Ron Perlman Quotes

I'm thankful to be breathing, on this side of the grass. Whatever comes, comes.

I love great animation.

I've always felt there were aspects of me that were monstrous, and you can either hide from it or confront it, embrace it and understand that those are aspects that make you unique and define you and motivate you. You can either overwhelm or overcompensate for them -- but they truly define you as a human being...So that life became a question of either dealing with this monstrousness in one way or another...One finds a way to understand and make friends with that monster and understand that that's the very thing that makes you who you are. That's your emotional and spiritual fingerprint.

It's nice to get paid for therapy rather than having to pay $240 an hour for it.

I'm fully aware that things that resonate and become real hits are the exception to the rule, so much so that I've wired myself for failure.

Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.

I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.

My self-confidence didn't come from my appearance, it came from other things that I did. But certainly not my appearance.

I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.

My whole mantra is, "Go big or go home." I don't want to just play a guy who dresses up. I want to play the person who threw down.

Cinema to me is like a religion. If I was going to have a religion it would be cinema.

I never direct myself, because I don't like working with me. I would punch me in the mouth if I had to take my direction.

I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.

The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.

You draw on your own childhood every time you tee it up as an actor.

I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.

The great thing about arriving at this age is that I don't even care about my career anymore.

I just think that there are those people that their resolve is strengthened by what it is that's keeping them down, and there are some people that will buckle under it. You never know which one is which until you get into the eighth or ninth round of the fight.

Fearless people are interesting to watch.

As an actor or anybody as a human being, I feel more and more like I want to spend time doing something significant. Because what's the alternative? Spend your life wasting your time.

I don't think that I've had a career like anyone else's, but there are hosts and hosts of actors whose careers I admire.

I say yes to almost anything that comes my way.

Living off the grid and being kind of an outlaw brings a dangerous reality.

I'm not religious, but I am spiritual. I have my own relationship with a being that I consider to be everywhere. All and everything. I don't need a church or a synagogue or a mosque. I don't need to kneel down, I don't need to stand up, I don't need to be hanging from a thread.

Look at the people who are coming to television Ridley Scott, Ang Lee or Guillermo del Toro - all these great filmmakers - actively put themselves back into TV. That's because the environment is very encouraging for bold storytelling, storytelling that you've never seen before.

Working at a job that you hate. Having a career and a life that you have no passion for. That's hell.

I love to continue to challenge myself and put myself in situations that are slightly uncomfortable.

I've certainly been very blessed with opportunity.

None of us are any better than anyone else and none of us are any worse than anyone else, and we're all equal and whatever we can do to celebrate our commonality rather than our differences, which is what religion does, to me... religion just compartmentalizes people and makes everybody into a box.

I'm just trying to make up for lost times, and I have total awareness that when the work is coming it doesn't mean it's going to continue to come, so I'm taking advantage of this phenomenal period that I'm in now, to its fullest.

The only way to grab the attention of the audience is originality. We feed ourselves with franchises that's the opposite of what makes our culture multidimensional and interesting.

"Striking looking." That's a euphemism if I ever heard one.

I've been busy and not busy, and busy is better. I've been busy, but I went through a lot of periods where it was lean for a lot of times.

A lot of people have been bent one way or the other on that. I'm not going to weigh in on that; I'm happy to still be at large, I'll just put it that way.

Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.

I live in a bubble. I don't read the blogs, or go on the internet, and I really just don't know what people are saying because, well I guess I'm afraid to.

The luxury of television is that you get more than one shot at who you think the guy is that you're playing.

I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.

I expect that everything I do will be not watched or not seen. That way, I'm never disappointed when I become flooded with that reality.

I like playing interesting people, I like playing slightly twisted people. I like playing people who have large appetites who are kind of a bit larger than life.

I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon.

I'm kind of one of these guys who wants to play everything once before it's all over.

I've been a professional actor for almost 40 years.

I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.

I'm continuing to do research into biker culture.

I've never worked with a tail, that I can remember. But there's so much I can't remember.

I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.

I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon. What he hungers for is definitely going to be affected by what he got or didn't get in those years when he was forming his psyche and his values. So I think villains are made.

That's always been Guillermo's preference, is to have as much there practically as is humanly possible, and that digital graphic images are more a punctuation mark than they are a replacement.

I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.