Danielle Trussoni Quotes

These moments were wondrous and divine, instances when the gossamer curtain between heaven and earth ripped and all of humanity witnessed the marvel of the ethereal beings.

Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities - engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it

That's l'amour: we willingly walk into the future blindfolded.

One is but a shade of the other.

Don't stay in a bad situation - whether it is a relationship or a job - out of fear of failure. It's not a failure to walk away and choose to be happy. It takes a lot of courage.

Reckless action is worse than wise restraint.

The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.

There are always those who would put on armour and go into battle. but the real genius is in finding a way to get what you desire without dying for it.

In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.

When the time comes, we can only expect that we have learned enough to succeed.

I started listening to the Cure around the time I discovered Joy Division and, like Joy Division, they have shaped my taste in all sorts of dark and dreary ways.

I taught myself to write in order to understand who I was and so yes, writing was an act of self-actualization in the beginning.

I was fifteen then, too young to fall in-love. Or maybe it is only then, with dew of childhood still in my eyes, that I was capable of such love. I will never know, of course.

Beautiful music plays, but not everyone with ears can hear it.

But, most important, we must not become as base and treacherous as our enemies.

When we are no longer capable of love, we are no longer alive.

Stories of a mythical angel paradise called an Angelopolis are like Peter Pan's Never Never Land.

I always knew I wanted to write really imaginative fiction - fiction that was very different from my real life.

As a girl, I used to zip myself into a snowsuit, fall into the deepest snowdrift I could find and sweep my arms and legs into the powder, making snow angels that would crumble within minutes of their genesis. Despite their rapid disappearance, something about these frozen, evanescent angels has stayed with me ever since.

I understood that the stories we believe have power over us. They work into our bodies and minds and change us from inside out. What if one day these stories become something stronger, more real, than fairy tales?

One thing that I don't ever want to do is write something I don't love.

I think angels definitely offer all the imaginative possibilities that vampires do, and I think they've actually been popular in Western culture for longer than vampires have been. I hope they become a part of the culture again in a new way.

If there are too many cooks in the kitchen, the dish is not going to work out.

Even the good angels, I think, would inspire in humans some sort of fear.

If people start pulling away the stereotypes of what angels are instead of these fluffy, teddy-bear kinds of angels, then they'll see, historically, that they were terrifying in some depictions. In the Bible, from what I remember, often the reaction to angels is one of terror.

When I was little, I went to a Catholic school and was required to go to church every morning and with my parents on Sundays, so I spent a lot of time sitting on a wooden pew. Angels are sort of a relief. If you're looking around, the other imagery is so dark and heavy. Looking at the beautifully rendered pictures of angels was more uplifting.

I don't think there are actually any theologians practicing angelology or studying angels anymore, but it's definitely in a lot of religious literature. It's still out there, and people are still interested. Even in the more secular way, books about angels are everywhere.

Since the Middle Ages, people have been writing about angels. Angelology was actually at one point a scholastic discipline.

I'm sure that growing up in the Midwest played a role in my chronic escapism. In fact, before I lived in France, I lived in Japan, England, and Bulgaria. I was determined to experience other places and cultures, particularly because I had the perception that I'd been cut off from these experiences as a child.

Writing grew out of the pleasure of escape. My novels are very much outside of my personal experience. That is why I love writing fiction. It allows me to leave my existence and inhabit other lives.

I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.

Maybe that is what marriage is: Two people creating a cult together.

People don't actually think there is such a thing out there as angel research.

We create an image of happiness and success and then we are beholden to it. We tell ourselves stories and sometimes these stories become so strong as to imprison us. Breaking free from our personal fortresses is a long, hard journey, but ultimately what allows one to grow.

If I'm not writing, I'm not fully living. It has become the essential element that defines who I am.

Finding one's voice - or creating a narrative voice that has the power to carry your story - is the hardest part.

I believe a good memoir should have all of the narrative elements of a novel: character development, dialogue, descriptive language, and metaphor.