as much as I can, 2. to respect my writing self, and 3. to nurture the writing of others. I accept these responsibilities and shall honor them always.
Gail Carson Levine
46.
Daughter, we didn't need your note - or a prince's visit - to tell us you'd done nothing wrong. We know the daughter we raised. We fear for your future, but never for your character. You take our love and our trust wherever you wander. Father.
Gail Carson Levine
47.
I wonder how Admat can be everywhere. Is he in my sandal? Or is he my sandal itself? Why would a god bother to be a sandal? Does he wear shoes or sandals himself, invisible ones?
Gail Carson Levine
48.
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.
Gail Carson Levine
49.
I know all about you," Char announced after we'd taken a few more steps. "You do? How could you?" "Your cook and our cook meet at the market. She talks about you." He looked sideways at me. "Do you know much about me?
Gail Carson Levine
50.
He bowed. 'The young lady must not dance alone.
Gail Carson Levine