Mario Vargas Llosa Quotes

Memory is a snare, pure and simple; it alters, it subtly rearranges the past to fit the present.

Prosperity or egalitarianism -- you have to choose. I favor freedom -- you never achieve real equality anyway: you simply sacrifice prosperity for an illusion.

Like writing, reading is a protest against the insufficiencies of life.

The secret to happiness, at least to peace of mind, is knowing how to separate sex from love. And, if possible, eliminating romantic love from your life, which is the love that makes you suffer. That way, I assure you, you live with greater tranquility and enjoy things more.

Nothing better protects a human being against the stupidity of prejudice, racism, religious or political sectarianism, and exclusivist nationalism than this truth that invariably appears in great literature: that men and women of all nations and places are essentially equal, and only injustice sows among them discrimination, fear, and exploitation.

There are people with a lot of prejudice, a lot of fear of the unknown. They think that immigration is a danger, when really it is a solution. This is an interesting issue, because it will be a central question of our time.

Life is a shitstorm, in which art is our only umbrella." (spoken by character in a novel by Mario Vargas Llosa)

The secret to a masterpiece is 10 percent inspiration and 90 percent perspiration.

You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.

‎Reading good literature is an experience of pleasure...but it is also an experience of learning what and how we are, in our human integrity and our human imperfection, with our actions, our dreams, and our ghosts, alone and in relationships that link us to others, in our public image and in the secret recesses of our consciousness.

Its easy to know what you want to say, but not to say it

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.

In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.

Writers are the exorcists of their own demons.

One can't fight with oneself, for this battle has only one loser.

No matter how ephemeral it is, a novel is something, while despair is nothing.

Literature is a form of permanent insurrection. Its mission is to arouse, to disturb, to alarm, to keep men in a constant state of dissatisfaction with themselves.

When I was young, when I started to write, we were totally convinced that literature was a kind of weapon.

I convinced her that her first loyalty isn't to other people, but to her own feelings.

I learned to read at the age of five, in Brother Justiniano's class at the De la Salle Academy in Cochabamba, Bolivia. It is the most important thing that has ever happened to me. Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space.

Revolution will free society of its afflictions, while science will free the individual of his.

There is an incompatibility between literary creation and political activity.

Once upon a time, there was a boy who learned to read at the age of 5. This changed his life. Owing to the adventure tales he read, he discovered a way to escape from the poor house, the poor country, and the poor reality in which he lived.

Eroticism has its own moral justification because it says that pleasure is enough for me; it is a statement of the individual's sovereignty.

Maintain democracy or go to dictatorship: that is what is at stake in these elections.

Violence represents the worst kind of conformism.

A good novel is a conjunction of many factors, the main of which is without a doubt, hard work.

Death isn't enough. It doesn't remove the stain. But a slap, a whiplash, square on the face, does. Because a man's face is as sacred as his mother or his wife.

Since it is impossible to know what's really happening, we Peruvians lie, invent, dream and take refuge in illusion. Because of these strange circumstances, Peruvian life, a life in which so few actually do read, has become literary.

We must mistrust utopias: they usually end in holocausts.

But what do I have? The things I'm told and the things I tell, that's all. And as far as I know, that never yet made anyone fly.

The worst thing that can happen to an artist is to be subsidized by the state. It leads to an intellectual and artistic castration.

It isn't true that convicts live like animals: animals have more room to move around.

Do the rhetorical quarrels of bourgeois political parties have anything to do with the interests of the humble and downtrodden?

Even though what I enjoy most is literature, I would not want to live only in a world of fiction, cut off from the rest of life. No - I want to always have a foot in the street, to be inmersed in the activities of my contemporaries, in the times, in the place where I live.

We were trained as writers with the idea that literature is something that can change reality, that it's not just a very sophisticated entertainment, but a way to act.

Science is still only a candle glimmering in a great pitch-dark cavern.

Writing a book is a very lonely business. You are totally cut off from the rest of the world, submerged in your obsessions and memories.

That is one thing I am sure of amid my many uncertainties regarding the literary vocation: deep inside, a writer feels that writing is the best thing that ever happened to him, or could ever happen to him, because as far as he is concerned, writing is the best possible way of life, never mind the social, political, or financial rewards of what he might achieve through it.

Journalism has been very important for me - for a long time I made my living as a journalist, and it also serves as a source of ideas. Many of the things I have written I would not have written without the experience of being a journalist.

If you are killed because you are a writer, that's the maximum expression of respect, you know.

Reading was such an enrichment of my life. And it was that pleasure that I had as a very young reader probably that is the origin of my vocation.

A novel which persuades us of its truth is true however full of lies it may be

The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.

There are many things behind a good novel, but in particular there is a lot of work - a lot of patience, a lot of stubbornness, and a critical spirit.

I was very young and lived with my grandparents in a villa with white walls in the Calle Ocharan, in Miraflores.

I have a chest full of all the insults, villainies, and infamies a man is capable of withstanding. . . . If you become famous, you will have to go through that.

No democracy is born perfect, and none ever gets to be perfect. Yet democracy is superior to authoritarian and totalitarian regimes because, unlike them, democracy is perfectible.

It is rare and almost impossible for a novel to have only one narrator.

The truths that seem most truthful, if you look at them from all sides, if you look at them close up, turn out to be either half truths or lies.