Simon Pegg Quotes

I think we all mistake certain things for happiness. I think we mistake comfort for happiness and we mistake pleasure for happiness, and entertainment for happiness, when really these are just things we use as proxies for our happiness. We use them to cheer us up or try and achieve brief happiness, when really happiness is something much more profound and long lasting and exists within us.

We are never more creative than when we are at odds with the world and there is nothing so artistically destructive as comfort. Princess Leia taught me that.

Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.

Being a geek means you never have to play it cool about how much you like something.

Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of human condition that something as precious as the future is entrusted to us when we possess so little foresight. Perhaps that's what makes hindsight so intriguing. When you're young the future is a blank canvas, but looking back you are always able to see the big picture.

Being a geek is all about being honest about what you enjoy.

We might not know we are seeking people who best enrich our lives, but somehow on a deep subconscious level we absolutely are. Whether the bond is temporary or permanent, whether it succeeds or fails, fate is simply a configuration of choices that combine with others to shape the relationships that surround us. We cannot choose our family, but we can choose our friends, and we sometimes, before we even meet them.

I mean, yeah, I'm sure that Python and the other things have paved the way for a greater understanding of the British sense of humor, but I don't think it's all that different than the American sense of humor.

Every person should have their escape route planned. I think everyone has an apocalypse fantasy, what would I do in the event of the end of the world, and we just basically - me and Nick - said what would we do, where would we head?

Plainly it isn't an exact science, despite it being a complex interaction of micro-decisions and corresponding thought; perhaps it doesn't always work and we pass by some potential soulmates like the proverbial ships in the night, never quite connecting. Then again, perhaps the system is tenacious and continues to run like a computer program on infinite loop, so that if at first you don't meet, you are drawn back together for another try.

I think at its best the American sense of humor is the same as the British sense of humor at its best, which is to be wry and ironic and self deprecating.

If I did a TV show, it would have to be in North London because I'm a bit of a homebody, and my work takes me away from home enough. But yeah absolutely. Television has never been more exciting than it is now.

It wasn't until a year later, when a young woman with Danish pastries on either side of her head knelt down in front of a walking dustbin to record an important message, that love truly came to town." - p 16 [re: Princess Leia]

I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.

I do get very angry at things. My wife has to count to ten because if she gets annoyed at me being annoyed, then I get annoyed at her being annoyed at me being annoyed.

I like to work in films, but I'd love to work in the technical side of film. I'd love to work with, say, Greg Nicotero [The Walking Dead] in kind of, like, special makeup effects. I'd probably say, "Good with clay and latex." Although I don't know what kind of job that'd get me.

The worst and the best that the internet ever did was give everybody a voice.

If I was a supervillain, I think I'd probably ban all smoking and drinking. That's exactly what I'd do: I'd remove all the cigarettes and alcohol from the world. That would piss so many people off. That's worse than, like, murdering puppies. For some people.

The trouble with addiction is that you can park the car but you can never switch off the engine or stop yourself from hearing the revs.

I used to lie in bed in my flat and imagine what would happen if there was a zombie attack.

I've appeared in those kind of films and have great fun doing it, and I'm always up for a challenge. I think with things like Mission: Impossible and Star Trek, those things are such an ensemble, it's not like I'm Ethan Hunt. I'm Benji. I'm the guy that does the computer business. I know my place.

The revolution of video had a massive affect. We grew up in a time where suddenly you could own films. Before, they had a theatrical run, and then perhaps they'd come back, or you'd catch them in a retro cinema.

I was always Luke because I had blond hair, and my mate Stu was Han. Han was the cool one. The Jedi were never the cool ones.

I hesitate to say I was the class clown, but that was kind of how I interacted with other kids in school, and I very much appreciated the responses I got. The validation of laughter is often a very heavy psychological balm.

American audiences tend to be more expressive than British ones.

Jewish comedians do the best Jewish jokes, and anyone else doing that, they don't have a right to, because they're not coming from that experience. I know that's a slightly heightened example, but it's the same thing. We're bumpkins, so we can make bumpkin jokes.

I just love listening to the laughter.

Being a geek is extremely liberating

I'm simply saying that our deepest thoughts, desires and preoccupations manifest themselves in art, whether we intend them to or not. That's what art is for; it's not cerebral, it's emotional.

Chris Martin's a good friend of mine. I'm actually Apple's godfather. He's an old friend and we've been mates for quite a few years now.

Doctor Who was a big part of my childhood so it was a great honour to be in it.

There seems to be this tendency toward denigrating romantic comedies as of late because it becomes something sort of cheesy or whatever. Whereas this embraced what it was. As a fan of When Harry Met Sally or Annie Hall, as a demonstration of what romantic comedy could be and should be, I immediately phoned Nira back and said, "Yeah, I'd like to do this. It'll be fun."

I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.

I love my job very much, and I don't think I would change it. In fact, I know I wouldn't, because I can't do anything else.

Sometimes you just wish you could make a film and then have it on DVD so you can see your mom. But, no, I've never really had that moment. Not really. Not seriously.

Spoilers are cowardly. They're just people who want to anesthetize themselves against the tension and the experience that the director and the artist have set up. If you go in there knowing what's going to happen, it's like reading the last page of the book. It's just cowardly.

When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.

There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.

When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.

There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.

I lived in the cultural equivalent of Tatooine when I was a little boy. I didn't live in London, I didn't live right in the middle of where everything was happening, I lived on the very edge of it.

As a kid, I was a huge fan of movies and acting. My mom was in the sort of community theater, and I always hung around down there, and I was a massive fan of everything I'm kind of involved in now. But fairly ordinary and cheeky.

When you meet people that you know from other films - as often happens to me, and as tends to happens to you when you're an actor, you constantly meet people that you've seen in other films. But when it's people who've kind of had a seismic effect on your life, it's quite extraordinary.

Like behind the car or in the pub, to do a scene, a proper nice dramatic scene, it's always a treat. And they're usually shot as one, so you've got a big chunk of dialogue to learn, and you feel like you're working.

It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.

Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.

That's always important to us, is being truthful. Not guessing, not making any assumptions. Just coming at it with knowledge.

My worst job was packing animal feed in a warehouse in Gloucestershire when I was a student. It was a very strange environment. It was hung heavy with oat dust, the place was infested with mice, and everyone who worked there was over 60, and I was 18. It was crazy. Apologies to anyone who works in animal-feed packing industry and loves it.

If there is no fate and our interactions depend on such a complex system of chance encounters, what potentially important connections do we fail to make? What life changing relationships or passionate and lasting love affairs are lost to chance?

The trouble with improv is that it is often about being funny in the moment without any real consideration for the bigger picture.