Carey Mulligan Quotes

Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.

I want to be in 'Glee,' but I'm told I'm not famous enough to be a cameo yet.

I don't wear a bikini on the beach. I walk around my house in pyjamas. I haven't seen myself naked in the mirror for probably a decade. I'm very prudish.

I am committed to helping Alzheimer's Society in any way I can. My family and I rely on the help of organisations like Alzheimer's Society to help us understand the disease and guide us in the care of my grandmother. It's been a privilege to meet so many people with dementia.

I never get recognised here in London, which I like. Once a year, someone comes up to me and asks if I am 'so-and-so's niece' because they think they recognise me from somewhere. I like that.

It's tricky playing people that you don't like and finding a way to empathise with them. It's challenging and very exciting for an actor.

I wanted to be a musical theatre actress - I wanted to play Sally Bowles, forever and ever always.

I don't think you should ever damage other people for your art.

The toughest part of acting is never a single thing. It's more like a whole character. I find film really difficult - trying to make it feel like a consistent character when you're filming everything out of order.

I'm not great at having my picture taken and I don't enjoy that side of it very much but I enjoy being with my friends and it's nice to have a reunion.

I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.

Am I reserved? I think I agree with that. I don't think I'm particularly original. I am quite homey, though. But then I'm also quite transient. I quite like being nomadic.

Sex addiction is a subject that should be discussed

My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.

I'm not going to work for the sake of working. I'll work, if I'm extraordinarily lucky enough to continue having the same opportunities, but it will be based on whatever is there. If there's nothing around, then I'll go home and make carrot cake for awhile.

The minute I get into a hotel room, I scatter my stuff everywhere. It's like a bomb site within a minute. So I suppose that means I'm trying to nest.

Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'

It's always harder to maintain raw enthusiasm or joy than to go into a really dark place.

I have always hated nightclubs, and don't like loud music.

If you're walking down the street in L.A., people do sort of look at you like you're a hooker because it's so rare to see someone just walking.

I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.

From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.

When I went to the Oscars - the only time I've ever been to the Oscars - a few years ago, I wore this Prada dress covered in cooking utensils. I got drunk at the end of the night and started ripping them off and giving them as presents to people, so that was fun. I'm pretty sure that was the point of it, that's how Miuccia meant for it to go I'm sure.

It Girl' is such a weird term. It implies I go to parties and drink champagne.

It's actually easier to play a leading role than it is to play a supporting role.

I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?

I'm more the sort of person who doesn't like hugging strangers because we don't know each other, so we shouldn't.

What doesn't draw you into a Coen Bros. movie. It's amazing. I can't believe it! They're the Coen Bros. It's ridiculous.

I didn't work for a year after Wall Street. I finished that in November, and then it was the following October that I did Drive, so I took a year off. I didn't do anything at all, really. I just hung around.

I don't know why people are so down on the Best Western. They have the best sweet potato fries I've ever had.

People get married when they're 18 and spend their whole lives together. I think their greatest fear is that someone will see it as a fling because they were young and it didn't mean anything.

It's so silly isn't it? how we grown men take up trout angling not simply to pursue trout but to find some place, some special place, where we feel at ease. a place to belong. Forces, not forms, persist: energy is spent and endures; time does not tick, it flows. God loves a man that smells of trout water and mountain meadows. Which way's heaven, you suppose? Follow the trail and keep close to the stream.

I never had posters on my wall and when I meet actors that I really admire, it's exciting because I get to work with them.

People always say, "You played such a strong character." I remember someone said that to me when I played a role in Shame, and she was a suicidal mess. I said, "She's not strong at all; she's incredibly weak." But "strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.

I can change my appearance quite easily just by changing my hair. So I can adapt quite well.

When you idolise someone, or you hold someone in such high regard, you just want them to be everything that you think there are - and when they are it's just lovely.

I've never done coke or anything, and I've never played a character who has, so I don't know whether I would actually try coke if I had to play a character who took coke.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.

My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.

I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.

On film sets I can see everyone, and I really still find that so difficult.

I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.

I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.

It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.

One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.

Remakes are a difficult thing 'cause some people feel very protective of the original.

I never sit in a cinema and go, "Ah! I want to be in that film!"

It's funny that you can murder someone horribly and graphically and disturbingly in a horror film, and it's not an NC-17, but if you put a naked man on screen, everyone freaks out.

People in New York just seem a lot more open than I thought they would be.

I've always said I prefer theater, but there's only ever been one play that I really loved doing, and that was The Seagull.