1.
I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
Igor Stravinsky
2.
I haven't understood a bar of music in my life, but I have felt it.
Igor Stravinsky
3.
One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.
Igor Stravinsky
4.
My God, so much I like to drink Scotch that sometimes I think my name is Igor Stra-whiskey.
Igor Stravinsky
5.
My freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees one's self of the chains that shackle the spirit.
Igor Stravinsky
6.
Art is the opposite of chaos. Art is organized chaos.
Igor Stravinsky
7.
Why is it that whenever I hear a piece of music I don't like, it's always by Villa Lobos?
Igor Stravinsky
8.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
Igor Stravinsky
9.
A good composer does not imitate; he steals.
Igor Stravinsky
10.
In order to create there must be a dynamic force, and what force is more potent than love?
Igor Stravinsky
11.
Consonance, says the dictionary, is the combination of several tones into a harmonic unit. Dissonance results from the deranging of this harmony by the addition of tones foreign to it. One must admit that all this is not clear. Ever since it appeared in our vocabulary, the word 'dissonance' has carried with it a certain odor of sinfulness. Let us light our lantern: in textbook language, dissonance is an element of transition, a complex or interval of tones that is not complete in itself and that must be resolved to the ear's satisfaction into a perfect consonance.
Igor Stravinsky
12.
I take no pride in my artistic talents; they are God-given and I see absolutely no reason to become puffed up over something that one has received.
Igor Stravinsky
13.
Harpists spend 90 percent of their lives tuning their harps and 10 percent playing out of tune.
Igor Stravinsky
14.
Music's exclusive function is to structure the flow of time and keep order in it.
Igor Stravinsky
15.
Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time.
Igor Stravinsky
16.
Music is...the coordination between man and time.
Igor Stravinsky
17.
What force is more potent than love?
Igor Stravinsky
18.
To listen is an effort, and just to hear is no merit. A duck hears also.
Igor Stravinsky
19.
Lesser artists borrow, great artists steal.
Igor Stravinsky
20.
Art postulates communion, and the artist has an imperative need to make others share the joy which he experiences himself.
Igor Stravinsky
21.
The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament.
Igor Stravinsky
22.
There is music wherever there is rhythm, as there is life wherever there beats a pulse.
Igor Stravinsky
23.
I know that the twelve notes in each octave and the variety of rhythm offer me opportunities that all of human genius will never exhaust.
Igor Stravinsky
24.
Too many pieces of music finish too long after the end.
Igor Stravinsky
25.
An artist is like a pig snouting truffles.
Igor Stravinsky
26.
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
Igor Stravinsky
27.
Vivaldi didn't write 400 concertos; he wrote one concerto 400 times.
Igor Stravinsky
28.
Doomed to total failure in a deaf world of ignorance and indifference, he inexorably kept on cutting out his diamonds, his dazzling diamonds, of whose mines he had a perfect knowledge.
Igor Stravinsky
29.
I was...attacked for being a pasticheur, chided for composing "simple" music, blamed for deserting "modernism," accused of renouncing my "true Russian heritage." People who had never heard of, or cared about, the originals cried "sacrilege": "The classics are ours. Leave the classics alone." To them all my answer was and is the same: You "respect," but I love.
Igor Stravinsky
30.
A plague on eminence! I hardly dare cross the street any more without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo; and zoo animals have been known to die from stares.
Igor Stravinsky
31.
I remember being handed a score composed by Mozart at the age of eleven. What could I say? I felt like de Kooning, who was asked to comment on a certain abstract painting, and answered in the negative. He was then told it was the work of a celebrated monkey. 'That's different. For a monkey, it's terrific'.
Igor Stravinsky
32.
What gives the artist real prestige is his imitators.
Igor Stravinsky
33.
The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.
Igor Stravinsky
34.
Composition is selective improvisation.
Igor Stravinsky
35.
My music is best understood by children and animals.
Igor Stravinsky
36.
A composer is not only an architect but also an inventor, and he should not build houses in which he cannot live.
Igor Stravinsky
37.
The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
Igor Stravinsky
38.
I cannot now evaluate the events that, at the end of those thirty years, made me discover the necessity of religious belief. I was not reasoned into my disposition. Though I admire the structured thought of theology, it is to religion no more than counterpoint exercises are to music.
Igor Stravinsky
39.
Is it not by love alone that we succeed in penetrating to the very essence of being?
Igor Stravinsky
40.
The faculty of creating is never given to us all by itself. It always goes hand in hand with the gift of observation.
Igor Stravinsky
41.
A cultural snob is someone who claims to be familiar with the incomprehensible.
Igor Stravinsky
42.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
Igor Stravinsky
43.
My childhood was a period of waiting for the moment when I could send everyone and everything connected with it to hell.
Igor Stravinsky
44.
Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
Igor Stravinsky
45.
The profound meaning of music's essential aim... is to produce a communion, a union of man with his fellow man with the Supreme Being
Igor Stravinsky
46.
Old age is a time of humiliations, the most disagreeable of which, for me, is that I cannot work long at sustained high pressure with no leaks in concentration.
Igor Stravinsky
47.
The true creator may be recognized by his ability always to find about him, in the commonest and humblest thing, items worthy of note.
Igor Stravinsky
48.
Music is the sole domain in which man realizes the present.
Igor Stravinsky
49.
To be deprived of art and left alone with philosophy is to be close to Hell.
Igor Stravinsky
50.
Composers combine notes, that's all.
Igor Stravinsky