Peter Menzel Quotes

It is so much better to get the right exposure than to have to mess around later with Photoshop.

We live in an idiotic capitalist self-indulgent society where the sex life of a pop star is more important than impending starvation, land mines and child soldiers in Africa, or more interesting than the world's biggest man-made natural disaster in oil fields of the Middle East.

Think about the photo you want to make beforehand. Then do it, but also don't be blind to better options that present themselves at the location. Be flexible, and be patient. Leave ego at home. Get the photo before you yell at the asshole, not after.

Pre-planning is essential. Research, research, research. If you are going to do a portrait, know as much as you can about the person beforehand. The web makes this very easy.

To me a translator is very, very important. If the fixer is also the translator, so much the better. I have known photographers who didn't speak the language and would work in a place for weeks without one, getting by on common sense and smiles. But how many situations did they miss because they couldn't talk to someone and get the back story on details, small daily life things, etc.

With the Internet, you can get lots of info in advance, but a local person who knows how to work the system is invaluable.

Do something you like that you feel is important. Don't worry about making money at it right away. If you try hard and long enough you will figure out a way to do it. Better to die happy than die rich.

I fell in love with traveling and thought being a photographer would be an interesting way to travel and make a living.

Europeans still read rather than watching TV or listening to their clergyman tell them how to vote. The European magazines are far superior to American magazines in content and readership, but TV is taking a bite out of circulation now even in Europe.

After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.

It's important to get a translator who will ask the questions in a sensitive and thoughtful way. Knowing the ethnicity issues, the tribal issues in some places...who your translator is can mean a lot.

Hot air balloons are terrific to shoot from, although they have become very expensive, as has most lodging and food in the Napa Valley.

RAW is very forgiving. I was photographing a farm woman in Ecuador cooking over a small fire and my fill flash didn't go off a few times. I was about to delete the RAW files but decided to play with the curves first because I like the composition. It turned out that the image, although underexposed by two stops, was better than the fill-flashed images because the fire was the only source of illumination and it looked more real.

I like to move as much as possible and look at reflections, weird angles, subjects from airplanes and cranes. I feel sorry for the Jabba the Hut types who can't do this. Once an obese student told me that he wanted to be a war photographer. I said, "Really?" and then I shot him.

Getting up way in advance of dawn is always a good idea. Nearly ninety-nine percent of the time when I have gotten up in the middle of the night for a shoot, something good always presents itself to offset the nagging tiredness and discomfort of losing sleep.

Everyone should understand that getting good photos is paramount to everything. You have to do what it takes and often comfort and sleep are the first casualties of an assignment.

I have a completely worthless degree: a BS in Photojournalism from Boston University (BU). With this degree, I suppose I could have gotten a job teaching grade school kids how to photograph their relatives, but knowing about B&W photo processing and developing and how to shoot a picture story is good basic info that every photographer should have.

I drove a taxi at night during my last year at BU and then for another 18 months after graduating in order to buy cameras and pay the rent while I tried to figure out for myself how to freelance.

Freelancing in Somalia during their civil war and in Kuwait right after the first Bush War, I had some rather intense experiences that made life in the U.S. seem rather shallow and superfluous.

It is tough being patient when you are more than a half million dollars in debt.

The fact that a thirteen-year-old project still resonates and can still have a large exhibit with lots of newspaper, magazine and TV press shows the timelessness of the project.

Having a partner who is your wife traveling with you can be great. We each have our roles in the work and then can help each other out on the emotional front when things get stressful, which they are.

As a senior in high school my counselor recommended that I soften my science and math direction with an art course. Fortunately my high school offered a new course in B&W photography, so I opted for that instead of art, towards which I had an aversion. Composition is something that comes pretty naturally to me and I appreciate ordered chaos: the photo class turned out to be fun.

I don't shoot many corporate or commercial jobs, but when you do, you had better have someone helping who has done it before.

I've heard Braggadocio about excess baggage charges, multiple unused hotel rooms, and rental cars held unused for long periods of time, which makes me lose respect for certain photographers. Sometimes it's worth it to spend money on a good idea, but wasting money makes me ill.

My modus operandi after working for a decade as a self-funding freelancer, was to spend as little money as possible to get the job done, even if it was on someone else's nickel.

Scientists are usually nice, organized, logical people who are very cooperative. I always learn a lot of science while shooting science stories and it helps to be able to speak intelligently to a subject about his or her field of work, i.e., do your homework before the photography.

Everyone thinks it would be great to work for National Geographic. So did I.

The summer of 1966, I hitch-hiked alone for two months all over Europe instead of working on a farm in Spain. It was a big game to see how much I could see on $400. This got me hooked on traveling.

Before digital, I spent thirty years shooting color transparencies, which are very unforgiving of exposure. A half stop can make or break a good photo on slide film.

Digital makes it so much easier. No bricks of film, no worrying about airport X-rays, etc.

I sold all my medium format equipment in 2005 after Canon came out with the 12 megapixel EOS 1Ds.