1.
Don't you think it's better to be extremely happy for a short while, even if you lose it, than to be just okay for your whole life?
Audrey Niffenegger
2.
Martin said, "It feels as though part of my self has detached and gone to Amsterdam, where it—she—is waiting for me. Do you know about phantom-limb syndrome?" Julia nodded. "There's pain where she ought to be. It's feeding the other pain, the thing that makes me wash and count and all that. So her absence is stopping me from going to find her. Do you see?
Audrey Niffenegger
3.
The pain has left but I know that it has not gone far, that it is sulking somewhere in a corner or under the bed and it will jump out when I least expect it.
Audrey Niffenegger
4.
I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?
Audrey Niffenegger
5.
There is only one page left to write on. I will fill it with words of only one syllable. I love. I have loved. I will love.
Audrey Niffenegger
6.
Listen, sometimes when you finally find out, you realize that you were much better off not knowing.
Audrey Niffenegger
7.
It's hard being left behind. (...) It's hard to be the one who stays.
Audrey Niffenegger
8.
Sleep is my lover now, my forgetting, my opiate, my oblivion.
Audrey Niffenegger
9.
I won't ever leave you, even though you're always leaving me.
Audrey Niffenegger
10.
Outside it's a perfect spring night. We stand on the sidewalk in front of our apartment building, and Henry takes my hand, and I look at him, and I raise our joined hands and Henry twirls me around and soon we're dancing down Belle Plaine Avenue, no music but the sound of cars whoosing by and our own laughter, and the smell of cherry blossoms that fall like snow on the sidewalk as we dance underneath the tress.
Audrey Niffenegger
11.
Love the world and yourself in it, move through it as though it offers no resistance, as though the world is your natural element.
Audrey Niffenegger
12.
There are several ways to react to being lost. One is to panic: this was usually Valentina's first impulse. Another is to abandon yourself to lostness, to allow the fact that you've misplaced yourself to change the way you experience the world.
Audrey Niffenegger
13.
The choices we’re working with here are a block universe, where past, present and future all coexist simultaneously and everything has already happened; chaos, where anything can happen and nothing can be predicted because we can’t know all the variables; and a Christian universe in which God made everything and it’s all here for a purpose but we have free will anyway.
Audrey Niffenegger
14.
Every minute of his life since then has been marked by her absence, every action has lacked dimension because she is not there to measure against. And when I was young I didn't understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird.
Audrey Niffenegger
15.
Clare, I want to tell you, again, I love you. Our love has been the thread through the labyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust. Tonight I feel that my love for you has more density in this world than I do, myself: as though it could linger on after me and surround you, keep you, hold you.
Audrey Niffenegger
16.
It’s dark now and I am very tired. I love you, always. Time is nothing.
Audrey Niffenegger
17.
we both smile and we are conspirators.
Audrey Niffenegger
18.
I'm bored with knitting. I've taken up arson.
Audrey Niffenegger
19.
I wanted someone to love who would stay: stay and be there, always.
Audrey Niffenegger
20.
Why is love intensified by absence?
Audrey Niffenegger
21.
He had never realized, while Elspeth was alive, the extent to which a thing had not completely happened until he told her about it.
Audrey Niffenegger
22.
I'm sorry. I didn't know you were coming or I'd have cleaned up a little more. My life, I mean, not just the apartment.
Audrey Niffenegger
23.
Sometimes a thing is—too much—and it has to be isolated and put away." Martin shrugged. "So what's in the boxes is—emotion. In the form of objects."-Her Fearful Symmetry
Audrey Niffenegger
24.
When we met I was wrecked, blasted, and damned, and I am slowly pulling myself together because I can see that you are a human being and I would like to be one, too.
Audrey Niffenegger
25.
I'm at a loss because I am in love with a man who is standing before me with no memories of me at all. (Time Traveler's Wife)
Audrey Niffenegger
26.
Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.
