Ralph Vaughan Williams Quotes

There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.

The art of music above all the other arts is the expression of the soul of a nation.

Music is the reaching out towards the utmost realities by means of ordered sound.

I have always found it difficult to study. I have learnt almost entirely what I have learnt by trying it out on the dog.

But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it.

The duty of the words is to say just as much as the music has left unsaid and no more.

There is no reason why an atheist could not write a good Mass.

I suppose it never occurs to these people that a man might just want to write a piece of music.

Wagner used to read the libretti of his operas to his friends; I am glad I was not there.

The attitude of foreign to English musicians is unsympathetic, self-opinionated and pedantic. They believe that their tradition is the only one (this is specially true of the Viennese) and that anything that is not in accordance with that tradition is "wrong" and arises from insular ignorance.

To the unmusical hearer a note on the gong means dinner, this perhaps often is menacing enough.

It looks wrong, and it sounds wrong, but it's right.

Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.

The great men of music close periods; they do not inaugurate them. The pioneer work, the finding of new paths, is left to smaller men.

The audience is requested not to refrain from talking during the overture. Otherwise they will know all the tunes before the opera begins.

I think there is no work of art which represents the spirit of a nation more surely than "Die Meister Singer" of Richard Wagner. Here is no plaything with local colour, but the raising to its highest power all that is best in the national consciousness of his country.

The business of finding a nation's soul is a long and slow one at the best and a great many prophets must be slain in the course of it. Perhaps when we have slain enough prophets future generations will begin to build their tombs.

Beethoven was ahead of the times, Bach behind them.

Have we not all about us forms of a musical expression which we can take and purify and raise to the level of great art?.

A supreme composer can only come out of a musical nation.

Why should we not enter into our inheritance in the church as well as the concert hall?

Two years of close association with some of the best (as well as some of the worst) tunes in the world was a better musical education than any amount of sonatas and fugues.