Junot Diaz Quotes

But if these years have taught me anything it is this: you can never run away. Not ever. The only way out is in.

Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.

I don't think you can be from the Caribbean and not know a certain amount about the apocalypse.

The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.

There's nothing more true in being a child of a diaspora, a child of immigrants. We're completely new to our parents. We're not something they can ever understand. And it's not as if we are ever going to be accepted. We're accepted as long as we conform to what we are expected to be, and I'm sure that's not any different for anyone else.

Art has a way of confronting us, of reminding us, of engaging us, in what it means to be human, and what it means to be human is to be flawed, is to be contradictory, is to be often weak, and yet despite all of these what we would consider drawbacks, that we're also quite beautiful. Spin is the opposite.

If you didn't grow up like I did then you don't know, and if you don't know it's probably better you don't judge.

In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.

You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.

In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.

Sometimes you just have to try, even if you know it won’t work.

In order to write the book you want to write, in the end you have to become the person you need to become to write that book.

She's applying her lipstick; I've always believed that the universe invented the color red solely for Latinas.

If you want to make a human being into a monster, deny them, at the cultural level any reflection of themselves

We get these lives for free. I didn't do anything to get this life, and no matter what the hardships are, it is free and, in a way, it's an extraordinary bargain.

Colleagues are a wonderful thing - but mentors, that's where the real work gets done.

People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.

I think the average guy thinks they're pro-woman, just because they think they're a nice guy and someone has told them that they're awesome. But the truth is far from it.

For kind of sophisticated art I'm interested in, the larger structural rebuke has to be so subtle that it has to be distributed at an almost sub-atomic level. Otherwise, you fall into the kind of preachy, moralistic fable that I don't think makes for good literature.

Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.

[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.

The anti-immigrant logic has basically saturated our world. I'm staying, and I'm fighting.

I think that America is such an incredibly dynamic place because of immigration. We fundamentally have been a culture that's been put together from the explosions of other cultures. But it's hard for us to see. We have blinded ourselves to the reality of what our country is.

Mine (story) ain't the scariest, the clearest, the most painful, or the most beautiful. It just happens to be the one that's got it's fingers around my throat.

I'm like everybody else: weak, full of mistakes, but basically good.

We know story collections end when they end, as well - the pages serving as a countdown - but nevertheless the standard story anthology hews closer to what makes being human so hard: it reminds you with each story how quickly everything we are, everything we call our lives can change, can be upended, can disappear. Never to return.

As expected: she, the daughter of the Fall, recipient of its heaviest radiation, loved atomically.

I've always thought that you don't love a country by turning a blind eye to its crimes and to a problem. The way that you love a country is by seeing everything that it's done wrong, all of its mistakes, and still thinking that it's beautiful and that it's worthy.

She smelled like herself, like the wind through a tree.

You can't regret the life you didn't lead.

Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.

I look most like myself... when I'm wearing my black, nerdy engineering glasses.

I have a very powerful sense of place, but I have a very powerful sense of being a migrant, so it's both. It seems like I'm always leaving my home. That's part of the formula. I love the Dominican Republic. I go back all the time. I love New Jersey. Go back all the time.

John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.

I never hear white writers get asked, 'Do you worry about how you represent white people?'

Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.

I think men spend so much time passing for being men. There's a sense among many writers of color that the most invisible figure that was sitting between all of us was the nerd. But it was the thing we weren't saying, that people were afraid to say, like, "Yo, what we do is nerdy by definition."

Do you remember? When the fights seemed to go on and on, and always ended with us in bed, tearing at each other like maybe that could change everything. In a couple of months you'd be seeing somebody else and I would too; she was no darker than you but she washed her panties in the shower and had hair like a sea of little punos and the first time you saw us, you turned around and boarded a bus I knew you didn't have to take. When my girl said, Who was that? I said, Just some girl.

Love is understood, in a historical way, as one of the great human vocations - but its counterspell has always been infidelity. This terrible, terrible betrayal that can tear apart not only another person, not only oneself, but whole families.

And that's when I know it's over. As soon as you start thinking about the beginning, it's the end.

I am a chatty person, but colossally discreet.

I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood.

Poor Oscar. Without even realizing it he'd fallen into one of those Let's Be Friends Vortexes, the bane of nerdboys everywhere. These relationships were love's version of a stay in the stocks, in you go, plenty of misery guaranteed and what you got out of it besides bitterness and heartbreak nobody knows. Perhaps some knowledge of self and women.

For me it's a remarkable thing that there is a prize celebrating and honouring and making for a brief moment short fiction the centre of the literary universe.

She was the kind of girlfriend God gives you young, so you'll know loss the rest of your life.

The thing is - do we really need another writer who writes a book every eighteen months, whether the quality is wonderful or not? I mean, maybe. But I can name twenty off the top of my head who do it. Maybe what we need is a writer like me who goes very slow, as well.

You know, I was a kid who had difficulty speaking English when I first immigrated. But in my head, when I read a book, I spoke English perfectly. No one could correct my Spanish. And I think that I retreated to books as a way, you know, to be, like, masterful in a language that was really difficult for me for many years.

I always think about myself as a writer; that comes out of being a reader first, and I don't think I kind of got to really playing with language in any formal way probably until I was in my mid-twenties.

New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.

I always wanted to read. I always thought I was going to be a historian. I would go to school and study history and then end up in law school, once, I ran out of loot trying to be a history high school teacher. But my dream was always to place myself in a situation where I was always surrounded by books.