Joe Meno Quotes

A book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word to image, connecting these images to memories, dreams, and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it.

Potluck Supper with Meeting to Follow is a marvel, deftly examining the connections between art and everyday life. Andy Sturdevant's lively, unique inquiries into trust fund kids, co-opted flags, gubernatorial portraits, art in second-tier cities, and Upper Midwestern esoterica, brim with both wit and humor.

And it's exactly what's wrong with the radio. It's like...anything that tries to appeal to everybody always ends up sounding so cheap.

Sex scenes in books are always like first person, from this male perspective and just about how awesome he is. It feels like such a fantasy.

Imagination is a place where all the important answers live.

When she cries, it is quiet, tearless, almost completely imperceptible: one more unheard prayer.

The boy detective thinks, The only thing all men have in common with one another is their inherent capacity to make mistakes. He reasons, But there is wonder in the attempt, knowing we are all destined to fall short, but forgoing reason and fear time and time again so deliberately.

Above the dirt of an unmarked grave and beneath the shadow of the abandoned refinery, the children would play their own made up games: Wild West Accountants! in which they would calculate the loss of a shipment of gold stolen from an imaginary stagecoach, or Recently Divorced Scientists! in which they would build a super-collider out of garbage to try and win back their recently lost loves.

Funny as hell, searingly honest, and urgently real, Sam Pink's Rontel puts to shame most modern fiction. His writing perfectly captures the bizarre parade that is Chicago, with all its gloriously odd and wonderful people. This book possesses both the nerve of Nelson Algren and the existential comedy of Albert Camus.

I don't like the fact that no one has any imagination anymore. It doesn't pay to be a dreamer because all they really want you to do is answer the phone. Nobody wants you to think about anything new or use your brain or make anything interesting because everything important has already been made. America is over; it's done being brilliant.Everything genius has already been built, like all the great works of art have already been produced.

The longer human beings exist, it seems, the less likely we are to choose to be brave.

The most important things in your life are almost always impossible to predict.

It is the strain of walking around the world-down the street, riding city buses and elevators, moving from place to place to place-and not knowing who might want to destroy you, who might like to fill your heart with poison, who might rob you and stab you, who might stand above you in the dark with a tarantula.

The city glitters past us with its sharp edges, reminding us of how tiny, how weak, how totally unimportant we are.

The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.

Where do you go when you die? Ha ha. Go on, go on and tell her, Billy." Billy smiles. "You become a little voice in someone's ear telling them that things will be alright.

It is what we see when we imagine what the afterlife must be like: our happiest triumphs, our most sincere moments, stolen from the seam of our lives, a respite just before the onset of imminent tragedy.

I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.

In our town there is a secret spot where you can still see the stars at night, believe it or not. It is the only spot like that left, unclouded by the dwindling skyscrapers rising nearby. It is a good place to go to walk and talk in whispers. Following the little hill that rises from the park to a small clearing which overlooks the statue of the armless general on his bronze steed, most of us later remember this spot as the first place we knew we might be in love.

We have fun acting like this, acting like we are incredibly offended. Really, we are just bored to tears with everything.

Being decent is the only thing that matters in a terrible world like this.

People are just greedy animals, after all.

The world of evil is only as evil as we allow it to be.

Beneath all of her thoughts and worries, beneath the complication of conflicting identities and needs, maybe it's as simple as loving the way some other person looks when they're sleeping.

In novels you're able to occupy character's internal thoughts and it's really hard to do in a film or a TV show. When you're reading a character's thoughts or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me that's what the whole point of fiction is.

Our worlds are so momentary. We are along all our lives and then go off that way as well.

Do not be confused by what the natural world knows: We are all, in our own way, completely and totally alone. If love is real, it is complete and total failing of the intellect. It is utter self-destruction. It is pandemonium.

Sacrifice doesn't really exist on a national level anymore and that's a pretty new thing - most people aren't engaged nationally in some form of service and that changes the way you think about people in your country; you kind of think of them at a distance. And so there's that shift away from some sort of sacrifice - thinking of yourself as the most important thing in the world versus thinking of yourself as some sort of a whole.

I'm kind of interested in learning to learn and grow and challenge myself. I think I've been very fortunate in that my books are pretty different from one novel to the next. There's a lot of things that are similar but in terms of tone and the scale and how they interact with history and just the different styles as well.

After school the very next day, El Rey's mobile home was gone. I laid in bed and wondered what happens to people when they go, if they become like shadows, if they fade away when they disappear from your life. The only thing I could see was the broken picket fence. The only sound I could hear was the cry of birds being killed in the night.

[Sex] is really awkward. You know you have expectations and then it's this great moment of connection and it's a surprise. But that's what so exciting about it is that sense of surprise.

I was getting close to thirty and was trying on the idea of becoming more mature. I was reading more. I had gone out and bought a lot of shirts.

Maybe it was better to just go on believing everything was OK, even when really bad things were just about to happen.

What I've learned is that there is nothing in this life that does not fail to disappoint us, even our own deaths.

Maybe that's why people have friends at all. Not because they like them so much but because they don't make them feel so much worse.

An act of evil is the death of wonder