Jim Jarmusch Quotes

A lot of poets too live on the margins of social acceptance, they certainly aren't in it for the money. William Blake - only his first book was legitimately published.

Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.

I didn't get my degree at NYU; I got it later, they gave me an honourary one.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it.

I think of poets as outlaw visionaries in a way.

When I get depressed, or anything, I go 'think of all the music I haven't even heard yet!' So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

It's hard to get lost if you don't know where you're going.

If anyone tells you there is only one way, their way, get as far away from them as possible, both physically and philosophically.

The beauty of life is in small details, not in big events.

Each one of us is a set of shifting molecules, spinning in ecstasy.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination.

The counterculture is always repackaged and made into a product. It's part of America.

I prefer to be subcultural rather than mass-cultural. I'm not interested in hitting the vein of the mainstream.

I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

I'm like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas.

Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.

The beauty of ideas is that they are like waves in the ocean and they connect with things that came before them, and I think it is very important to embrace things that interest you and influence you, and incorporate them into what you do, as all artists have always done. The ones that say they don’t, are lying. Or are afraid that their work won’t be seen as being original, somehow.

Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent

I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don't apply are equally valuable because they lead you to towards what does.

No mistakes can be make during rehearsals, only progress toward what works best.

Select only things to steal from that speak directly to your soul.

When I hear the word independent I reach for my revolver. At this point, what the hell does that mean? The English Patient is an independent film... Hootie and the Blowfish are alternative music. I'm the Queen of Denmark. I don't know what it means anymore.

It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.

Now in the States if you look at the TV, you see the advertisements, the TV programmes, the pop videos, and the movies, they're all the same style. I think it's very condescending to the audience to assume they only have a three second attention span and so they don't leave anything on the screen for any longer. I don't understand that.

When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me.

If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.

The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.

I don't like American football. I think it's boring and ridiculous and predictable. But baseball is very beautiful. It's played on a diamond.

Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.

In the words of the ancients, one should make his decision within the space of seven breaths. It is a matter of being determined and having the spirit to break through to the other side.

I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control; and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.

It's a sad and beautiful world.

Separate two particles, place them at opposite ends of the universe, produce some effect in one, and the other will be identically affected.

Domesticity is a fact of how social structure works. So if you say, "Well being domestic as a female is a negative trait," then that would be like saying, "Having a family - because that's an economic unit designed to further the economic structures in the world - if you have a family then you're subjugated."

I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.

I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.

One of our favorite Joe Strummer quotes was, "No input, no output." Meaning, we're going to hear a band, we're going to go to a museum, or we're going to go hang out with some writer that we admire. We're going to get some input, because if we don't, then we have nothing. It's a circle. It's a respiratory thing.

A lot of innovation in language comes from poetry.

I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

America is a very venal place; everything has to be sold there. You can repackage your own s**t and sell it if it is marketed in the right way. The motivation is to sell. It's so illogical and strange to me. It's such a disposable culture and yet I feel comfortable being American.

I love riding on a bus now because you're looking down on the world from not too high of an angle, but people on the street rarely look up into the bus. They're sort of oblivious to this big giant machine, you know, passing by. So there's something very beautiful about the angle that you look at the world through.

I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.

I consider myself a feminist, in a way.

I'm not putting down anyone that does look at their work in that way, but for me I am a hardcore amateur.

Cricket makes no sense to me. I find it beautiful to watch and I like that they break for tea. That is very cool, but I don't understand. My friends from The Clash tried to explain it years and years ago, but I didn't understand what they were talking about.

I always think the Sex Pistols and the Ramones as very, very important because they stripped things down.

If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.

Life has no plot, why must films or fiction?