Audrey Niffenegger
27.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
Audrey Niffenegger
28.
Why do you have a cigarette lighter in your glove compartment?" her husband, Jack, asked her. "I'm bored with knitting. I've taken up arson
Audrey Niffenegger
29.
We laugh and laugh, and nothing can ever be sad, no one can be lost, or dead, or far away: right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.
Audrey Niffenegger
30.
When somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense?
Audrey Niffenegger
31.
The compelling thing about making art - or making anything, I suppose - is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances.
Audrey Niffenegger
32.
…she smiles in an exhausted but warm sort of way, as though she is a brilliant sun in some other galaxy
Audrey Niffenegger
33.
I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.
Audrey Niffenegger
34.
Chaos is more freedom; in fact, total freedom. But no meaning.
Audrey Niffenegger
35.
I have a sort of Christmas-morning sense of the library as a big box full of beautiful books.
Audrey Niffenegger
36.
I feel moderately bad about this whole thing. On the one hand, I am providing myself with urgently required survival skills. Other lessons in this series include Shoplifting, Beating People Up, Picking Locks, Climbing Trees, Driving, Housebreaking, Dumpster Diving, and How to Use Oddball Things like Venetian Blinds and Garbage Can Lids as Weapons. On the other hand, I’m corrupting my poor innocent little self. I sigh. Somebody’s got to do it.
Audrey Niffenegger
37.
Chaos is more freedom; in fact, total freedom. But no meaning. I want to be free to act, and I also want my actions to mean something.
Audrey Niffenegger
38.
I'm living under water. Everything seems slow and far away. I know there's a world up there, a sunlit quick world where time runs like dry sand through an hourglass, but down here, where I am, air and sound and time and feeling are thick and dense.
Audrey Niffenegger
39.
He is coming, and I am here.
Audrey Niffenegger
40.
I love. I have loved. I will love.
Audrey Niffenegger
41.
Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.
Audrey Niffenegger
42.
I sit quietly and think about my mom. It's funny how memory erodes, If all I had to work from were my childhood memories, my knowledge of my mother would be faded and soft, with a few sharp memories standing out.
Audrey Niffenegger
43.
I think about my mother singing after lunch on a Summer afternoon, twirling in blue dress across the floor of her dressing room
Audrey Niffenegger
44.
There was only the cemetery itself, spread out in the moonlight like a soft grey hallucination, a stony wilderness of Victorian melancholy.
Audrey Niffenegger
45.
We are walking down the street holding hands. There is a playground at the end of the block, and I run to the swings and I climb on and Henry takes the one next to me facing the opposite direction. And we swing higher and higher passing each other, sometimes in synch and sometimes streaming past each other so fast that it seems we are going to collide. And we laugh and laugh, and nothing can ever be sad, no one can be lost or dead or far away. Right now we are here and nothing can mar our perfection or steal the joy of this perfect moment.
Audrey Niffenegger
46.
Sometimes I'm happy when he's gone, but I'm always happy when he returns. -Clare
Audrey Niffenegger
47.
I still feel like a castaway, th elast of a once numerous species. It was as though Robinson Crusoe discovered the telltale footprint on the beach and then realized that it was his own. Myself, small as a leaf, thin as water, begins to cry.
Audrey Niffenegger
48.
In the dim light of the computer screen he seemed otherworldly; Julia thought him beautiful, though she knew it was the beauty of damage.
Audrey Niffenegger
49.
Do you ever miss him? Every day. Every minute. Every minute, she says. Yes, it's that way, isn't it?
Audrey Niffenegger
50.
The space that I can call mine.. is so small that my ideas have become small. I am like a caterpillar in a cocoon of paper; all around me are sketches for sculptures, small drawings that seem like moths fluttering against the windows, beating their wings to escape from this tiny space.. Every day the ideas come more reluctantly, as though they know I will starve them and stunt their growth.
Audrey Niffenegger