Roger Scruton Quotes

Art once made a cult of beauty. Now we have a cult of ugliness instead. This has made art into an elaborate joke, one which by now has ceased to be funny.

There is a deep human need for beauty and if you ignore that need in architecture your buildings will not last

Modernism in architecture went hand in hand with socialist and fascist projects to rid old Europe of its hierarchical past

A writer who says that there are no truths, or that all truth is ‘merely relative,’ is asking you not to believe him. So don’t.

Through the pursuit of beauty we shape the world as a home, and in doing so we both amplify our joys and find consolation for our sorrows.

In place of the old beliefs of a civilization based on godliness, judgment and historical loyalty, young people are given the new beliefs of a society based on equality and inclusion, and are told that the judgment of other lifestyles is a crime. ... The "non-judgmental" attitude towards other cultures goes hand-in-hand with a fierce denunciation of the culture that might have been one's own

There is a crucial distinction to be made between innovation and originality. The second, unlike the first, can never break with what preceded it: to be original, an artist must also belong to the tradition from which he departs. To put it another way, he must violate the expectations of his audience, but he must also, in countless ways, uphold and endorse them.

The culture of a civilization is the art and literature through which it rises to consciousness of itself and defines its vision of the world.

Art and music shine a light of meaning on ordinary life, and through them we are able to confront the things that trouble us and to find consolation and peace in their presence.

Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend. If there are people who are indifferent to beauty, then it is surely because they do not perceive it.

It is not enough to be nice; you have to be good. We are attracted by nice people; but only on the assumption that their niceness is a sign of goodness.

In argument about moral problems, relativism is the first refuge of the scoundrel.

There are no chords in modernist architecture, only lines - lines that may come to an end, but that achieve no closure

The two most potent post-war orthodoxies--socialist politics and modernist art--have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man.

Marriage does not exist for the benefit of the present generation but for the benefit of the next

State solutions are imposed from above; they are often without corrective devices, and cannot easily be reversed on the proof of failure. Their inflexibility goes hand in hand with their planned and goal-directed nature, and when they fail the efforts of the state are directed not to changing them but to changing people’s belief that they have failed.

Art has the ability to redeem life by finding beauty even in the worst aspect of things.

Classical buildings endure because they are loved, admired and accepted, and enjoy an innate adaption to human needs and purposes.

It is not the truth of Marxism that explains the willingness of intellectuals to believe it, but the power that it confers on intellectuals, in their attempts to control the world. And since, as Swift says, it is futile to reason someone out of a thing that he was not reasoned into, we can conclude that Marxism owes its remarkable power to survive every criticism to the fact that it is not a truth-directed but a power-directed system of thought.

Beauty is vanishing from our world because we live as though it does not matter.

We should not value education as a means to prosperity, but prosperity as a means to education. Only then will our priorities be right. For education, unlike prosperity is an end in itself. .. power and influence come through the acquisition of useless knowledge. . . irrelevant subjects bring understanding of the human condition, by forcing the student to stand back from it.

A philosopher who says, 'There are no truths, only interpretations,' risks the retort: 'Is that true, or only an interpretation?'

All of us need an identity which unites us with our neighbours, our countrymen, those people who are subject to the same rules and the same laws as us, those people with whom we might one day have to fight side by side to protect our inheritance, those people with whom we will suffer when attacked, those people whose destinies are in some way tied up with our own.

When art becomes merely shock value, our sense of humanity is slowly degraded.

The best evidence of a mind is when you change it

When gifts are replaced by rights, so is gratitude replaced by claims. And claims breed resentment

To teach virtue we must educate the emotions, and this means learning "what to feel" in the various circumstances that prompt them.

There’s a real question as to what beauty is and why it’s important to us. Many pseudo-philosophers try to answer these questions and tell us they’re not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that’s in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.

The conservative response to modernity is to embrace it, but to embrace it critically, in full consciousness that human achievements are rare and precarious, that we have no God-given right to destroy our inheritance, but must always patiently submit to the voice of order, and set an example of orderly living.

Being unpopular is never easy; but being unpopular in a good cause is a shield against despair.

The consolation of imaginary things is not imaginary consolation.

When truth cannot make itself known in words, it will make itself known in deeds.

The abstract, unreal freedom of the liberal intellect was really nothing more than childish disobedience, amplified into anarchy.

Sometimes the intention is to shock us. But what is shocking first time around is boring and vacuous when repeated.

Beauty matters. It is not just a subjective thing but a universal need of human beings. If we ignore this need we find ourselves in a spiritual desert.

Music addresses us from beyond the borders of the natural world

A civilization is a social entity that manifests religious, political , legal, and customary uniformity over an extended period, and which confers on its members the benefits of socially accumulated knowledge.

Wine is not just an object of pleasure, but an object of knowledge; and the pleasure depends on the knowledge.

Architecture, like dress, is an exercise in good manners, and good manners involve the habit of skillful insincerity - the habit of saying "good morning" to those whose mornings you would rather blight, and of passing the butter to those you would rather starve.

The music takes over the words and makes them speak to me in another language.

Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.

To speak of beauty is to enter another and more exalted realm-a realm sufficiently apart from our everyday concerns as to be mentioned only with a certain hesitation. People who are always in praise and pursuit of the beautiful are an embarrassment, like people who make a constant display of their religious faith. Somehow, we feel such things should be kept for our exalted moments, and not paraded in company, or allowed to spill out over dinner.

Science proposes something and then does everything it can to disprove it. Religion is not like that. It proposes something and does everything it can to keep it from being disproved.

The art establishment has turned away from the old curriculum which puts beauty and craft at the top of the agenda.

The sexual parts are not only vivid examples of the body's dominion; they are also apertures whose damp emissions and ammoniac smells testify to the mysterious putrefaction of the body.

States are more like people than they are like anything else: they exist by purpose, reason, suffering, and joy. And peace between states is also like peace between people. It involves the willing renunciation of purpose, in the mutual desire not to do, but to be.

Private property is one of the best institutions which has ever evolved, to protect us from the bullying of others.

Freedom can reside only in a point of view, a way of looking upon the system of necessity.Surely this is the one freedom that we may attain to: not to be released from physical reality, but to understand reality and ourselves as part of it, and so be reconciled to what we are.

Modernist buildings exclude dialogue, and the void that they create around themselves is not a public space but a desertification

Creativity is not enough... the skill of the true artist is to show the real in the light of the ideal and so transfigure it.